Author: Andrea Espinoza Carvajal
Publisher: Vernon Press
ISBN:
Category : Social Science
Languages : en
Pages : 281
Book Description
'Pandemic and Narration: Covid-19 Narratives in Latin America' sheds light on how, as Covid-19 spread, infecting and killing millions across the world, life not only continued to be experienced but also continued to be narrated. By putting together this volume, we help understand what happened in the region from a perspective in which, unlike most of what we saw during the health emergency, numbers, statistics and percentages are not at the centre of the analysis. The essays gathered here foreground something else: the manifold ways Covid-19 was subjectively and collectively narrated in the news, government reports, political speeches, NGO communications, social media, literature, songs and many other media. From a wide range of disciplinary approaches, the contributors to this edition pay attention to how fictional and non-fictional stories, official discourses, as well as personal and political accounts, documented, represented and shaped the health crisis, laying bare how —in Latin American countries— the spread of the virus intersected with corruption, gender-based violence, inequality and exclusion, as with community, solidarity and hope. Readers will find that the focus on narrative provides an alternative source of knowledge on Latin America’s Covid-19 experience. Our perspective contrasts with the usual emphasis on death tolls, infection rates, weekly cases, vaccination counts, and the plethora of statistics that illustrated the gravity of the situation in the build-up to, during, and after the peak of the crisis. While extremely important to understand the situation, numbers do not tell the whole story. A comprehensive picture of the pandemic can only be achieved when the stories of the virus are accounted for. Health, after all, is no stranger to narrative. And neither is Latin America.
Pandemic and Narration: Covid-19 Narratives in Latin America
Author: Andrea Espinoza Carvajal
Publisher: Vernon Press
ISBN:
Category : Social Science
Languages : en
Pages : 281
Book Description
'Pandemic and Narration: Covid-19 Narratives in Latin America' sheds light on how, as Covid-19 spread, infecting and killing millions across the world, life not only continued to be experienced but also continued to be narrated. By putting together this volume, we help understand what happened in the region from a perspective in which, unlike most of what we saw during the health emergency, numbers, statistics and percentages are not at the centre of the analysis. The essays gathered here foreground something else: the manifold ways Covid-19 was subjectively and collectively narrated in the news, government reports, political speeches, NGO communications, social media, literature, songs and many other media. From a wide range of disciplinary approaches, the contributors to this edition pay attention to how fictional and non-fictional stories, official discourses, as well as personal and political accounts, documented, represented and shaped the health crisis, laying bare how —in Latin American countries— the spread of the virus intersected with corruption, gender-based violence, inequality and exclusion, as with community, solidarity and hope. Readers will find that the focus on narrative provides an alternative source of knowledge on Latin America’s Covid-19 experience. Our perspective contrasts with the usual emphasis on death tolls, infection rates, weekly cases, vaccination counts, and the plethora of statistics that illustrated the gravity of the situation in the build-up to, during, and after the peak of the crisis. While extremely important to understand the situation, numbers do not tell the whole story. A comprehensive picture of the pandemic can only be achieved when the stories of the virus are accounted for. Health, after all, is no stranger to narrative. And neither is Latin America.
Publisher: Vernon Press
ISBN:
Category : Social Science
Languages : en
Pages : 281
Book Description
'Pandemic and Narration: Covid-19 Narratives in Latin America' sheds light on how, as Covid-19 spread, infecting and killing millions across the world, life not only continued to be experienced but also continued to be narrated. By putting together this volume, we help understand what happened in the region from a perspective in which, unlike most of what we saw during the health emergency, numbers, statistics and percentages are not at the centre of the analysis. The essays gathered here foreground something else: the manifold ways Covid-19 was subjectively and collectively narrated in the news, government reports, political speeches, NGO communications, social media, literature, songs and many other media. From a wide range of disciplinary approaches, the contributors to this edition pay attention to how fictional and non-fictional stories, official discourses, as well as personal and political accounts, documented, represented and shaped the health crisis, laying bare how —in Latin American countries— the spread of the virus intersected with corruption, gender-based violence, inequality and exclusion, as with community, solidarity and hope. Readers will find that the focus on narrative provides an alternative source of knowledge on Latin America’s Covid-19 experience. Our perspective contrasts with the usual emphasis on death tolls, infection rates, weekly cases, vaccination counts, and the plethora of statistics that illustrated the gravity of the situation in the build-up to, during, and after the peak of the crisis. While extremely important to understand the situation, numbers do not tell the whole story. A comprehensive picture of the pandemic can only be achieved when the stories of the virus are accounted for. Health, after all, is no stranger to narrative. And neither is Latin America.
Phase Six
Author: Jim Shepard
Publisher: Knopf
ISBN: 052565545X
Category : Fiction
Languages : en
Pages : 257
Book Description
"In a tiny settlement on the west coast of Greenland, 11-year-old Aleq and his best friend, frequent trespassers at a mining site exposed to mountains of long-buried and thawing permafrost, carry what they pick up back into their village, and from there Shepard's harrowing and deeply moving story follows Aleq, one of the few survivors of the initial outbreak, through his identification and radical isolation as the likely index patient. While he shoulders both a crushing guilt for what he may have done and the hopes of a world looking for answers, we also meet two Epidemic Intelligence Service investigators dispatched from the CDC--Jeannine, an epidemiologist and daughter of Algerian immigrants, and Danice, an MD and lab wonk. As they attempt to head off the cataclysm, Jeannine--moving from the Greeland hospital overwhelmed with the first patients to a Level 4 high-security facility in the Rocky Mountains--does what she can to sustain Aleq."--Publisher's description.
