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Author: Michael Ewans
Publisher: Routledge
ISBN: 1351555766
Category : Music
Languages : en
Pages : 227
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Book Description
Michael Ewans explores how classical Greek tragedy and epic poetry have been appropriated in opera, through eight selected case studies. These range from Monteverdi's Il ritorno d'Ulisse in patria, drawn from Homer's Odyssey, to Mark-Antony Turnage's Greek, based on Sophocles's Oedipus the King. Choices have been based on an understanding that the relationship between each of the operas and their Greek source texts raise significant issues, involving an examination of the process by which the librettist creates a new text for the opera, and the crucial insights into the nature of the drama that are bestowed by the composer's musical setting. Ewans examines the issues through a comparative analysis of significant divergences of plot, character and dramatic strategy between source text, libretto and opera.
Author: Michael Ewans
Publisher: Routledge
ISBN: 1351555766
Category : Music
Languages : en
Pages : 227
Get Book Here
Book Description
Michael Ewans explores how classical Greek tragedy and epic poetry have been appropriated in opera, through eight selected case studies. These range from Monteverdi's Il ritorno d'Ulisse in patria, drawn from Homer's Odyssey, to Mark-Antony Turnage's Greek, based on Sophocles's Oedipus the King. Choices have been based on an understanding that the relationship between each of the operas and their Greek source texts raise significant issues, involving an examination of the process by which the librettist creates a new text for the opera, and the crucial insights into the nature of the drama that are bestowed by the composer's musical setting. Ewans examines the issues through a comparative analysis of significant divergences of plot, character and dramatic strategy between source text, libretto and opera.
Author: Michael Ewans
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754660996
Category : Music
Languages : en
Pages : 244
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Book Description
Michael Ewans explores how classical Greek tragedy and epic poetry have been appropriated in opera, through eight selected case studies. He examines the issues through a comparative analysis of significant divergences of plot, character and dramatic strategy between source text, libretto and opera.
Author: Robert Cannon
Publisher: Cambridge University Press
ISBN: 0521763029
Category : Music
Languages : en
Pages : 451
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Book Description
Perfect for music students and opera-goers, this book investigates what opera is, how it works and how it has developed.
Author: Aristophanes
Publisher:
ISBN:
Category : Lysistrata (Fictitious character)
Languages : en
Pages : 64
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Book Description
Author: Harrison Birtwistle
Publisher: Boosey & Hawkes Incorporated
ISBN:
Category : Drama
Languages : en
Pages : 80
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Book Description
Retelling of the myth of the Cretan Minotaur, this book considers the inner world of the Minotaur himself, and suggests a dark and compelling reason for Ariadne's intense relationship with Theseus.
Author: M. Owen Lee
Publisher: University of Toronto Press
ISBN: 9780802083876
Category : Music
Languages : en
Pages : 258
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Book Description
Father Lee is internationally known for his commentaries on opera. This book gathers his best commentaries and articles on 23 works for the musical stage, from the pioneering Orpheus of Monteverdi to the forward-looking Ariadne of Richard Strauss.
Author: Daniel H. Foster
Publisher: Cambridge University Press
ISBN: 1139486314
Category : Music
Languages : en
Pages : 399
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Book Description
Through his reading of primary and secondary classical sources, as well as his theoretical writings, Richard Wagner developed a Hegelian-inspired theory linking the evolution of classical Greek politics and poetry. This book demonstrates how, by turning theory into practice, Wagner used this evolutionary paradigm to shape the music and the libretto of the Ring cycle. Foster describes how each of the Ring's operas represents a particular phase of Greek poetic and political development: Das Rheingold and Die Walküre create epic national identity in its earlier and later stages respectively; Siegfried expresses lyric personal identity; and Götterdämmerung destructively culminates with a tragi-comedy about civic identity. This study sees the Greeks through the lens of those scholars whose work influenced Wagner most, focusing on epic, lyric, and comedy, as well as Greek tragedy. Most significantly, the book interrogates the ways in which Wagner uses Greek aesthetics to further his own ideological goals.
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
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Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Author: Jin-Sung Chun
Publisher: Routledge
ISBN: 1000262251
Category : History
Languages : en
Pages : 361
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Book Description
This book comprehensively examines architecture, urban planning, and civic perception in three modern cities as they transform into national capitals through an entangled, transnational process that involves an imaginative geography based on embellished memories of classical Athens. Schinkel’s classicist architecture in Berlin, especially the principle of tectonics at its core, came to be adopted effectively at faraway cities in East Asia, merging with the notion of national polity as Imperial Japan sought to reinvent Tokyo and mutating into an inevitable reflection of modern civilization upon reaching colonial Seoul, all of which give reason to ruminate over the phantasmagoria of modernity.
Author:
Publisher: Oxford University Press
ISBN: 0192662813
Category : Philosophy
Languages : en
Pages : 273
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Book Description
It is well known that philosophy has a history that spans over more than two thousand years. It is less known, however, that the discipline narrating philosophy's past emerged much later, namely in the 18th century. That new discipline was called 'history of philosophy'. The German historian and theologian Johann Jacob Brucker (1696-1770) had a decisive influence upon the formation of this new discipline through his Latin work Historia critica philosophiae (Critical history of philosophy), which was first published in 1742-1744, and which came out in a second edition in 1766-1767. To Brucker it was paramount to define history of philosophy as a philosophical discipline, and not merely as a historical discipline. In order to achieve this, it was vital to define the new discipline's object and explain which material should be included or excluded, and it was crucial to define an interpretative and philosophical method to be deployed on the material selected. Brucker's Historia provided these definitions in the opening chapter, in the present volume translated as the 'Preliminary Discourse', where he also outlined a global scheme of periodization and geographical regions. Moreover, he put his own precepts to practice in the remaining part of the work, which accounted for what he regarded as a global history of philosophy from the beginning of the world up till his own times. The second chapter translated in the present book, 'The Socratic School', illustrates the hermeneutical consequences of the method laid down in the 'Preliminary Discourse', but it also offers a unique insight into the 18th-century understanding and evaluation of Socrates. In quantitative terms, Brucker's Historia was the most extensive account of philosophy's past produced in the 18th century. It was cited and paraphrased in the most authoritative encyclopaedias and histories of philosophy produced in Europe in the 18th and 19th centuries, and its key concepts were often transferred to histories of philosophy produced outside Europe. For this reason, Brucker's Historia has exerted an enormous influence upon historical consciousness among Europeans, but also among peoples living outside Europe. The present book provides first-time English translations of parts of Brucker's work.
