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Author: Paul Muldoon
Publisher: Farrar, Straus and Giroux
ISBN: 0374721432
Category : Poetry
Languages : en
Pages : 116
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Book Description
A new collection from the Pulitzer Prize–winning poet Though Frolic and Detour is Paul Muldoon’s thirteenth collection, it shows all the energy and ambition we might generally associate with a first book. Here, the poet brings his characteristic humor and humanity to the chickadee, the house wren, the deaths of Leonard Cohen and C. K. Williams, the Irish Rising, the Great War, and how “a streak of ragwort / may yet shine / as an off-the-record / remark becomes the party line.” Frolic and Detour reminds us that the sidelong glance is the sweetest, the tangential approach the most telling, and shows us why Paul Muldoon was described by Nick Laird, writing in The New York Review of Books, as “the most formally ambitious and technically innovative of modern poets, [who] writes poems like no one else.”
Author: Paul Muldoon
Publisher: Farrar, Straus and Giroux
ISBN: 0374721432
Category : Poetry
Languages : en
Pages : 116
Get Book Here
Book Description
A new collection from the Pulitzer Prize–winning poet Though Frolic and Detour is Paul Muldoon’s thirteenth collection, it shows all the energy and ambition we might generally associate with a first book. Here, the poet brings his characteristic humor and humanity to the chickadee, the house wren, the deaths of Leonard Cohen and C. K. Williams, the Irish Rising, the Great War, and how “a streak of ragwort / may yet shine / as an off-the-record / remark becomes the party line.” Frolic and Detour reminds us that the sidelong glance is the sweetest, the tangential approach the most telling, and shows us why Paul Muldoon was described by Nick Laird, writing in The New York Review of Books, as “the most formally ambitious and technically innovative of modern poets, [who] writes poems like no one else.”
Author: Paul Muldoon
Publisher: Farrar, Straus and Giroux
ISBN: 0374602964
Category : Poetry
Languages : en
Pages : 192
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Book Description
The Pulitzer Prize–winning poet delivers a sharp wake-up call with his fourteenth collection. A “howdie-skelp” is the slap in the face a midwife gives a newborn. It’s a wake-up call. A call to action. The poems in Howdie-Skelp, Paul Muldoon’s new collection, include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a heroic crown of sonnets that responds to the early days of the COVID-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an “affront” to good taste. Muldoon is a poet who continues not only to capture but to command our attention.
Author: Ruben Moi
Publisher: BRILL
ISBN: 9004355111
Category : Literary Criticism
Languages : en
Pages : 429
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Book Description
Paul Muldoon and the Language of Poetry is the first book in years that attends to the entire oeuvre of the Irish-American poet, critic, lyricist, dramatist and Princeton professor from his debut with New Weather in 1973 up to his very recent publications. Ruben Moi’s book explores, in correspondence with language philosophy and critical debate, how Muldoon’s ingenious language and inventive form give shape and significance to his poetry, and how his linguistic panache and technical verve keep language forever surprising, new and alive.
Author: Ruben Moi
Publisher: Brill
ISBN: 9789004355101
Category :
Languages : en
Pages : 0
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Book Description
This book interprets the multifarious writing of the Irish-American word wizard, Paul Muldoon, who has been described by The Times Literary Supplement as 'the most significant English-language poet born since the second World War'.
Author: Paul Muldoon
Publisher: Farrar, Straus and Giroux
ISBN: 1466879807
Category : Poetry
Languages : en
Pages : 124
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Book Description
Paul Muldoon's ninth collection of poems, his first since Hay (1998), finds him working a rich vein that extends from the rivery, apple-heavy County Armagh of the 1950s, in which he was brought up, to suburban New Jersey, on the banks of a canal dug by Irish navvies, where he now lives. Grounded, glistening, as gritty as they are graceful, these poems seem capable of taking in almost anything, and anybody, be it a Tuareg glimpsed on the Irish border, Bessie Smith, Marilyn Monroe, Queen Elizabeth I, a hunted hare, William Tell, William Butler Yeats, Sitting Bull, Ted Hughes, an otter, a fox, Mr. and Mrs. Stanley Joscelyne, un unearthed pit pony, a loaf of bread, an outhouse, a killdeer, Oscar Wilde, or a flock of redknots. At the heart of the book is an elegy for a miscarried child, and that elegiac tone predominates, particularly in the elegant remaking of Yeats's "A Prayer for My Daughter" with which the book concludes, where a welter of traffic signs and slogans, along with the spirits of admen, hardware storekeepers, flimflammers, fixers, and other forebears, are borne along by a hurricane-swollen canal, and private grief coincides with some of the gravest matter of our age. Moy Sand and Gravel is the winner of the 2003 Pulitzer Prize for Poetry.