Publisher: Knopf
ISBN: 052565545X
Category : Fiction
Languages : en
Pages : 257
Book Description
"In a tiny settlement on the west coast of Greenland, 11-year-old Aleq and his best friend, frequent trespassers at a mining site exposed to mountains of long-buried and thawing permafrost, carry what they pick up back into their village, and from there Shepard's harrowing and deeply moving story follows Aleq, one of the few survivors of the initial outbreak, through his identification and radical isolation as the likely index patient. While he shoulders both a crushing guilt for what he may have done and the hopes of a world looking for answers, we also meet two Epidemic Intelligence Service investigators dispatched from the CDC--Jeannine, an epidemiologist and daughter of Algerian immigrants, and Danice, an MD and lab wonk. As they attempt to head off the cataclysm, Jeannine--moving from the Greeland hospital overwhelmed with the first patients to a Level 4 high-security facility in the Rocky Mountains--does what she can to sustain Aleq."--Publisher's description.
Representations of China in Latin American Literature (1987-2016)
Author: Maria Montt Strabucchi
Publisher: Liverpool University Press
ISBN: 1835535658
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. Representations of China in Latin American Literature (1987-2016) analyses contemporary Latin American novels in which China is the main theme. Using ‘China’ as a multidimensional term, it explores how the novels both highlight and undermine assumptions about China that have shaped Latin America’s understanding of ‘China’ and shows ‘China’ to be a kind of literary/imaginary ‘third’ term which reframes Latin American discourses of alterity. On one level, it argues that these texts play with the way that ‘China’ stands in as a wandering signifier and as a metonym for Asia, a gesture that essentialises it as an unchanging other. On another level, it argues that the novels’ employment of ‘China’ resists essentialist constructions of identity. ‘China’ is thus shown to be serving as a concept which allows for criticism of the construction of fetishized otherness and of the exclusion inherent in essentialist discourses of identity. The book presents and analyses the depiction of an imaginary of China which is arguably performative, but which discloses the tropes and themes which may be both established and subverted, in the novels. Chapter One examines the way in which ‘China’ is represented and constructed in Latin American novels where this country is a setting for their stories. The novels studied in Chapter Two are linked to the presence of Chinese communities in Latin America. The final chapter examines novels whose main theme is travel to contemporary China. Ultimately, in the novels studied in this book ‘China’ serves as a concept through which essentialist notions of identity are critiqued.
Publisher: Liverpool University Press
ISBN: 1835535658
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. Representations of China in Latin American Literature (1987-2016) analyses contemporary Latin American novels in which China is the main theme. Using ‘China’ as a multidimensional term, it explores how the novels both highlight and undermine assumptions about China that have shaped Latin America’s understanding of ‘China’ and shows ‘China’ to be a kind of literary/imaginary ‘third’ term which reframes Latin American discourses of alterity. On one level, it argues that these texts play with the way that ‘China’ stands in as a wandering signifier and as a metonym for Asia, a gesture that essentialises it as an unchanging other. On another level, it argues that the novels’ employment of ‘China’ resists essentialist constructions of identity. ‘China’ is thus shown to be serving as a concept which allows for criticism of the construction of fetishized otherness and of the exclusion inherent in essentialist discourses of identity. The book presents and analyses the depiction of an imaginary of China which is arguably performative, but which discloses the tropes and themes which may be both established and subverted, in the novels. Chapter One examines the way in which ‘China’ is represented and constructed in Latin American novels where this country is a setting for their stories. The novels studied in Chapter Two are linked to the presence of Chinese communities in Latin America. The final chapter examines novels whose main theme is travel to contemporary China. Ultimately, in the novels studied in this book ‘China’ serves as a concept through which essentialist notions of identity are critiqued.
The Crisis of American Democracy: Essays on a Failing Institution
Author: Leland Harper
Publisher: Vernon Press
ISBN: 1648893953
Category : Political Science
Languages : en
Pages : 243
Book Description
The essays in “The Crisis of American Democracy: Essays on a Failing Institution” seek to answer central questions about American democracy, such as: if American democracy is failing, what are the causes of this failure? What are the consequences? And what can be done to fix it? These standalone essays present diverse perspectives on some of the impediments to achieving a true democracy in the present-day United States of America, as well as prescriptions for overcoming these obstacles. Leading academics from across North America, contribute their perspectives on this timely debate.
Publisher: Vernon Press
ISBN: 1648893953
Category : Political Science
Languages : en
Pages : 243
Book Description
The essays in “The Crisis of American Democracy: Essays on a Failing Institution” seek to answer central questions about American democracy, such as: if American democracy is failing, what are the causes of this failure? What are the consequences? And what can be done to fix it? These standalone essays present diverse perspectives on some of the impediments to achieving a true democracy in the present-day United States of America, as well as prescriptions for overcoming these obstacles. Leading academics from across North America, contribute their perspectives on this timely debate.
