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Author: Dominica Dipio
Publisher: African Books Collective
ISBN: 1920033408
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
Gender Terrains in African Cinema reflects on a body of canonical African filmmakers who address a trajectory of pertinent social issues. Dipio analyses gender relations around three categories of female characters the girl child, the young woman and the elderly woman and their male counterparts. Although gender remains the focal point in this lucid and fascinating text, Dipio engages attention in her discussion of African feminism in relation to Western feminism. With its broad appeal to African humanities, Gender Terrains in African Cinema stands as a unique and radical contribution to the field of (African) film studies, which until now, has suffered from a paucity of scholarship.
Author: Dominica Dipio
Publisher: African Books Collective
ISBN: 1920033408
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
Gender Terrains in African Cinema reflects on a body of canonical African filmmakers who address a trajectory of pertinent social issues. Dipio analyses gender relations around three categories of female characters the girl child, the young woman and the elderly woman and their male counterparts. Although gender remains the focal point in this lucid and fascinating text, Dipio engages attention in her discussion of African feminism in relation to Western feminism. With its broad appeal to African humanities, Gender Terrains in African Cinema stands as a unique and radical contribution to the field of (African) film studies, which until now, has suffered from a paucity of scholarship.
Author: Matolino, Bernard
Publisher: NISC (Pty) Ltd
ISBN: 1920033319
Category : Political Science
Languages : en
Pages : 242
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Book Description
Some philosophers on the African continent and beyond are convinced that consensus, as a polity, represents the best chance for Africa to fully democratise. In Consensus as Democracy in Africa, Bernard Matolino challenges the basic assumptions built into consensus as a social and political theory. Central to his challenge to the claimed viability of consensus as a democratic system are three major questions: Is consensus genuinely superior to its majoritarian counterpart? Is consensus itself truly a democratic system? Is consensus sufficiently different from the one-party system? In taking up these issues and others closely associated with them, Matolino shows that consensus as a system of democracy encounters several challenges that make its viability highly doubtful. Matolino then attempts a combination of an understanding of an authentic mode of democracy with African reality to work out what a more desirable polity would be for the continent.
Author: Ayo Adeduntan
Publisher: African Books Collective
ISBN: 1920033432
Category : Social Science
Languages : en
Pages : 156
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Book Description
Studies of Yoruba culture and performance tend to focus mainly on standardised forms of performance, and ignore the more prevalent performance culture which is central to everyday life. What the Forest Told Me conveys the elastic nature of African cultural expression through narratives of the Yoruba hunters' exploits. Hunters' narratives provide a window on the Yoruba understanding and explanation of their world; a cosmology that negates the anthropocentric view of creation. In a very literal sense, man, in this peculiar world, is an equal actor with animal and nature spirits with whom he constantly contests and negotiates space.
Author: Hilde Roos
Publisher: University of California Press
ISBN: 0520299892
Category : Music
Languages : en
Pages : 288
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Book Description
Race, politics, and opera production during apartheid South Africa intersect in this historiographic work on the Eoan Group, a “coloured” cultural organization that performed opera in the Cape. The La Traviata Affair charts Eoan’s opera activities from the group’s inception in 1933 until the cessation of their productions by 1980. It explores larger questions of complicity, compromise, and compliance; of assimilation, appropriation, and race; and of “European art music” in situations of “non-European” dispossession and disenfranchisement. Performing under the auspices of apartheid, the group’s unquestioned acceptance of and commitment to the art of opera could not redeem it from the entanglements that came with the political compromises it made. Uncovering a rich trove of primary source materials, Hilde Roos presents here for the first time the story of one of the premier cultural agencies of apartheid South Africa.
Author: Tony Perman
Publisher: University of Illinois Press
ISBN: 025205668X
Category : Music
Languages : en
Pages : 221
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Book Description
Making music offers enormous possibilities--and faces significant limitations--in its power to generate belonging and advance social justice. Tony Perman and Stefan Fiol edit essays focused on the forms of interplay between music-making and community-making as mutually creative processes. Contributors in the first section look at cases where music arrived in settings with little or no sense of community and formed social bonds that lasted beyond its departure. In the sections that follow, the essayists turn to stable communities that used musical forms to address social needs and both forged new social groups and, in some cases, splintered established communities. By centering the value of difference in productive feedback dynamics of music and community while asserting the need for mutual moral indebtedness, they foreground music’s potential to transform community for the better. Contributors: Stephen Blum, Joanna Bosse, Sylvia Bruinders, Donna A. Buchanan, Rick Deja, Veit Erlmann, Stefan Fiol, Eduardo Herrera, David A. McDonald, Tony Perman, Thomas Solomon, and Ioannis Tsekouras
Author: Romanus Aboh
Publisher: African Books Collective
ISBN: 1920033343
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
Language and the construction of multiple identities in the Nigerian novel examines the multifaceted relation between people and the various identities they construct for themselves and for others through the context-specific ways they use language. Specifically, this book pays attention to how forms of identities ethnic, cultural, national and gender are constructed through the use of language in select novels of Adichie, Atta and Betiang. Employing an interdisciplinary approach, this book draws analytical insights from critical discourse analysis, literary discourse analysis and socio-ethno-linguistic analysis. This approach enables the author to engage with the novels, to illuminate the link between the ways Nigerians use language and the identities they construct. Being a context-driven analysis, this book critically scrutinises literary language beyond stylistic borders by interrogating the micro and macro levels of language use, a core analytical paradigm frequently used by discourse analysts who engage in critical discourse analysis.
