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Author: Sylvia Bruinders
Publisher: African Books Collective
ISBN: 192003322X
Category : Music
Languages : en
Pages : 226
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Book Description
Parading respectability: The cultural and moral aesthetics of the Christmas Bands Movement in the Western Cape, South Africa is an intimate and incisive portrait of the Christmas Bands Movement in the Western Cape of South Africa. Drawing on her own on background as well as her extended research study period during which she became a band member and was closely involved in its day-to-day affairs, the author, Dr Sylvia Bruinders, documents this centuries-old expressive practice of ushering in the joy of Christmas through music by way of a social history of the coloured communities. In doing so, she traces the slave origins of the Christmas Bands Movement, as well as how the oppressive and segregationist injustices of both colonialism and apartheid, together with the civil liberties afforded in the South African Constitution (1996) after the country became a democracy in 1994 have shaped the movement.
Author: Sylvia Bruinders
Publisher: African Books Collective
ISBN: 192003322X
Category : Music
Languages : en
Pages : 226
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Book Description
Parading respectability: The cultural and moral aesthetics of the Christmas Bands Movement in the Western Cape, South Africa is an intimate and incisive portrait of the Christmas Bands Movement in the Western Cape of South Africa. Drawing on her own on background as well as her extended research study period during which she became a band member and was closely involved in its day-to-day affairs, the author, Dr Sylvia Bruinders, documents this centuries-old expressive practice of ushering in the joy of Christmas through music by way of a social history of the coloured communities. In doing so, she traces the slave origins of the Christmas Bands Movement, as well as how the oppressive and segregationist injustices of both colonialism and apartheid, together with the civil liberties afforded in the South African Constitution (1996) after the country became a democracy in 1994 have shaped the movement.
Author: Sophie Oldfield
Publisher: University of Georgia Press
ISBN: 0820365025
Category : Social Science
Languages : en
Pages : 226
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Book Description
High Stakes, High Hopes tracks the building of urban theorizing in a decade-long urban research and teaching partnership in Cape Town, South Africa. An argument for collaborative urbanism, this book reflects on what was at stake in the partnership and its creative, and at times, conflictive, evolution. High Stakes, High Hopes explores what changed in learning when teaching and assessment occurred in university classrooms, township streets, and ordinary people’s households. Oldfield explores how research and assessment were reshaped when framed in neighbourhood questions and commitments, and what was reoriented in urban theorizing when community activism and township struggles were recognized as sites of valid knowledge-making. Oldfield traces the multiple personal and political relationships at play, exploring the shifting patterns of power in this productive, yet always negotiated, collaboration. This innovative methodology reveals the ways in which activists, residents, students, and the author experienced and reworked the differences between them. High Stakes, High Hopes shares forms of practice, grounded in teaching, to train a next generation of urbanists to engage the city embedded in multiple publics and politics across the city. The book builds upon an archive of alternative kinds of urban knowledges, experiments which work to inspire more varied forms of urban theorizing.
Author: Tony Perman
Publisher: University of Illinois Press
ISBN: 025205668X
Category : Music
Languages : en
Pages : 221
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Book Description
Making music offers enormous possibilities--and faces significant limitations--in its power to generate belonging and advance social justice. Tony Perman and Stefan Fiol edit essays focused on the forms of interplay between music-making and community-making as mutually creative processes. Contributors in the first section look at cases where music arrived in settings with little or no sense of community and formed social bonds that lasted beyond its departure. In the sections that follow, the essayists turn to stable communities that used musical forms to address social needs and both forged new social groups and, in some cases, splintered established communities. By centering the value of difference in productive feedback dynamics of music and community while asserting the need for mutual moral indebtedness, they foreground music’s potential to transform community for the better. Contributors: Stephen Blum, Joanna Bosse, Sylvia Bruinders, Donna A. Buchanan, Rick Deja, Veit Erlmann, Stefan Fiol, Eduardo Herrera, David A. McDonald, Tony Perman, Thomas Solomon, and Ioannis Tsekouras
Author: Craig Heron
Publisher: University of Toronto Press
ISBN: 1442658509
Category : History
Languages : en
Pages : 361
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Book Description
For most Canadians today, Labour Day is the last gasp of summer fun: the final long weekend before returning to the everyday routine of work or school. But over its century-long history, there was much more to the September holiday than just having a day off. In The Workers' Festival, Craig Heron and Steve Penfold examine the complicated history of Labour Day from its origins as a spectacle of skilled workers in the 1880s through its declaration as a national statutory holiday in 1894 to its reinvention through the twentieth century. The holiday's inventors hoped to blend labour solidarity, community celebration, and increased leisure time by organizing parades, picnics, speeches, and other forms of respectable leisure. As the holiday has evolved, so too have the rituals, with trade unionists embracing new forms of parading, negotiating, and bargaining, and other social groups re-shaping it and making it their own. Heron and Penfold also examine how Labour Day's monopoly as the workers' holiday has been challenged since its founding, with alternative festivals arising such as May Day and International Women's Day. The Workers' Festival ranges widely into many key themes of labour history – union politics and rivalries, radical movements, religion (Catholic and Protestant), race and gender, and consumerism/leisure – as well as cultural history – public celebration/urban procession, urban space and communication, and popular culture. From St. John's to Victoria, the authors follow the century-long development of the holiday in all its varied forms.