Covid-19, Gangs, and Conflict
Author: John P. Sullivan
Publisher: Xlibris Corporation
ISBN: 1664124330
Category : Political Science
Languages : en
Pages : 326
Book Description
The Coronavirus pandemic is fueling conflict and fostering extremism while concurrently empowering gangs, cartels, and mafias in their quest for power and profit. In COVID-19, Gangs, and Conflict, Editors John P. Sullivan and Robert J. Bunker bring together a curated collection of both new and previously published material to explore the trends and potentials of the global pandemic emergency. Topics include an exploration of proto-statemaking by criminal groups, the interaction of pandemics and conflict, as well as a comparison of gangs, criminal cartels, and mafias exploiting the crisis and exerting criminal governance in Brazil, El Salvador, Mexico, Colombia, and South Africa. Implications for national security, biosecurity, slums, transnational organized crime, and threats and opportunities in the contested pandemic space are assessed. SWJ
Publisher: Xlibris Corporation
ISBN: 1664124330
Category : Political Science
Languages : en
Pages : 326
Book Description
The Coronavirus pandemic is fueling conflict and fostering extremism while concurrently empowering gangs, cartels, and mafias in their quest for power and profit. In COVID-19, Gangs, and Conflict, Editors John P. Sullivan and Robert J. Bunker bring together a curated collection of both new and previously published material to explore the trends and potentials of the global pandemic emergency. Topics include an exploration of proto-statemaking by criminal groups, the interaction of pandemics and conflict, as well as a comparison of gangs, criminal cartels, and mafias exploiting the crisis and exerting criminal governance in Brazil, El Salvador, Mexico, Colombia, and South Africa. Implications for national security, biosecurity, slums, transnational organized crime, and threats and opportunities in the contested pandemic space are assessed. SWJ
Not My Time to Die
Author: Mukagasana, Yolande
Publisher: Huza Press
ISBN: 9997772563
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Yolande Mukagasana is a Rwandan nurse and mother of three children who likes wearing jeans and designer glasses. She runs her own clinic in Nyamirambo and is planning a party for her wedding anniversary. But when genocide starts everything changes. Targeted because she’s a successful woman and a Tutsi, she flees for her life. This gripping memoir describes the betrayal of friends and help that comes from surprising places. Quick-witted and courageous, Yolande never loses hope she will find her children alive. "This book was one of the first literary testimonies that I read in French about Rwanda. I found it profoundly moving — both realistic and introspective. Thanks to this beautiful translation, it is at long last available to the English-speaking public." Véronique Tadjo "Reading Yolande Mukagasana’s book in French at the age of fifteen changed my life. I realized that genocide is not a mass crime but a single murder repeated hundreds of thousands of times. With this testimony the genocide is no longer just a historical event, it is instead the story of a woman, a mother, a Tutsi. And this is what makes Yolande’s account universal." Gaël Faye
Publisher: Huza Press
ISBN: 9997772563
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Yolande Mukagasana is a Rwandan nurse and mother of three children who likes wearing jeans and designer glasses. She runs her own clinic in Nyamirambo and is planning a party for her wedding anniversary. But when genocide starts everything changes. Targeted because she’s a successful woman and a Tutsi, she flees for her life. This gripping memoir describes the betrayal of friends and help that comes from surprising places. Quick-witted and courageous, Yolande never loses hope she will find her children alive. "This book was one of the first literary testimonies that I read in French about Rwanda. I found it profoundly moving — both realistic and introspective. Thanks to this beautiful translation, it is at long last available to the English-speaking public." Véronique Tadjo "Reading Yolande Mukagasana’s book in French at the age of fifteen changed my life. I realized that genocide is not a mass crime but a single murder repeated hundreds of thousands of times. With this testimony the genocide is no longer just a historical event, it is instead the story of a woman, a mother, a Tutsi. And this is what makes Yolande’s account universal." Gaël Faye
The Routledge Companion to Literatures and Crisis
Author: Silvia Pellicer-Ortín
Publisher: Taylor & Francis
ISBN: 1040130461
Category : Literary Criticism
Languages : en
Pages : 689
Book Description
The Routledge Companion to Literatures and Crisis provides deep insight into a complex and multi-layered phenomenon. The third decade of the twenty-first century is being marked by a polycrisis caused by various world crises, such as the COVID-19 pandemic, armed conflicts and climate change leading to economic, geopolitical, environmental, health and security crises. Featuring 42 chapters, the collection examines crises through literary texts in relation to the environment, finance, migration and diaspora, war, human rights, values and identity, health, politics, terrorism and technology. It illuminates the many faces of the current permacrisis as well as the multifarious crises of the past and their representation in literatures across ages and cultures—from the Viking wars, Black Death in mediaeval Europe, technology in ancient China and the crisis of power in Elizabethan England to imperial biopower in nineteenth-century India, the genocides in the twentieth century, upsurge of domestic violence during the Covid lockdown in Spain and the development of AI. The Companion connects diverse cultures, disciplines and academic traditions to show how and why literature, media and art can voice all types of crises across times. It will be a key resource for students and researchers in a broad range of areas including literature, film studies, narrative studies, cultural studies, international politics and ecocriticism. Chapters: Chapter 6 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution (CC-BY) 4.0 license.
Publisher: Taylor & Francis
ISBN: 1040130461
Category : Literary Criticism
Languages : en
Pages : 689
Book Description
The Routledge Companion to Literatures and Crisis provides deep insight into a complex and multi-layered phenomenon. The third decade of the twenty-first century is being marked by a polycrisis caused by various world crises, such as the COVID-19 pandemic, armed conflicts and climate change leading to economic, geopolitical, environmental, health and security crises. Featuring 42 chapters, the collection examines crises through literary texts in relation to the environment, finance, migration and diaspora, war, human rights, values and identity, health, politics, terrorism and technology. It illuminates the many faces of the current permacrisis as well as the multifarious crises of the past and their representation in literatures across ages and cultures—from the Viking wars, Black Death in mediaeval Europe, technology in ancient China and the crisis of power in Elizabethan England to imperial biopower in nineteenth-century India, the genocides in the twentieth century, upsurge of domestic violence during the Covid lockdown in Spain and the development of AI. The Companion connects diverse cultures, disciplines and academic traditions to show how and why literature, media and art can voice all types of crises across times. It will be a key resource for students and researchers in a broad range of areas including literature, film studies, narrative studies, cultural studies, international politics and ecocriticism. Chapters: Chapter 6 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution (CC-BY) 4.0 license.
Science and Liberty: Patient Confidence in the Ultimate Justice of the People
Author: John L. Cordani Jr.
