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Author: Tom Nichols
Publisher:
ISBN: 9781315090214
Category : Art, European
Languages : en
Pages : 288
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Book Description
"Others and Outcasts in Early Modern Europe is the first book to focus directly on the visual representation of marginal and outcast people in early modern Europe. The volume offers a comprehensive and groundbreaking analysis of a wide range of images featuring Jews and Turks, roguish beggars, syphilitics and plague victims, the 'deserving poor', toothpullers, beggar philosophers, black slaves, itinerant actors and street hawkers. Its broad geographical and chronological scope allows the reader to build a wider picture of visual strategies and conventions for the depiction of the poor and the marginal as they developed in countries such as Germany, the Netherlands, Italy, Spain, Britain and Ireland. While such types had often been depicted in earlier centuries, the essays show that they came to play a newly significant and formative role in European art between 1500 and 1750. Marking a clear departure from much previous scholarship on the subject - which has tended to view representations of poverty as passive by-products of non-visual forces - these essays place the image itself at the centre of the investigation. The studies show that many depictions of socially marginal people operated in essentially hegemonic fashion, as a way of controlling or fixing the social and moral identity of those living on the edge. At the same time, they also reveal the inventiveness and originality of many early modern artists in dealing with this subject matter, showing how the sophisticated visuality of their representations could render meaning ambiguous in relation to such controlling discourses."--Provided by publisher.
Author: Tom Nichols
Publisher:
ISBN: 9781315090214
Category : Art, European
Languages : en
Pages : 288
Get Book Here
Book Description
"Others and Outcasts in Early Modern Europe is the first book to focus directly on the visual representation of marginal and outcast people in early modern Europe. The volume offers a comprehensive and groundbreaking analysis of a wide range of images featuring Jews and Turks, roguish beggars, syphilitics and plague victims, the 'deserving poor', toothpullers, beggar philosophers, black slaves, itinerant actors and street hawkers. Its broad geographical and chronological scope allows the reader to build a wider picture of visual strategies and conventions for the depiction of the poor and the marginal as they developed in countries such as Germany, the Netherlands, Italy, Spain, Britain and Ireland. While such types had often been depicted in earlier centuries, the essays show that they came to play a newly significant and formative role in European art between 1500 and 1750. Marking a clear departure from much previous scholarship on the subject - which has tended to view representations of poverty as passive by-products of non-visual forces - these essays place the image itself at the centre of the investigation. The studies show that many depictions of socially marginal people operated in essentially hegemonic fashion, as a way of controlling or fixing the social and moral identity of those living on the edge. At the same time, they also reveal the inventiveness and originality of many early modern artists in dealing with this subject matter, showing how the sophisticated visuality of their representations could render meaning ambiguous in relation to such controlling discourses."--Provided by publisher.
Author: Tom Nichols
Publisher: Routledge
ISBN: 1351555421
Category : Art
Languages : en
Pages : 471
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Book Description
Others and Outcasts in Early Modern Europe is the first book to focus directly on the visual representation of marginal and outcast people in early modern Europe. The volume offers a comprehensive and groundbreaking analysis of a wide range of images featuring Jews and Turks, roguish beggars, syphilitics and plague victims, the 'deserving poor', toothpullers, beggar philosophers, black slaves, itinerant actors and street hawkers. Its broad geographical and chronological scope allows the reader to build a wider picture of visual strategies and conventions for the depiction of the poor and the marginal as they developed in countries such as Germany, the Netherlands, Italy, Spain, Britain and Ireland. While such types had often been depicted in earlier centuries, the essays show that they came to play a newly significant and formative role in European art between 1500 and 1750. Marking a clear departure from much previous scholarship on the subject - which has tended to view representations of poverty as passive by-products of non-visual forces - these essays place the image itself at the centre of the investigation. The studies show that many depictions of socially marginal people operated in essentially hegemonic fashion, as a way of controlling or fixing the social and moral identity of those living on the edge. At the same time, they also reveal the inventiveness and originality of many early modern artists in dealing with this subject matter, showing how the sophisticated visuality of their representations could render meaning ambiguous in relation to such controlling discourses.