Author: Suzel A. Reily
Publisher: Routledge
ISBN: 1317417887
Category : Music
Languages : en
Pages : 681
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Book Description
WINNER OF THE 2019 SOCIETY OF ETHNOMUSICLOGY ELLEN KOSKOFF PRIZE FOR EDITED COLLECTIONS The Routledge Companion to the Study of Local Musicking provides a reference to how, cross-culturally, musicking constructs locality and how locality is constructed by the musicking that takes place within it, that is, how people engage with ideas of community and place through music. The term "musicking" has gained currency in music studies, and refers to the diverse ways in which people engage with music, regardless of the nature of this engagement. By linking musicking to the local, this book highlights the ways in which musical practices and discourses interact with people’s everyday experiences and understandings of their immediate environment, their connections and commitment to that locality, and the people who exist within it. It explores what makes local musicking "local." By viewing musicking from the perspective of where it takes place, the contributions in this collection engage with debates on the processes of musicking, identity construction, community-building and network formation, competitions and rivalries, place and space making, and local-global dynamics.
Author: Joseph Clark
Publisher: U of Minnesota Press
ISBN: 1452963606
Category : Social Science
Languages : en
Pages : 296
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Book Description
A fascinating look at the United States’ conflicted relationship with news and the media, through the lens of the newsreel When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized “indisputable evidence” of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel’s methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel’s place in the history of twentieth-century American culture and film history. Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel’s coverage of Charles Lindbergh’s transatlantic flight and the Sino–Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship. In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public’s relationship with the news in the 1930s—a history that can help us to better understand the transformations happening today.
Author: Dominic Bryan
Publisher: Pluto Press
ISBN: 9780745314136
Category : History
Languages : en
Pages : 228
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Book Description
Shows how transnational corporations use lobby groups to shape EU policy. New updated edition
Author: T. Fraser
Publisher: Springer
ISBN: 0333993853
Category : Political Science
Languages : en
Pages : 222
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Book Description
The book examines the evolution and current significance of the parading tradition in Ireland. Since 1995, confrontations over parades have existed side by side with the Northern Ireland peace process. The most bitter of these have occurred over the Drumcree church parade at Portadown and the Relief of Derry parades. Using a range of historical and anthropological perspectives, the book traces the parading tradition from the seventeenth century to the present.
Author: Hilde Roos
Publisher: University of California Press
ISBN: 0520299884
Category : Music
Languages : en
Pages : 288
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Book Description
Race, politics, and opera production during apartheid South Africa intersect in this historiographic work on the Eoan Group, a “coloured” cultural organization that performed opera in the Cape. The La Traviata Affair charts Eoan’s opera activities from the group’s inception in 1933 until the cessation of their productions by 1980. It explores larger questions of complicity, compromise, and compliance; of assimilation, appropriation, and race; and of “European art music” in situations of “non-European” dispossession and disenfranchisement. Performing under the auspices of apartheid, the group’s unquestioned acceptance of and commitment to the art of opera could not redeem it from the entanglements that came with the political compromises it made. Uncovering a rich trove of primary source materials, Hilde Roos presents here for the first time the story of one of the premier cultural agencies of apartheid South Africa.
Author: Andindilile, Michael
Publisher: NISC (Pty) Ltd
ISBN: 1920033238
Category : Literary Criticism
Languages : en
Pages : 168
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Book Description
Michael Andindilile in The Anglophone Literary–Linguistic Continuum: English and Indigenous Languages in African Literary Discourse interrogates Obi Wali’s (1963) prophecy that continued use of former colonial languages in the production of African literature could only lead to ‘sterility’, as African literatures can only be written in indigenous African languages. In doing so, Andindilile critically examines selected of novels of Achebe of Nigeria, Ngũgĩ of Kenya, Gordimer of South Africa and Farah of Somalia and shows that, when we pay close attention to what these authors represent about their African societies, and the way they integrate African languages, values, beliefs and cultures, we can discover what constitutes the Anglophone African literary–linguistic continuum. This continuum can be defined as variations in the literary usage of English in African literary discourse, with the language serving as the base to which writers add variations inspired by indigenous languages, beliefs, cultures and, sometimes, nation-specific experiences.