Publisher: Vernon Press
ISBN: 1648893120
Category : Political Science
Languages : en
Pages : 172
Book Description
One of the most debated topics in law and politics is the role that science should play in setting policy. What does it mean to demand that politicians and the People themselves “follow the science” if science deals with questions of fact, not matters of moral or political values? This long-standing controversy has roots ranging from Plato’s philosopher-kings to Enlightenment skepticism to modern progressivism and the rise of the administrative state. ‘Science and Liberty’ explores the idea that a constitutional republic provides a fitting role for science while preserving the People’s liberty and right to self-government. It examines this topic from five perspectives: American, Historical, Philosophical, Scientific, and Moral. Providing direct access to primary historical sources, ‘Science and Liberty’ contends that America’s founders designed a constitution that was predicated on the Enlightenment theory that liberty precedes government and that presupposed the engagement of the People and their representatives at all levels of free debate. Early twentieth-century progressivism was openly hostile to these founding principles in its desire for efficient rule by scientific administrators. However, it is impossible to philosophically ground political and moral values in the findings of science, despite what modern theorists claim. Ultimately, the injunction to “follow the science” demands to substitute the values of “experts” for the values of the People themselves. By illustrating numerous examples from the hard and social sciences, ranging from physics to Biblical criticism to climate science, this book also explains that the People have a role to play in reasonably engaging with and critiquing modern science. ‘Science and Liberty’ will appeal to those interested in a variety of subjects, including law, politics, philosophy, and intellectual history, as well as scientific criticism, particularly from an American perspective. It is written to be accessible for all ages while also engaging with complex issues and sources relevant for those with advanced degrees.
Publisher: Vernon Press
ISBN: 1648893120
Category : Political Science
Languages : en
Pages : 172
Book Description
One of the most debated topics in law and politics is the role that science should play in setting policy. What does it mean to demand that politicians and the People themselves “follow the science” if science deals with questions of fact, not matters of moral or political values? This long-standing controversy has roots ranging from Plato’s philosopher-kings to Enlightenment skepticism to modern progressivism and the rise of the administrative state. ‘Science and Liberty’ explores the idea that a constitutional republic provides a fitting role for science while preserving the People’s liberty and right to self-government. It examines this topic from five perspectives: American, Historical, Philosophical, Scientific, and Moral. Providing direct access to primary historical sources, ‘Science and Liberty’ contends that America’s founders designed a constitution that was predicated on the Enlightenment theory that liberty precedes government and that presupposed the engagement of the People and their representatives at all levels of free debate. Early twentieth-century progressivism was openly hostile to these founding principles in its desire for efficient rule by scientific administrators. However, it is impossible to philosophically ground political and moral values in the findings of science, despite what modern theorists claim. Ultimately, the injunction to “follow the science” demands to substitute the values of “experts” for the values of the People themselves. By illustrating numerous examples from the hard and social sciences, ranging from physics to Biblical criticism to climate science, this book also explains that the People have a role to play in reasonably engaging with and critiquing modern science. ‘Science and Liberty’ will appeal to those interested in a variety of subjects, including law, politics, philosophy, and intellectual history, as well as scientific criticism, particularly from an American perspective. It is written to be accessible for all ages while also engaging with complex issues and sources relevant for those with advanced degrees.
The Corporate Overlords Will Be Kind: Campaign Finance, Representation and Corporate-Led Democracy
Author: Radu George Dumitrescu
Publisher: Vernon Press
ISBN: 9781622738793
Category :
Languages : en
Pages : 150
Book Description
'The Corporate Overlords will be Kind' is a unique book in that it makes use of a multi-pronged approach - journalistic, legal, theoretical - to find, document, and explain instances in which well-known corporations such as Wal-Mart, Uber, McDonald's, Airbnb, Gillette, Nike and others have involved themselves, as 'artificial persons', in political and social debates involving aspects such as gender, racism, sexual minorities, and gun ownership. This book argues that these transnational, multi-billion-dollar corporations that thrive in the globalized world market are forced to take explicitly political stances by the very environment in which they activate and by the consumers whom they serve, taking on the latter's values and opinions and representing them to retain them as customers. 'The Corporate Overlords will be Kind' advances that corporations are now - and will increasingly be - the loudest voices in the political market square of the United States, but that such a situation is not necessarily a cause for concern. This book thus departs from the traditional scholarly views of Citizens United (the 2010 landmark decision of the Supreme Court which granted free speech to corporations as persons) as a woe to democracy, and argues that the ageless, deathless, genderless, nationless corporations will be the political representatives of the futures, not political parties. This book will appeal to undergraduate and graduate students specializing in social sciences, particularly politics, history, sociology, and law. Political professionals and journalists may also be interested in the book, in addition to the general reader with interest in politics.
Publisher: Vernon Press
ISBN: 9781622738793
Category :
Languages : en
Pages : 150
Book Description
'The Corporate Overlords will be Kind' is a unique book in that it makes use of a multi-pronged approach - journalistic, legal, theoretical - to find, document, and explain instances in which well-known corporations such as Wal-Mart, Uber, McDonald's, Airbnb, Gillette, Nike and others have involved themselves, as 'artificial persons', in political and social debates involving aspects such as gender, racism, sexual minorities, and gun ownership. This book argues that these transnational, multi-billion-dollar corporations that thrive in the globalized world market are forced to take explicitly political stances by the very environment in which they activate and by the consumers whom they serve, taking on the latter's values and opinions and representing them to retain them as customers. 'The Corporate Overlords will be Kind' advances that corporations are now - and will increasingly be - the loudest voices in the political market square of the United States, but that such a situation is not necessarily a cause for concern. This book thus departs from the traditional scholarly views of Citizens United (the 2010 landmark decision of the Supreme Court which granted free speech to corporations as persons) as a woe to democracy, and argues that the ageless, deathless, genderless, nationless corporations will be the political representatives of the futures, not political parties. This book will appeal to undergraduate and graduate students specializing in social sciences, particularly politics, history, sociology, and law. Political professionals and journalists may also be interested in the book, in addition to the general reader with interest in politics.
