Orchestral excerpts for oboe

Orchestral excerpts for oboe PDF Author: John Ferrillo
Publisher: Theodore Presser Company
ISBN:
Category : Music
Languages : en
Pages : 198

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Oboe Excerpts from Standard Orchestral Repertoire

Oboe Excerpts from Standard Orchestral Repertoire PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Oboe Excerpts

Oboe Excerpts PDF Author: Alfred Music
Publisher: Alfred Music
ISBN: 9781457485046
Category : Music
Languages : en
Pages : 58

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Book Description
A collection of exercises for solo oboe.

ON THE RECORD

ON THE RECORD PDF Author: Meghan Woodard
Publisher:
ISBN:
Category :
Languages : en
Pages : 196

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Book Description
This monograph analyzes recordings of three orchestral excerpts for the oboe made between 1910 - 2016 and studies trends in interpretation, showing how performance practice is continually evolving as musical tastes change. The chosen excerpts span several style periods from the early nineteenth century to the twentieth century. The first excerpt, the cadenza from the Allegro con brio movement of the Fifth Symphony by Beethoven, has been under-studied by oboists and musicologists and yet it plays a pivotal role in the first movement of this iconic piece. The second excerpt, the Adagio solo from the second movement of Brahms's Violin Concerto, has much room for individual interpretation and soloistic freedom on the part of the both the oboe and violin soloists. Finally, recordings of the technically-challenging twentieth-century excerpt, the "Prélude" solo from le tombeau de Couperin by Ravel, show how standards of musical perfection have been raised overtime as a result of the recording industry. Preference is given to recordings from countries with strong traditions in oboe performance, such as the United States, England, Germany, and France. To give a clear picture of performance trends, I study approximately ten recordings per decade. A large-data recording study such as this has never been attempted of orchestral excerpts for the oboe. Findings common to all three excerpts over time include: a decline in small-group, rhetorical phrasing; a decline in national schools; tempos becoming slower in the mid-twentieth century and faster towards the end of the twentieth century; and strongest similarities in playing styles of oboists with a shared pedagogical lineage.

A Comprehensive Performance Project in Oboe Literature, with an Essay Consisting of an Annotated Bibliography Of, and an Integrated Guide by Composer To, Published Editions of Orchestral Excerpts for Oboe, Oboe D'amore, and English Horn

A Comprehensive Performance Project in Oboe Literature, with an Essay Consisting of an Annotated Bibliography Of, and an Integrated Guide by Composer To, Published Editions of Orchestral Excerpts for Oboe, Oboe D'amore, and English Horn PDF Author: Virginia Kathryn Stitt
Publisher:
ISBN:
Category : English horn
Languages : en
Pages : 246

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Marcel Tabuteau

Marcel Tabuteau PDF Author: Laila Storch
Publisher: Indiana University Press
ISBN: 0253032687
Category : Biography & Autobiography
Languages : en
Pages : 626

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Book Description
Laila Storch is a world-renowned oboist in her own right, but her book honors Marcel Tabuteau, one of the greatest figures in twentieth-century music. Tabuteau studied the oboe from an early age at the Paris Conservatoire and was brought to the United States in 1905, by Walter Damrosch, to play with the New York Symphony Orchestra. Although this posed a problem for the national musicians' union, he was ultimately allowed to stay, and the rest, as they say, is history. Eventually moving to Philadelphia, Tabuteau played in the Philadelphia Orchestra and taught at the Curtis Institute of Music, ultimately revamping the oboe world with his performance, pedagogical, and reed-making techniques. In 1941, Storch auditioned for Tabuteau at the Curtis Institute, but was rejected because of her gender. After much persistence and several cross-country bus trips, she was eventually accepted and began a life of study with Tabuteau. Blending archival research with personal anecdotes, and including access to rare recordings of Tabuteau and Waldemar Wolsing, Storch tells a remarkable story in an engaging style.

Sixteen Grand Studies

Sixteen Grand Studies PDF Author: A. M. R. Barret
Publisher: Alfred Music
ISBN: 1457470306
Category : Music
Languages : en
Pages : 58

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Book Description
Sixteen Grand Studies for Oboe is the third book in our A.M.R. Barret reprint series. Newly engraved, it provides excellent supplemental material for the student or professional oboist. These studies were originally part of the Complete Oboe Method. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.

Orchesterprobespiel: Oboe / Englischhorn / Oboe d'amore

Orchesterprobespiel: Oboe / Englischhorn / Oboe d'amore PDF Author: Vojislav Miller
Publisher:
ISBN:
Category :
Languages : en
Pages : 68

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Book Description
An essential companion for any orchestral oboist or cor anglais player, this book contains excerpts from the core orchestral repertoire including many standard excerpts requested at audition.

Swan Lake Suite

Swan Lake Suite PDF Author:
Publisher: Alfred Music Publishing
ISBN: 9780757994111
Category : Music
Languages : en
Pages : 108

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The Oboe

The Oboe PDF Author: Geoffrey Vernon Burgess
Publisher: Yale University Press
ISBN: 9780300093179
Category : Music
Languages : en
Pages : 444

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Book Description
The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe’s appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument’s social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.