Out the Rear Window PDF Download
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Author: Michael Dahl
Publisher: Capstone
ISBN: 1496539761
Category : Juvenile Fiction
Languages : en
Pages : 102
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Book Description
Tyler Yu asked Charlie Hitchcock to meet him after school, and Charlie assumed it was for a fight. But when it turns out Ty just needs help solving a magical mystery at the Abracadabra Hotel, an unlikely friendship is formed.
Author: Michael Dahl
Publisher: Capstone
ISBN: 1496539761
Category : Juvenile Fiction
Languages : en
Pages : 102
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Book Description
Tyler Yu asked Charlie Hitchcock to meet him after school, and Charlie assumed it was for a fight. But when it turns out Ty just needs help solving a magical mystery at the Abracadabra Hotel, an unlikely friendship is formed.
Author: John Belton
Publisher: Cambridge University Press
ISBN: 9780521564533
Category : Performing Arts
Languages : en
Pages : 196
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Book Description
This volume provides a fresh examination of Rear Window from a variety of perspectives.
Author: John Fawell
Publisher: SIU Press
ISBN: 080932606X
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
In the process of providing the most extensive analysis of Alfred Hitchcock’s Rear Window to date, John Fawell also dismantles many myths and clichés about Hitchcock, particularly in regard to his attitude toward women. Although Rear Window masquerades quite successfully as a piece of light entertainment, Fawell demonstrates just how complex the film really is. It is a film in which Hitchcock, the consummate virtuoso, was in full command of his technique. One of Hitchcock’s favorite films, Rear Window offered the ideal venue for the great director to fully use the tricks and ideas he acquired over his previous three decades of filmmaking. Yet technique alone did not make this classic film great; one of Hitchcock’s most personal films, Rear Window is characterized by great depth of feeling. It offers glimpses of a sensibility at odds with the image Hitchcock created for himself—that of the grand ghoul of cinema who mocks his audience with a slick and sadistic style. Though Hitchcock is often labeled a misanthrope and misogynist, Fawell finds evidence in Rear Window of a sympathy for the loneliness that leads to voyeurism and crime, as well as an empathy for the film’s women. Fawell emphasizesa more feeling, humane spirit than either Hitchcock’s critics have granted him or Hitchcock himself admitted to, and does so in a manner of interest to film scholars and general readers alike.
Author: Michael Dahl
Publisher: Capstone
ISBN: 1434246345
Category : Juvenile Fiction
Languages : en
Pages : 122
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Book Description
Tyler Yu asked Charlie Hitchcock to meet him after school, and Charlie assumed it was for a fight. But when it turns out Ty just needs help solving a magical mystery at the Abracadabra Hotel, an unlikely friendship is formed.
Author: Michael Dahl
Publisher: Capstone
ISBN: 1434259838
Category : Juvenile Fiction
Languages : en
Pages : 168
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Book Description
The Abracadabra Hotel, built by and for magicians, has long been know to locals as the Hocus Pocus Hotel. Charlie Hitchcock has never stepped inside until Tyler Yu tells him to meet him there ...or else. As if the hotel's storied past isn't enough, it turns out that the place is inhabited by magicians, and while Charlie and Ty solve magical mysteries, the bully and the brain form an unlikely friendship.
Author: Gail Albert Halaban
Publisher: powerHouse Books
ISBN: 9781576876121
Category : Apartment dwellers
Languages : en
Pages : 0
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Book Description
Alfred Hitchcock's Rear Window comes to mind when looking at Gail Albert Halaban's book of photographers of city dwellers peering into their neighbours' windows, Out My Window. The photographs are views across streets, alleyways and airshafts, peering through windows to reveal intimate portraits. These beautiful voyeuristic pictures capture both the intimacy and remoteness of living in proximity to so many strangers. Out My Window can be seen as an exploration of the contradictory impulses of metropolitan life: the desire to connect and the desire to be left alone.
Author: Cornell Woolrich
Publisher: Penguin (Non-Classics)
ISBN: 9780140269772
Category : Detective and mystery stories, American
Languages : en
Pages : 0
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Book Description
Including the complete novels "I Married a Dead Man" and "Waltz into Darkness" plus "Rear Window" and four other short stories, "The Cornell Woolrich Omnibus" provides a thrilling collection of classic works from the quintessential master of noir fiction.
Author: Michael Dahl
Publisher: Capstone
ISBN: 1434246353
Category : Juvenile Fiction
Languages : en
Pages : 122
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Book Description
Charlie Hitchcock and Tyler Yu learn that the Abracadabra Hotel may be haunted by its founder, Mr. Abracadabra himself!
Author: Cornell Woolrich
Publisher: Penguin Mass Market
ISBN:
Category : Detective and mystery stories, American
Languages : en
Pages : 192
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Book Description
Rear window "tells the tale of Hal Jeffries, trapped in his apartment because of a broken leg, who watches his neighbors through his rear window-- until he is certain he's discovered a murder. In this story, as in the other four-- all featured as 'Alfred Hitchcock Presents' episodes-- Woolrich proves he is the all-time master of the noir genre".--Back cover.
Author: Eva Schwarz
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838258126
Category : Photography
Languages : en
Pages : 146
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Book Description
Against the backdrop of recent postmodern discourse on cultural theory, Eva Schwarz provides a gripping analysis of the concept of what she describes as visual paranoia. Her study is based on a detailed analysis of three films: Alfred Hitchcock’s Rear Window (USA, 1954), Michelangelo Antonioni’s Blow-up (GB, 1966) and Peter Weir’s The Truman Show (USA, 1998). The starting point of all three analyses is the representation of the postmodern media and information age as an incisive culture of the visual, which coincides with the general socio-political trend of cultural paranoia, the roots of which are to be found in American politics and society of the late 1940s and which has since permeated Anglo-American culture.The discourse on the truthfulness of images, the reality of visual representations and the visual as such forms the context out of which the theory of the development of visual paranoia arises. While other paranoia films, usually thrillers or science fiction films, concern themselves with the sociopolitical manifestation of cultural paranoia, the three films chosen for Schwarz's study focus on the fundamental crisis of the visual as such, from scopophilic paranoia in Rear Window to photographic paranoia in Blow-Up, culminating in the scopophobic manifestation of visual paranoia in The Truman Show.The once valid saying, "seeing is believing", can no longer be taken for granted. In postmodern times, the visual cannot be trusted any more.