Red Dust
Author: Yoss
Publisher: Restless Books
ISBN: 163206247X
Category : Fiction
Languages : en
Pages : 1
Book Description
From beloved Cuban science fiction author Yoss comes a bitingly funny space-opera homage to Raymond Chandler, about a positronic robot detective on the hunt for some extra-dangerous extraterrestrial criminals. On the intergalactic trading station William S. Burroughs, profit is king and aliens are the kingmakers. Earthlings have bowed to their superior power and weaponry, though the aliens—praying-mantis-like Grodos with pheromonal speech and gargantuan Collosaurs with a limited sense of humor—kindly allow them to do business through properly controlled channels. That’s where our hero comes in, name of Raymond. As part of the android police force, this positronic robot detective navigates both worlds, human and alien, keeping order and evaporating wrongdoers. But nothing in his centuries of experience prepares him for Makrow 34, a fugitive Cetian perp with psi powers. Meaning he can alter the shape of the Gaussian bell curve of statistical probability—making it rain indoors, say, or causing a would-be captor to shoot himself in the face. Raymond will need all his training—and all his careful study of Chandler’s hardbitten cops—to outmaneuver his quarry. As he did in his brilliantly funny and sharp science-fiction satires A Planet for Rent, Super Extra Grande, and Condomnauts, Yoss makes the familiar strange and the strange familiar in Red Dust, giving us an unforgettable half-human hero and a richly imagined universe where the bad guys are above the laws of physics. Praise for A Planet for Rent: "A Planet for Rent is the English-language debut of Yoss, one of Cuba's most lauded writers of science fiction. Translated by David Frye, these linked stories craft a picture of a dystopian future: Aliens called xenoids have invaded planet Earth, and people are looking to flee the economically and socially bankrupt remains of human civilization. Yoss' smart and entertaining novel tackles themes like prostitution, immigration and political corruption. Ultimately, it serves as an empathetic yet impassioned metaphor for modern-day Cuba, where the struggle for power has complicated every facet of society." —Juan Vidal, NPR, Best Books of 2015 "In prose that is direct, sarcastic, sexual and often violent, A Planet for Rent criticizes Cuban reality in thinly veiled terms. Cuban defectors leave the country not on rafts but on 'unlawful space launches'; prostitutes are 'social workers'; foreigners are 'xenoids'; and Cuba is a “planet whose inhabitants have stopped believing in the future.” The book is particularly critical of the government-run tourism industry of the ’90s, which welcomed and protected tourists—often at the expense of Cubans—and whose legacy can still be felt today." —Jonathan Wolfe, The New York Times “Some of the best sci-fi written anywhere since the 1970s.… A Planet for Rent, like its author, a bandana-wearing, muscly roquero, is completely sui generis: riotously funny, scathing, perceptive, and yet also heart-wrenchingly compassionate.… Instantly appealing.” —André Naffis-Sahely, The Nation "This hilarious and imaginative novel by Cuba's premiere science-fiction writer gets my vote for most overlooked novel of the year. Yoss's book imagines a world where Earth is run as a tourist destination by capitalist aliens who have little regard for the planet or its inhabitants. A Planet for Rent is a perfect SF satire for our era of massive inequality and seemingly unchecked environmental destruction." —Lincoln Michel, VICE "A Planet for Rent is devastating and hilarious and somehow, amidst all those aliens, deeply human." —Daniel José Older, author of Half-Resurrection Blues “A compelling meditation on modern imperialism…. A fascinating kaleidoscope of vignettes…. A brilliant exploration of our planet’s current social and economic inequities…. Yoss doesn’t disappoint, sling-shotting us around the world and the galaxy…. Striking, detailed.… Yoss has written a work of science fiction that speaks to fundamental problems humans deal with every day. This is not just a story about alien oppression; it’s the story of our own planet’s history and a call for change.” —Rachel Cordasco, SF Signal, 4.5-star review “What 1984 did for surveillance, and Fahrenheit 451 did for censorship, A Planet for Rent does for tourism.… It’s a wildly imaginative book and one that, while set in the future, has plenty of relevance to the present.” —Adam Ley-Lange, The Bookseller “Cuba has produced an author capable of understanding science fiction by writing it like it’s rock and roll. Yoss is a thoughtful author who simply seems to understand his work and science fiction better than many of us.” —Ryan Britt, Electric Literature “For readers of Stanislaw Lem and William Gibson's Sprawl trilogy.... An excellently written piece of sci-fi, with its rich world-building and well-crafted characters.... Yoss has told a fictional tale that rings all too true despite the aliens and spaceships. A Planet for Rent is science fiction of the highest caliber. It tells us to imagine a strange new world, and as we explore it we come to understand our own a little better." —BH Shepherd, LitReactor “[Yoss’s] work is modern, dynamic and yet deep and thoughtful.… There is a dark, almost bleak tone to the novel but with small sparks of hope, along with a good deal of dark humor.… It's wildly inventive, imaginative fiction, with a real edge to the writing—there is an energy to the prose that is almost tangible and to get all this through a translation is nothing short of remarkable.” —Ant Jones, SFBook.com, Five-Star Review “The true power of science fiction lies in its capacity to convey the reality of human existence, and the threats we face from internal and external sources, while using language, images, and concepts that transcend common experience. This could not be truer of A Planet for Rent by Cuban science fiction legend José Miguel Sánchez, better known as Yoss.… Highly relevant. Joining a literary tradition of writers who envisioned Earth’s future in terrifyingly comprehensible ways, such as H.G. Wells, Arthur C. Clarke, J.G. Ballard, Philip K. Dick, Aldous Huxley, and Margaret Atwood, Yoss’s portrayal of Earth’s dystopian downfall weaves together fantasy and reality—at times troublingly close to the latter.