Author: Kathy Stuart
Publisher: Cambridge University Press
ISBN: 9780521027212
Category : History
Languages : en
Pages : 304
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Book Description
This book presents a social and cultural history of 'dishonourable people' (unehrliche Leute), an outcast group in early modern Germany. Executioners, skinners, grave-diggers, shepherds, barber-surgeons, millers, linen-weavers, sow-gelders, latrine-cleaners, and bailiffs were among the 'dishonourable' by virtue of their trades. It shows the extent to which dishonour determined the life-chances and self-identity of dishonourable people. Taking Augsburg as a prime example, it investigates how honourable estates interacted with dishonourable people, and shows how the pollution anxieties of early modern Germans structured social and political relations within honourable society.
Author: Andrew Spicer
Publisher: Routledge
ISBN: 1317630246
Category : History
Languages : en
Pages : 207
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Book Description
This interdisciplinary volume illuminates the shadowy history of the disadvantaged, sick and those who did not conform to the accepted norms of society. It explores how marginal identity was formed, perceived and represented in Britain and Europe during the medieval and early modern periods. It illustrates that the identities of marginal groups were shaped by their place within primarily urban communities, both in terms of their socio-economic status and the spaces in which they lived and worked. Some of these groups – such as executioners, prostitutes, pedlars and slaves – performed a significant social and economic function but on the basis of this were stigmatized by other townspeople. Language was used to control and limit the activities of others within society such as single women and foreigners, as well as the victims of sexual crimes. For many, such as lepers and the disabled, marginal status could be ambiguous, cyclical or short-lived and affected by key religious, political and economic events. Traditional histories have often considered these groups in isolation. Based on new research, a series of case studies from Britain and across Europe illustrate and provide important insights into the problems faced by these marginal groups and the ways in which medieval and early modern communities were shaped and developed.
Author: Allan Kennedy
Publisher: Boydell & Brewer
ISBN: 1837650225
Category : History
Languages : en
Pages : 241
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Book Description
An exploration of the complex and multifaceted connection between deviant behaviour and social marginality in Scotland between the sixteenth and eighteenth centuries. During the early modern period in Scotland, deviant behaviour often went hand-in-hand with social marginality. Individuals might be ejected from the mainstream after breaching core behavioural standards; the experience of marginality itself often necessitated transgressive behaviour as a survival strategy; and, for some minority groups, the simple maintenance of their accustomed culture or lifestyle was understood through the lens of deviance. To be marginalised and to be deviant were, in many cases, two sides of the same coin. Focusing on a range of behaviours, including irregular sex, violent and verbal assault, petty criminality, piracy, political dissidence, and religious nonconformity, this book explores the connection between deviance and marginality in early modern Scotland, particularly in the sixteenth and seventeenth centuries. It assesses why certain behaviours were judged to deserve social marginalisation, what mechanisms were used to enforce this, how individual and groups responded to it, and what opportunities existed for avoiding, escaping, or mitigating its effects. The result is a fresh and innovative perspective on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".sses why certain behaviours were judged to deserve social marginalisation, what mechanisms were used to enforce this, how individual and groups responded to it, and what opportunities existed for avoiding, escaping, or mitigating its effects. The result is a fresh and innovative perspective on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".sses why certain behaviours were judged to deserve social marginalisation, what mechanisms were used to enforce this, how individual and groups responded to it, and what opportunities existed for avoiding, escaping, or mitigating its effects. The result is a fresh and innovative perspective on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".sses why certain behaviours were judged to deserve social marginalisation, what mechanisms were used to enforce this, how individual and groups responded to it, and what opportunities existed for avoiding, escaping, or mitigating its effects. The result is a fresh and innovative perspective on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".ctive on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".
Author: David Bindman
Publisher: Harvard University Press
ISBN: 9780674052611
Category : Art and race
Languages : en
Pages : 434
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Book Description
"New editions of the coveted five original books and the anticipated new volumes, which shall complete the series. The completed set will include ten sumptuous books in five volumes with up-to-date introductions and more full-color illustrations, printed on high-quality art stock for books that will last a lifetime. This monumental publication offers expert commentary and a lavishly illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning new creations by contemporary black artists. Featuring thousands of beautiful, moving, and often little-known images of black people, including queens and slaves, saints and soldiers, children and gods, The Image of the Black in Western Art provides a treasury of masterpieces from four millennia--a testament to the black experience in the West and a tribute to art's enduring power to shape our common humanity"--Book Jacket.