Author: Suzel A. Reily
Publisher: Routledge
ISBN: 1317417887
Category : Music
Languages : en
Pages : 681
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Book Description
WINNER OF THE 2019 SOCIETY OF ETHNOMUSICLOGY ELLEN KOSKOFF PRIZE FOR EDITED COLLECTIONS The Routledge Companion to the Study of Local Musicking provides a reference to how, cross-culturally, musicking constructs locality and how locality is constructed by the musicking that takes place within it, that is, how people engage with ideas of community and place through music. The term "musicking" has gained currency in music studies, and refers to the diverse ways in which people engage with music, regardless of the nature of this engagement. By linking musicking to the local, this book highlights the ways in which musical practices and discourses interact with people’s everyday experiences and understandings of their immediate environment, their connections and commitment to that locality, and the people who exist within it. It explores what makes local musicking "local." By viewing musicking from the perspective of where it takes place, the contributions in this collection engage with debates on the processes of musicking, identity construction, community-building and network formation, competitions and rivalries, place and space making, and local-global dynamics.
Author: Babajide Ololajulo
Publisher: African Books Collective
ISBN: 1920033335
Category : Political Science
Languages : en
Pages : 140
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Book Description
Unshared Identity employs the practice of posthumous paternity in Ilupeju-Ekiti, a Yoruba-speaking community in Nigeria, to explore endogenous African ways of being and meaning-making that are believed to have declined when the Yoruba and other groups constituting present-day Nigeria were preyed upon by European colonialism and Westernisation. However, the authors fieldwork for this book uncovered evidence of the resilience of Africas endogenous epistemologies. Drawing on a range of disciplines, from anthropology to literature, the author lays bare the hypocrisy underlying the ways in which dominant Western ideals of being and belonging are globalised or proliferated, while those that are unorthodox or non-Western (Yoruba and African in this case) are pathologised, subordinated and perceived as repugnant. At a time when the issues of decolonisation and African epistemologies are topical across the African continent, this book is a timely contribution to the potential revival of those values and practices that make Africans African.
Author: Izuu Nwankw?
Publisher: African Books Collective
ISBN: 1920033874
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Yabbing and Wording: The artistry of Nigerian stand-up comedy is a long-overdue academic interrogation of the novel stand-up practice in Nigeria as performance. 'Yabbing' comes from the Nigerian Pidgin English verb, 'yab', which means a satirical jibe thrown at individuals, groups or institutions. Nigeria's Fela Anikulapo-Kuti used this effectively in his recorded and live music performances against successive military regimes. 'Wording' derives from the English term 'word' and refers to a game in which parties exchange insults. It is a modern-day coinage for traditional forms of joking that existed across Nigeria and elsewhere in precolonial times. In this book, Nwankw? identifies 'yabbing' and 'wording' as outstanding indigenous elements within contemporary stand-up practice in Nigeria. On the one hand, these local joking patterns inform how comedians fashion their narratives. On the other, they mitigate offence and how the audience responds to ridicule in joke performance venues. The book's strength is its academic perspective and the inclusion of as many examples of stand-up and comedians as possible, to give a panoramic view of the practice. It also traces the historical path of the development of professional stand-up comedy in Nigeria. Its closing chapters detail the global outreach of Nigerian stand-up while also anticipating its future developments.
Author: Manase, Irikidzayi
Publisher: NISC (Pty) Ltd
ISBN: 1920033475
Category : Political Science
Languages : en
Pages : 164
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Book Description
The post-2000 period in Zimbabwe saw the launch of a fast track land reform programme, resulting in a flurry of accounts from white Zimbabweans about how they saw the land, the land invasions, and their own sense of belonging and identity. In White Narratives, Irikidzayi Manase engages with this fervent output of texts seeking definition of experiences, conflicts and ambiguities arising from the land invasions. He takes us through his study of texts selected from the memoirs, fictional and non-fictional accounts of white farmers and other displaced white narrators on the post-2000 Zimbabwe land invasions, scrutinising divisions between white and black in terms of both current and historical ideology, society and spatial relationships. He examines how the revisionist politics of the Zimbabwean government influenced the politics of identities and race categories during the period 2000–2008, and posits some solutions to the contestations for land and belonging.