… Yoss skillfully weaves themes and characters together into a rich tapestry, and each section gives us a more fulfilling, and fearful, vision of a dominated Earth–now an intergalactic tourist destination.” —Rosie Clarke, Words Without Borders Praise for Super Extra Grande: “Intergalactic space travel meets outrageous, biting satire in Super Extra Grande…. Its author [Yoss] is one of the most celebrated—and controversial—Cuban writers of science fiction…. Reminiscent of Douglas Adams—but even more so, the satire of Rabelais and Swift.” —Nancy Hightower, The Washington Post “A lighthearted space-opera adventure by Cuban author Yoss…. This novel's madcap tone is very similar to Douglas Adams'—so much so that it's almost impossible to avoid drawing such comparisons (although Adams didn't joke about oral sex with aliens, as Yoss does here). As in Adams' works, the galaxy's species are terrifically alien, sporting six breasts and no teeth or breathing methane instead of oxygen…. An exceptionally enjoyable comic tale set in a fully realized, firmly science-fictional universe.” —Kirkus, Starred Review “Science fiction is a place where minority authors have brilliantly mixed the possibilities of the future with the sociopolitical problems of their time. Everything from politics and sexism to racism and the silence of the subaltern (the one Gayatri Chakravorty Spivak wrote about) have been explored within the context of a narrative that takes place in a fictional future. Cuban science fiction author Yoss’ Super Extra Grande does all these things.… [Yoss] marries hard science with wild invention and throws that mix into a hilarious, politically and sexually charged universe where all alien races have stopped being unknown to each other. The result is a witty narrative that proves that, when done right, science fiction can be the most entertaining genre even when delivering a message.… Spanglish dialogue enriches the narrative and makes it crackle with authenticity.… Kudos must be given to translator David Frye for his outstanding work.… Besides the space it creates to discuss alternate realities, the best science fiction is that which delivers on the promise of its name, and Yoss pulls it off with flying colors in part thanks to his degree in biology and in part thank to his fearless approach to creation.… Yoss tackles science fiction with the attitude of a rock star, and he has the talent to make even his wildest ideas work. Super Extra Grande follows the parodic tradition of Cuban science fiction and treads new grounds in terms of the amount of imagined science and fauna found in its pages. This is a narrative in which anything is possible, love and desire are thrown into the tumultuous new territory of interspecies relationships, and Spanglish is the unifying language of the galaxy. In other words, this is science fiction at its best: wildly imaginative, revolutionary, full of strange creatures, and a lot of fun to read.” —Gabino Iglesias, PANK Magazine “This newly translated novel by Yoss, considered one of the masters of contemporary Cuban sci-fi, transports us to a bizarre vision of the far future, where humanity has mastered space travel and discovered it is but one small corner of a vast, very strange intergalactic tapestry.” —Joel Cunningham, Barnes and Noble Best Science Fiction & Fantasy of 2016 “A brawny, gregarious roquero who looks like he just walked off the set of a Van Halen video, circa 1984, Yoss is one of the most visible members of Cuba’s small but dynamic sci-fi scene. He is also one of the more prolific writers on the island, having published more than 15 novels and books of short stories, and two books of critical essays, as well as numerous anthologies of science fiction and fantasy short stories…. As someone who has made his living as a writer since 1988, when his novel Timshel won Cuba’s David Prize for first-time authors, he has been a keen observer of Cuban society (and its literature) for almost three decades…. Yoss’s more recent novel … dares us to hope for a universe in which all things (super extra) large and small can find their place.” —Emily Maguire, Los Angeles Review of Books “Get ready to enter the world of the fantastic, phenomenal and downright freaky. If you like huge space monsters, faster-than-light travel, erotic six-breasted aliens with strange reproductive habits, atomic blasts, gastrointestinal diseases and interplanetary warfare, then this is the book for you…. It sounds crazy doesn’t it? And it really is. This book is utterly unlike any other sci-fi novel you will have read before…. The marvelous thing with writing about the future is you can really let your imagination run wild and Yoss certainly decided take full advantage of this poetic license.” —Jade Fell, Engineering & Technology Magazine Praise for Condomnauts: “Yoss (Super Extra Grande) is an eminent Cuban SF writer who also fronts a heavy metal band; his iconoclastic spirit and rock-and-roll aesthetic are on full ingenious display in this daring, rollicking, and joyous novel…. The novel is recognizable as a space opera, but everything from human history to the economics of galactic trade is seen from a richly irreverent angle. Josué is a three-dimensional, well-rounded protagonist whose flaws can be genuinely aggravating without overwhelming his natural charm. When hilarity ensues, as it often does, the laughs are earned and heartfelt. This extended dirty joke is also an impressive science fiction novel with much to say about sex, culture, and what it means to be alien.” —Publishers Weekly, Starred Review “The book pays off in a climax that a well-trained Condomnaut would be proud of. What I loved about Condomnauts isn’t just its unusual structure or how Yoss (mostly) avoids the obvious smutty gags, it’s how he makes this a story about the marginalized. Those earlier scenes detailing Josué’s nightmarish upbringing tie into the book’s overall discussion about those who exist outside the mainstream, whether it’s because of their color, their class, or their sexuality, and who find themselves, due to a strange set of circumstances, empowered to act…. Condomnauts, brought brilliantly into life by David Frye’s translation, is an unconventional space opera that’s heartfelt, brazen, exciting, and just a little bit naughty.” —Ian Mond, Locus Magazine “In Condomnauts, Yoss takes readers to the 24th century-Rubble City, Cuba, where Josue Valdes makes a living racing cockroaches. But he finds his true calling as a sexual adventurer in space, where he serves as an ambassador for the Nu Barsa colony. Yoss is Cuba’s preeminent writer of science fiction, and this raucous novel is a fun introduction to the universe he’s populated with humans who use sex to seal intergalactic treaties.” —Lorraine Berry, Signature “Following the success of Super Extra Grande and A Planet for Rent, Yoss brings us another uproarious space adventure with Condomnauts, a wildly inventive and unapologetic tale that would make even Barbarella blush.” —Kayti Burt, Den of Geek “A hilarious and a fantastic read. Human sexuality and stereotypes are questioned all while delivering page after page of heart-pounding and belly-laughing fun.” —Tracy Palmer, Signal Horizon “Condomnauts is everything a good space opera should be—far-reaching, glimmering, gut-wrenching, perilous—but stickier. Much, much stickier.” —The Arkansas International
