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Author: Nathaniel B. Jones
Publisher: Cambridge University Press
ISBN: 1108420125
Category : Art
Languages : en
Pages : 311
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Book Description
Demonstrates how ancient Roman mural paintings stood at the intersection of contemporary social, ethical, and aesthetic concerns.
Author: Nathaniel B. Jones
Publisher: Cambridge University Press
ISBN: 1108420125
Category : Art
Languages : en
Pages : 311
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Book Description
Demonstrates how ancient Roman mural paintings stood at the intersection of contemporary social, ethical, and aesthetic concerns.
Author: Roger Ling
Publisher: Cambridge University Press
ISBN: 9780521315951
Category : Art
Languages : en
Pages : 284
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Book Description
A general survey of Roman wall painting from the second century B.C. through the fourth century A.D., traces the origins, chronological development, subjects, techniques, and social context of the influential art form.
Author: A. P. Laurie
Publisher: Cambridge University Press
ISBN: 1107416302
Category : Art
Languages : en
Pages : 141
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Book Description
Originally published in 1910, this book analyses Greek and Roman painting techniques, using evidence from ancient writings and archaeological remains, including those from Pompeii. Laurie examines how ancient artists could have created certain colours from natural ingredients and the influence of ancient Egyptian methods on Graeco-Roman artists over time. This book will be of value to anyone with an interest in ancient art and artistic techniques.
Author: Zahra Newby
Publisher: Cambridge University Press
ISBN: 1107072247
Category : Art
Languages : en
Pages : 409
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Book Description
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.
Author: Hérica Valladares
Publisher: Cambridge University Press
ISBN: 1108875556
Category : Art
Languages : en
Pages : 267
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Book Description
Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Hérica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.
Author: Ellen Perry
Publisher: Cambridge University Press
ISBN: 9780521831659
Category : Art
Languages : en
Pages : 226
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Book Description
Arguing that the scholarship on this topic has not appreciated Roman values in the visual arts, this book examines Roman strategies for the appropriation of the Greek visual culture. A knowledge of Roman values explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and, most importantly, aemulatio, successful rivalry with one's models.
Author: Oleg V. Bychkov
Publisher: Cambridge University Press
ISBN: 052154792X
Category : History
Languages : en
Pages : 295
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Book Description
An anthology of works commenting on the perception of beauty in art, structure and style in literature, and aesthetic judgement.
Author: Nathaniel B. Jones
Publisher: Cambridge University Press
ISBN: 1108349706
Category : Art
Languages : en
Pages : 311
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Book Description
In the first centuries BCE and CE, Roman wall painters frequently placed representations of works of art, especially panel paintings, within their own mural compositions. Nathaniel B. Jones argues that the depiction of panel painting within mural ensembles functioned as a meta-pictorial reflection on the practice and status of painting itself. This phenomenon provides crucial visual evidence for both the reception of Greek culture and the interconnected ethical and aesthetic values of art in the Roman world. Roman meta-pictures, this book reveals, not only navigated social debates on the production and consumption of art, but also created space on the Roman wall for new modes of expression relating to pictorial genres, the role of medium in artistic practice, and the history of painting. Richly illustrated, the volume will be important for anyone interested in the social, ethical, and aesthetic dimensions of artworks, in the ancient Mediterranean and beyond.
Author: Verity Platt
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
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Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Author: Jonas Grethlein
Publisher: Cambridge University Press
ISBN: 110719265X
Category : Art
Languages : en
Pages : 317
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Book Description
This book investigates the nature of aesthetic experience with the help of ancient material, exploring our responses to both narratives and images.