Author: Mitchell B. Merback
Publisher: Princeton University Press
ISBN: 1935408755
Category : Art
Languages : en
Pages : 361
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Book Description
Albrecht Dürer’s master engraving, Melencolia I, has stood for centuries as a pictorial summa of knowledge about melancholia and an allegory of the limits of earthbound arts and sciences. Zealously interpreted since the nineteenth century, the work also presides over the origins of modern iconology. Yet more than a century of research has left us with a tangle of mutually contradictory theories. In Perfection’s Therapy, Mitchell Merback discovers in Melencolia’s opacity a fascinating possibility: that Dürer’s masterpiece is not only an arresting diagnosis of melancholic distress, but an innovative instrument for its undoing. Merback deftly analyses the visual and narrative structure of Dürer’s image, revisits its philosophical and medical contexts, and resituates it within the long history of the therapeutic artifact. Placing Dürer’s project in dialogue with that of humanism’s founder, Francesco Petrarch, Merback also unearths the German artist’s ambition to act as a physician of the soul. Celebrated by contemporaries as the “Apelles of our age,” and ever since as Germany’s first Renaissance painter-theorist, the Dürer we encounter here is also the first modern Christian artist, addressing himself to the distress of souls, including his own. Melencolia thus emerges as a key reference point in a project of spiritual-ethical therapy, a work designed to exercise the mind, rebalance the passions, remedy the soul, and help in getting on with the project of perfection.
Author: Keri Watson
Publisher: Taylor & Francis
ISBN: 1000553434
Category : Social Science
Languages : en
Pages : 465
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Book Description
The Routledge Companion to Art and Disability explores disability in visual culture to uncover the ways in which bodily and cognitive differences are articulated physically and theoretically, and to demonstrate the ways in which disability is culturally constructed. This companion is organized thematically and includes artists from across historical periods and cultures in order to demonstrate the ways in which disability is historically and culturally contingent. The book engages with questions such as: How are people with disabilities represented in art? How are notions of disability articulated in relation to ideas of normality, hybridity, and anomaly? How do artists use visual culture to affirm or subvert notions of the normative body? Contributors consider the changing role of disability in visual culture, the place of representations in society, and the ways in which disability studies engages with and critiques intersectional notions of gender, race, ethnicity, class, and sexuality. This book will be particularly useful for scholars in art history, disability studies, visual culture, and museum studies.
Author: Michael Rembis
Publisher: Oxford University Press
ISBN: 0190234962
Category : Medical
Languages : en
Pages : 553
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Book Description
Disability history exists outside of the institutions, healers, and treatments it often brings to mind. It is a history where disabled people live not just as patients or cure-seekers, but rather as people living differently in the world--and it is also a history that helps define the fundamental concepts of identity, community, citizenship, and normality. The Oxford Handbook of Disability History is the first volume of its kind to represent this history and its global scale, from ancient Greece to British West Africa. The twenty-seven articles, written by thirty experts from across the field, capture the diversity and liveliness of this emerging scholarship. Whether discussing disability in modern Chinese cinema or on the American antebellum stage, this collection provides new and valuable insights into the rich and varied lives of disabled people across time and place.
Author: John Henderson
Publisher: Routledge
ISBN: 1000220117
Category : History
Languages : en
Pages : 273
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Book Description
This volume is the first in-depth analysis of how infirm bodies were represented in Italy from c. 1400 to 1650. Through original contributions and methodologies, it addresses the fundamental yet undiscussed relationship between images and representations in medical, religious, and literary texts. Looking beyond the modern category of ‘disease’ and viewing infirmity in Galenic humoral terms, each chapter explores which infirmities were depicted in visual culture, in what context, why, and when. By exploring the works of artists such as Caravaggio, Leonardo, and Michelangelo, this study considers the idealized body altered by diseases, including leprosy, plague, goitre, and cancer. In doing so, the relationship between medical treatment and the depiction of infirmities through miracle cures is also revealed. The broad chronological approach demonstrates how and why such representations change, both over time and across different forms of media. Collectively, the chapters explain how the development of knowledge of the workings and structure of the body was reflected in changed ideas and representations of the metaphorical, allegorical, and symbolic meanings of infirmity and disease. The interdisciplinary approach makes this study the perfect resource for both students and specialists of the history of art, medicine and religion, and social and intellectual history across Renaissance Europe.