Publisher: Restless Books
ISBN: 163206247X
Category : Fiction
Languages : en
Pages : 1
Book Description
From beloved Cuban science fiction author Yoss comes a bitingly funny space-opera homage to Raymond Chandler, about a positronic robot detective on the hunt for some extra-dangerous extraterrestrial criminals. On the intergalactic trading station William S. Burroughs, profit is king and aliens are the kingmakers. Earthlings have bowed to their superior power and weaponry, though the aliens—praying-mantis-like Grodos with pheromonal speech and gargantuan Collosaurs with a limited sense of humor—kindly allow them to do business through properly controlled channels. That’s where our hero comes in, name of Raymond. As part of the android police force, this positronic robot detective navigates both worlds, human and alien, keeping order and evaporating wrongdoers. But nothing in his centuries of experience prepares him for Makrow 34, a fugitive Cetian perp with psi powers. Meaning he can alter the shape of the Gaussian bell curve of statistical probability—making it rain indoors, say, or causing a would-be captor to shoot himself in the face. Raymond will need all his training—and all his careful study of Chandler’s hardbitten cops—to outmaneuver his quarry. As he did in his brilliantly funny and sharp science-fiction satires A Planet for Rent, Super Extra Grande, and Condomnauts, Yoss makes the familiar strange and the strange familiar in Red Dust, giving us an unforgettable half-human hero and a richly imagined universe where the bad guys are above the laws of physics. Praise for A Planet for Rent: "A Planet for Rent is the English-language debut of Yoss, one of Cuba's most lauded writers of science fiction. Translated by David Frye, these linked stories craft a picture of a dystopian future: Aliens called xenoids have invaded planet Earth, and people are looking to flee the economically and socially bankrupt remains of human civilization. Yoss' smart and entertaining novel tackles themes like prostitution, immigration and political corruption. Ultimately, it serves as an empathetic yet impassioned metaphor for modern-day Cuba, where the struggle for power has complicated every facet of society." —Juan Vidal, NPR, Best Books of 2015 "In prose that is direct, sarcastic, sexual and often violent, A Planet for Rent criticizes Cuban reality in thinly veiled terms. Cuban defectors leave the country not on rafts but on 'unlawful space launches'; prostitutes are 'social workers'; foreigners are 'xenoids'; and Cuba is a “planet whose inhabitants have stopped believing in the future.” The book is particularly critical of the government-run tourism industry of the ’90s, which welcomed and protected tourists—often at the expense of Cubans—and whose legacy can still be felt today." —Jonathan Wolfe, The New York Times “Some of the best sci-fi written anywhere since the 1970s.… A Planet for Rent, like its author, a bandana-wearing, muscly roquero, is completely sui generis: riotously funny, scathing, perceptive, and yet also heart-wrenchingly compassionate.… Instantly appealing.” —André Naffis-Sahely, The Nation "This hilarious and imaginative novel by Cuba's premiere science-fiction writer gets my vote for most overlooked novel of the year. Yoss's book imagines a world where Earth is run as a tourist destination by capitalist aliens who have little regard for the planet or its inhabitants. A Planet for Rent is a perfect SF satire for our era of massive inequality and seemingly unchecked environmental destruction." —Lincoln Michel, VICE "A Planet for Rent is devastating and hilarious and somehow, amidst all those aliens, deeply human." —Daniel José Older, author of Half-Resurrection Blues “A compelling meditation on modern imperialism…. A fascinating kaleidoscope of vignettes…. A brilliant exploration of our planet’s current social and economic inequities…. Yoss doesn’t disappoint, sling-shotting us around the world and the galaxy…. Striking, detailed.… Yoss has written a work of science fiction that speaks to fundamental problems humans deal with every day. This is not just a story about alien oppression; it’s the story of our own planet’s history and a call for change.” —Rachel Cordasco, SF Signal, 4.5-star review “What 1984 did for surveillance, and Fahrenheit 451 did for censorship, A Planet for Rent does for tourism.… It’s a wildly imaginative book and one that, while set in the future, has plenty of relevance to the present.” —Adam Ley-Lange, The Bookseller “Cuba has produced an author capable of understanding science fiction by writing it like it’s rock and roll. Yoss is a thoughtful author who simply seems to understand his work and science fiction better than many of us.” —Ryan Britt, Electric Literature “For readers of Stanislaw Lem and William Gibson's Sprawl trilogy.... An excellently written piece of sci-fi, with its rich world-building and well-crafted characters.... Yoss has told a fictional tale that rings all too true despite the aliens and spaceships. A Planet for Rent is science fiction of the highest caliber. It tells us to imagine a strange new world, and as we explore it we come to understand our own a little better." —BH Shepherd, LitReactor “[Yoss’s] work is modern, dynamic and yet deep and thoughtful.… There is a dark, almost bleak tone to the novel but with small sparks of hope, along with a good deal of dark humor.… It's wildly inventive, imaginative fiction, with a real edge to the writing—there is an energy to the prose that is almost tangible and to get all this through a translation is nothing short of remarkable.” —Ant Jones, SFBook.com, Five-Star Review “The true power of science fiction lies in its capacity to convey the reality of human existence, and the threats we face from internal and external sources, while using language, images, and concepts that transcend common experience. This could not be truer of A Planet for Rent by Cuban science fiction legend José Miguel Sánchez, better known as Yoss.… Highly relevant. Joining a literary tradition of writers who envisioned Earth’s future in terrifyingly comprehensible ways, such as H.G. Wells, Arthur C. Clarke, J.G. Ballard, Philip K. Dick, Aldous Huxley, and Margaret Atwood, Yoss’s portrayal of Earth’s dystopian downfall weaves together fantasy and reality—at times troublingly close to the latter.