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Author: R. N. Misra
Publisher:
ISBN: 9788173055140
Category : Architecture
Languages : en
Pages : 0
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Book Description
Papers presented at the seminar on 'Outlines of Indian Arts: Peak of Creativity', held at Bhopal in November 2004.
Author: R. N. Misra
Publisher:
ISBN: 9788173055140
Category : Architecture
Languages : en
Pages : 0
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Book Description
Papers presented at the seminar on 'Outlines of Indian Arts: Peak of Creativity', held at Bhopal in November 2004.
Author: Ernest Binfield Havell
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 350
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Book Description
Author: P. Rajeswara Rao
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 53
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Book Description
Author: Kapila Vatsyayan
Publisher: Abhinav Publications
ISBN: 9788170173625
Category : Art
Languages : en
Pages : 210
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Book Description
The Square and the Circle of the Indian Arts is a major contribution in Indian art history. More than a book on the theories of arts, it has far-reaching implications for the way one thinks about the future of indology and art history. It provides a model to be emulated for inter-disciplinary research, not only between the arts but also the sciences and the arts. The book begins by re-examining the imagery of the Vedas and the Upanisads, highlighting some aspects of early speculative thought which influenced the enunciation of aesthetic theories, particularly of Bharata in the Natyasastra. The next chapter introduces a new methodology of analyzing the rituals (yajna) as laid down in the Yajurveda and the Satapatha Brahmana, the best way to focus the relationship between the text and the practice. Four chapters follow – one each on drama (natya), architecture (vastu), sculpture (silpa), and music (sangita). Each presents some fundamental concepts of speculative thought, concerned with each of the arts and purposefully correlates these with actual examples both of the past and the present. The afterward to this second edition remains an event not only because the book benefits from the works published since the first edition, but also because it presents the author’s integral vision and her unique adventure into the boundaries of several disciplines. It demonstrates the efficacy of her earlier approach of investigating the imagery and the metaphors as basic to the discourse of the Indian tradition. She proposes a multi-layered cluster of concepts and metaphors which enable one to uncode the complex multi-dimensional character of the Indian Arts. Also significantly she suggests a deeper comprehension of the relevance of the developments in the field of traditional mathematics and biology for the study of the language of form of the Indian Arts.
Author: University Prints
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 55
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Book Description
Author: Cram101 Textbook Reviews
Publisher: Academic Internet Pub Incorporated
ISBN: 9781618128577
Category : Education
Languages : en
Pages : 216
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Book Description
Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys: 9780714834962 .
Author: Roy C. Craven
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 252
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Book Description
Author: Vidya Dehejia
Publisher: Phaidon Press Limited
ISBN:
Category : Art
Languages : en
Pages : 452
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Book Description
In this comprehensive survey, Vidya Dehejia explains and analyses not only such key early developments as the great cities of the Indus civilization, but also the luxury of the Mughal court.
Author: Krishna Chaitanya
Publisher: Abhinav Publications
ISBN: 9788170172093
Category : Art
Languages : en
Pages : 384
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Book Description
Books That Have Appeared So Far On The Art Of India Confine Themselves To Architecture, Sculpture And Painting. In The Present Work, The Coverage Has Been Extended For The First Time To Include Music, Dance And Handicrafts Too.The Weighty Reason For This Is That In Traditional India, Art Reflected And Further Strengthened An Integrated Living. Temple Architecture Generally Provided Halls For The Performance Of Music And Dance, For These Too Were Ways Of Worship. Some Of The Finest Indian Sculptures Have Dances As Their Themes. Siva, Deity And Dancer, Has Been Represented In Dance Postures And Gestures In Reliefs Which Are Veritable Manuals Of Dance Illustrated Through Sculpture. Music Parties And Dances Have Figured Repeatedly In Painting. As For Crafts, It Is Not Elitist Art That Makes Gracious The Daily Living Of The Masses But The Art Of The Artisan Who Streamlines Humble Articles Of Daily Use Into Timelessly Enduring Beauty.The Textual Outlines Conserve The Essential Contours Of The Historical Evolution Of These Arts And Familiarize The Reader With The Masterpieces Of The Heritage Which Have Been Illustrated To The Maximum Extent Possible.
Author: Pramod Chandra
Publisher: Cambridge, Mass. : Published for the Asia Society, by Harvard University Press
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
Serious study of the art of India began only in the nineteenth century. This small volume provides a masterly overview of the scholarship of the past century and a half. Mr. Chandra's purpose is twofold: to help present–day students understand their scholarly heritage, and to encourage them to re-examine their own methods and assumptions. His histographical approach enables him to pay tribute to the great achievements of the pioneers in the field and also to notice the manner in which errors of fact and method have crept into some of the contemporary thinking and writing on the subject. Rather than attempt to discuss the writings of every scholar of note, he restricts himself to a few whose work, in his opinion, clearly represents the various stages of the development of the discipline. In analyzing their contributions, he concentrates on the broad methodological thrust of their work and not on the details of their conclusions. The study of architecture is considered first, because it was regarded by the ancient Indians as the most important of the visual arts and was the earliest of the arts to receive careful, analytic treatment in modern times. Sculpture is taken up second, and last the study of Indian painting, the area in which the most remarkable progress has been made in the last twenty–five years. In the course of the discussion many topics of broad interest are touched upon, including the relation of art history to the other disciplines, problems presented by various methods of classification, iconography and iconology, the relevance of style, the meaning of form, and the connection between artists and patrons.
