Painting Light in Polio’s Shadow: One Artist’s Struggles PDF Download
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Author: Sharon White Richardson
Publisher: Archway Publishing
ISBN: 1665715200
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
Landscape painter Sharon Richardson survived polio, a viral illness that damages or destroys the nerves essential for moving muscles. With no vaccines available, epidemics occurred unchecked. Also known as infantile paralysis, polio left youngsters crippled and dependent on leg braces, crutches, wheelchairs, and in some cases, iron lungs to breathe for them. Richardson was diagnosed with polio at the age of eight weeks in 1946. In a borrowed car, her parents drove their seriously ill infant, writhing with painful muscle spasms, a hundred miles to Mercy Hospital in Vicksburg, Mississippi. Enduring and responding to intense physical therapy treatments, she overcame the paralysis in her limbs and was released after two months. By the 1980s and 1990s, Richardson had established an enviable career with work in galleries and collections across the Southeast. Fifty-six years after recovering from paralysis, she succumbed to the muscle weakening effects of post-polio syndrome (PPS) in 2002. Approximately 25 to 40 percent of polio survivors are affected by PPS, and there is no treatment. She lost muscle strength and control in her legs, torso, and arms. This loss limited walking, increased scoliosis, and in her right arm, severely challenged Richardson’s ability to paint. Painting Light in Polio’s Shadow: One Artist’s Struggles reveals how she coped with PPS setbacks and challenges and how these impediments forced her to make radical changes in her private and professional life. She was determined to do everything necessary to continue painting — which included learning to paint with her nondominant left hand.
Author: Sharon White Richardson
Publisher: Archway Publishing
ISBN: 1665715200
Category : Biography & Autobiography
Languages : en
Pages : 241
Get Book Here
Book Description
Landscape painter Sharon Richardson survived polio, a viral illness that damages or destroys the nerves essential for moving muscles. With no vaccines available, epidemics occurred unchecked. Also known as infantile paralysis, polio left youngsters crippled and dependent on leg braces, crutches, wheelchairs, and in some cases, iron lungs to breathe for them. Richardson was diagnosed with polio at the age of eight weeks in 1946. In a borrowed car, her parents drove their seriously ill infant, writhing with painful muscle spasms, a hundred miles to Mercy Hospital in Vicksburg, Mississippi. Enduring and responding to intense physical therapy treatments, she overcame the paralysis in her limbs and was released after two months. By the 1980s and 1990s, Richardson had established an enviable career with work in galleries and collections across the Southeast. Fifty-six years after recovering from paralysis, she succumbed to the muscle weakening effects of post-polio syndrome (PPS) in 2002. Approximately 25 to 40 percent of polio survivors are affected by PPS, and there is no treatment. She lost muscle strength and control in her legs, torso, and arms. This loss limited walking, increased scoliosis, and in her right arm, severely challenged Richardson’s ability to paint. Painting Light in Polio’s Shadow: One Artist’s Struggles reveals how she coped with PPS setbacks and challenges and how these impediments forced her to make radical changes in her private and professional life. She was determined to do everything necessary to continue painting — which included learning to paint with her nondominant left hand.
Author: Alla Rosenfeld
Publisher: Rutgers University Press
ISBN: 9780813530420
Category : Art
Languages : en
Pages : 502
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Book Description
The Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union, 1956-1986, which comprises nearly twenty thousand works, is part of the Jane Voorhees Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey.
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Category : Technology
Languages : en
Pages : 588
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Category : Art
Languages : en
Pages : 840
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Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
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ISBN:
Category : Art
Languages : en
Pages : 358
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Book Description
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
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ISBN:
Category : Art
Languages : en
Pages : 624
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Category : Electric industries
Languages : en
Pages : 1314
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Author: J. Bruyn
Publisher: Springer Science & Business Media
ISBN: 9400975171
Category : Art
Languages : en
Pages : 722
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Book Description
Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: THIS VOLUME: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume I) contains 730 pages, starting of with four introductory chapters and discussing 93 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume the first ever works by Rembrandt are discussed, also using his etchings as comparison.
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Languages : en
Pages : 814
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Author: Christian Wiman
Publisher: Farrar, Straus and Giroux
ISBN: 0374717818
Category : Religion
Languages : en
Pages : 101
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Book Description
A moving meditation on memory, oblivion, and eternity by one of our most celebrated poets What is it we want when we can’t stop wanting? And how do we make that hunger productive and vital rather than corrosive and destructive? These are the questions that animate Christian Wiman as he explores the relationships between art and faith, death and fame, heaven and oblivion. Above all, He Held Radical Light is a love letter to poetry, filled with moving, surprising, and sometimes funny encounters with the poets Wiman has known. Seamus Heaney opens a suddenly intimate conversation about faith; Mary Oliver puts half of a dead pigeon in her pocket; A. R. Ammons stands up in front of an audience and refuses to read. He Held Radical Light is as urgent and intense as it is lively and entertaining—a sharp sequel to Wiman’s earlier memoir, My Bright Abyss.