… Yoss skillfully weaves themes and characters together into a rich tapestry, and each section gives us a more fulfilling, and fearful, vision of a dominated Earth–now an intergalactic tourist destination.” —Rosie Clarke, Words Without Borders Praise for Super Extra Grande: “Intergalactic space travel meets outrageous, biting satire in Super Extra Grande…. Its author [Yoss] is one of the most celebrated—and controversial—Cuban writers of science fiction…. Reminiscent of Douglas Adams—but even more so, the satire of Rabelais and Swift.” —Nancy Hightower, The Washington Post “A lighthearted space-opera adventure by Cuban author Yoss…. This novel's madcap tone is very similar to Douglas Adams'—so much so that it's almost impossible to avoid drawing such comparisons (although Adams didn't joke about oral sex with aliens, as Yoss does here). As in Adams' works, the galaxy's species are terrifically alien, sporting six breasts and no teeth or breathing methane instead of oxygen…. An exceptionally enjoyable comic tale set in a fully realized, firmly science-fictional universe.” —Kirkus, Starred Review “Science fiction is a place where minority authors have brilliantly mixed the possibilities of the future with the sociopolitical problems of their time. Everything from politics and sexism to racism and the silence of the subaltern (the one Gayatri Chakravorty Spivak wrote about) have been explored within the context of a narrative that takes place in a fictional future. Cuban science fiction author Yoss’ Super Extra Grande does all these things.… [Yoss] marries hard science with wild invention and throws that mix into a hilarious, politically and sexually charged universe where all alien races have stopped being unknown to each other. The result is a witty narrative that proves that, when done right, science fiction can be the most entertaining genre even when delivering a message.… Spanglish dialogue enriches the narrative and makes it crackle with authenticity.… Kudos must be given to translator David Frye for his outstanding work.… Besides the space it creates to discuss alternate realities, the best science fiction is that which delivers on the promise of its name, and Yoss pulls it off with flying colors in part thanks to his degree in biology and in part thank to his fearless approach to creation.… Yoss tackles science fiction with the attitude of a rock star, and he has the talent to make even his wildest ideas work. Super Extra Grande follows the parodic tradition of Cuban science fiction and treads new grounds in terms of the amount of imagined science and fauna found in its pages. This is a narrative in which anything is possible, love and desire are thrown into the tumultuous new territory of interspecies relationships, and Spanglish is the unifying language of the galaxy. In other words, this is science fiction at its best: wildly imaginative, revolutionary, full of strange creatures, and a lot of fun to read.” —Gabino Iglesias, PANK Magazine “This newly translated novel by Yoss, considered one of the masters of contemporary Cuban sci-fi, transports us to a bizarre vision of the far future, where humanity has mastered space travel and discovered it is but one small corner of a vast, very strange intergalactic tapestry.” —Joel Cunningham, Barnes and Noble Best Science Fiction & Fantasy of 2016 “A brawny, gregarious roquero who looks like he just walked off the set of a Van Halen video, circa 1984, Yoss is one of the most visible members of Cuba’s small but dynamic sci-fi scene. He is also one of the more prolific writers on the island, having published more than 15 novels and books of short stories, and two books of critical essays, as well as numerous anthologies of science fiction and fantasy short stories…. As someone who has made his living as a writer since 1988, when his novel Timshel won Cuba’s David Prize for first-time authors, he has been a keen observer of Cuban society (and its literature) for almost three decades…. Yoss’s more recent novel … dares us to hope for a universe in which all things (super extra) large and small can find their place.” —Emily Maguire, Los Angeles Review of Books “Get ready to enter the world of the fantastic, phenomenal and downright freaky. If you like huge space monsters, faster-than-light travel, erotic six-breasted aliens with strange reproductive habits, atomic blasts, gastrointestinal diseases and interplanetary warfare, then this is the book for you…. It sounds crazy doesn’t it? And it really is. This book is utterly unlike any other sci-fi novel you will have read before…. The marvelous thing with writing about the future is you can really let your imagination run wild and Yoss certainly decided take full advantage of this poetic license.” —Jade Fell, Engineering & Technology Magazine Praise for Condomnauts: “Yoss (Super Extra Grande) is an eminent Cuban SF writer who also fronts a heavy metal band; his iconoclastic spirit and rock-and-roll aesthetic are on full ingenious display in this daring, rollicking, and joyous novel…. The novel is recognizable as a space opera, but everything from human history to the economics of galactic trade is seen from a richly irreverent angle. Josué is a three-dimensional, well-rounded protagonist whose flaws can be genuinely aggravating without overwhelming his natural charm. When hilarity ensues, as it often does, the laughs are earned and heartfelt. This extended dirty joke is also an impressive science fiction novel with much to say about sex, culture, and what it means to be alien.” —Publishers Weekly, Starred Review “The book pays off in a climax that a well-trained Condomnaut would be proud of. What I loved about Condomnauts isn’t just its unusual structure or how Yoss (mostly) avoids the obvious smutty gags, it’s how he makes this a story about the marginalized. Those earlier scenes detailing Josué’s nightmarish upbringing tie into the book’s overall discussion about those who exist outside the mainstream, whether it’s because of their color, their class, or their sexuality, and who find themselves, due to a strange set of circumstances, empowered to act…. Condomnauts, brought brilliantly into life by David Frye’s translation, is an unconventional space opera that’s heartfelt, brazen, exciting, and just a little bit naughty.” —Ian Mond, Locus Magazine “In Condomnauts, Yoss takes readers to the 24th century-Rubble City, Cuba, where Josue Valdes makes a living racing cockroaches. But he finds his true calling as a sexual adventurer in space, where he serves as an ambassador for the Nu Barsa colony. Yoss is Cuba’s preeminent writer of science fiction, and this raucous novel is a fun introduction to the universe he’s populated with humans who use sex to seal intergalactic treaties.” —Lorraine Berry, Signature “Following the success of Super Extra Grande and A Planet for Rent, Yoss brings us another uproarious space adventure with Condomnauts, a wildly inventive and unapologetic tale that would make even Barbarella blush.” —Kayti Burt, Den of Geek “A hilarious and a fantastic read. Human sexuality and stereotypes are questioned all while delivering page after page of heart-pounding and belly-laughing fun.” —Tracy Palmer, Signal Horizon “Condomnauts is everything a good space opera should be—far-reaching, glimmering, gut-wrenching, perilous—but stickier. Much, much stickier.” —The Arkansas International