Author: Paul Muldoon
Publisher: Faber & Faber
ISBN: 0571263828
Category : Poetry
Languages : en
Pages : 75
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Book Description
'These poems delight in a wily, mischievous, nonchalant negotiation between the affections and attachments of Muldoon's own childhood, family and place, and the ironic discriminations of a cool literary sensibility and historical awareness.' Times Literary Supplement
Author: Paul Muldoon
Publisher: Macmillan + ORM
ISBN: 1429923911
Category : Literary Criticism
Languages : en
Pages : 589
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Book Description
In The End of the Poem, Paul Muldoon, "the most significant English-language poet born since the Second World War" (The Times Literary Supplement), presents engaging, rigorous, and insightful explorations of a diverse group of poems, from Yeats's "All Souls' Night" to Stevie Smith's "I Remember" to Fernando Pessoa's "Autopsychography." Here Muldoon reminds us that the word "poem" comes, via French, from the Latin and Greek: "a thing made or created." He asks: Can a poem ever be a freestanding, discrete structure, or must it always interface with the whole of its author's bibliography—and biography? Muldoon explores the boundlessness, the illimitability, created by influence, what Robert Frost meant when he insisted that "the way to read a poem in prose or verse is in the light of all the other poems ever written." And he writes of the boundaries or borders between writer and reader and the extent to which one determines the role of the other. At the end, Muldoon returns to the most fruitful, and fraught, aspect of the phrase "the end of the poem": the interpretation that centers on the "aim" or "function" of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent, deeply learned, often funny, and always stimulating, The End of the Poem is a vigorous and accessible approach to looking at poetry anew.
Author: Paul Muldoon
Publisher: Faber & Faber
ISBN: 0571269648
Category : Poetry
Languages : en
Pages : 134
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Book Description
In his eleventh full-length collection, Paul Muldoon reminds us that he is a traditional poet who is steadfastly at odds with tradition. If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are 'sex and the dead', Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its 'subject' the urge to memorialize the scenes of fatal car accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title-sequence but many of the round-songs that characterize Maggot and has led Angela Leighton, writing in the TLS, to see these new poems (on their earlier appearance in Plan B, an interim volume which included several of the poems in Maggot) as giving readers 'a thrilling, wild, fairground ride, with few let-ups for the squeamish.'
Author: Jefferson Holdridge
Publisher: The Liffey Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
"The Poetry of Paul Muldoon introduces the student and general reader to the critical discussion surrounding Muldoon's oeuvre, as well as to his major themes. It examines the poet's meditations on culture and nature, human and animal, speculations on the act of perception, figures fragmented by the Troubles, and philosophical considerations of colonisation. It then discusses what rank among the most beautiful and intricate elegies of our time. For Muldoon, art's complicity in suffering is a political, self-indicting question, which his best poems endeavour to answer. If sometimes this Pulitzer Prize winner insists that art has a positive role to play, at other times he fears that it merely feeds off the carnage. This critical book shows how, for Muldoon, art should not merely repeat the devastation of the world - although he is afraid that it does, and engages in bitter moral despair that places his work among the very best any contemporary poet has written. The Poetry of Paul Muldoon unearths difficult questions of form with a metaphysical significance that is suitable to our times."--BOOK JACKET.
Author: Paul Muldoon
Publisher: Farrar, Straus and Giroux
ISBN: 1466879815
Category : Poetry
Languages : en
Pages : 91
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Book Description
A vibrant new collection of poems—that also double as rock songs—from the Pulitzer Prize–winning poet In his new book of rock lyrics, Paul Muldoon goes back to the essential meaning of the term "lyric"—a short poem sung to the accompaniment of a musical instrument. These words are written for music most assuredly, with half an ear to Yeats's ballad-singing porter drinkers and half to Cole Porter—and indeed, many of them double as rock songs, performed by Wayside Shrines, the Princeton-based music collective of which Muldoon is a member. Their themes are the classic themes of song: lost love, lost wars, Charlton Heston, barbed wire, pole dancers, cellulite, Hegel, elephants, Oedipus, more barbed wire, Buddy Holly, Jersey peaches, Julius Caesar, Trenton, cockatoos, and the Youngers (Bob and John and Jim and Cole). The Word on the Street is a lively addition to this Pulitzer Prize–winning poet's masterful body of work. It demonstrates, once again, that, as Richard Eder has written in the pages of The New York Times Book Review, "Paul Muldoon is a shape-shifting Proteus to readers who try to pin him down . . . Those who interrogate Muldoon's poems find themselves changing shapes each time he does."
