Author: Denton Jaques Snider
Publisher:
ISBN:
Category :
Languages : en
Pages : 608
Book Description
The Shakespearian Drama
Author: Denton Jaques Snider
Publisher:
ISBN:
Category :
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 608
Book Description
An Outline of Contemporary Drama
Author: Thomas H. Dickinson
Publisher:
ISBN:
Category :
Languages : en
Pages : 310
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 310
Book Description
The Divine Gift
Author: Henry Arthur Jones
Publisher: New York : George H. Doran Company
ISBN:
Category : English drama
Languages : en
Pages : 196
Book Description
Publisher: New York : George H. Doran Company
ISBN:
Category : English drama
Languages : en
Pages : 196
Book Description
Play, Drama & Thought
Author: Richard Courtney
Publisher: Dundurn
ISBN: 9780889242135
Category : Performing Arts
Languages : en
Pages : 278
Book Description
This important reference work is essential reading for drama educators, therapists, and others in the helping professions. Part I considers drama from the perspective of the philosophers, from those of ancient Greece to modern times. Part II examines drama and play as seen by various schools of psychology, beginning with the depth psychology of Freud, Jung and Adler, and going on to discuss more recent schools, such as the drama therapy of Jacob Moreno. In Part III, the authors considers drama from a broader sociological and anthropological perspective, giving us a glimpse of its importance in cultures distant from each other in time and space. Part IV ties together the earlier chapters, and we see how drama relates to intuition, symbolism, and the fundamental structures of human thought.
Publisher: Dundurn
ISBN: 9780889242135
Category : Performing Arts
Languages : en
Pages : 278
Book Description
This important reference work is essential reading for drama educators, therapists, and others in the helping professions. Part I considers drama from the perspective of the philosophers, from those of ancient Greece to modern times. Part II examines drama and play as seen by various schools of psychology, beginning with the depth psychology of Freud, Jung and Adler, and going on to discuss more recent schools, such as the drama therapy of Jacob Moreno. In Part III, the authors considers drama from a broader sociological and anthropological perspective, giving us a glimpse of its importance in cultures distant from each other in time and space. Part IV ties together the earlier chapters, and we see how drama relates to intuition, symbolism, and the fundamental structures of human thought.
Marriage and Late-Victorian Dramatists
Author: Mary Christian
Publisher: Springer Nature
ISBN: 3030406393
Category : Performing Arts
Languages : en
Pages : 211
Book Description
This book examines plays produced in England in the 1890s and early 1900s and the ways in which these plays responded to changing perceptions of marriage. Bernard Shaw, Oscar Wilde, and other late-Victorian dramatists challenged romanticized ideals of love and domesticity, and, in the process, these authors appropriated and rewrote the genre conventions that had dominated English drama for much of the nineteenth century. In their plays, theater became a forum for debating the problems of traditional marriage and envisioning alternative forms of partnership. This book is written for scholars specializing in the areas of Victorian studies, dramatic literature, theater history, performance studies, and gender studies.
Publisher: Springer Nature
ISBN: 3030406393
Category : Performing Arts
Languages : en
Pages : 211
Book Description
This book examines plays produced in England in the 1890s and early 1900s and the ways in which these plays responded to changing perceptions of marriage. Bernard Shaw, Oscar Wilde, and other late-Victorian dramatists challenged romanticized ideals of love and domesticity, and, in the process, these authors appropriated and rewrote the genre conventions that had dominated English drama for much of the nineteenth century. In their plays, theater became a forum for debating the problems of traditional marriage and envisioning alternative forms of partnership. This book is written for scholars specializing in the areas of Victorian studies, dramatic literature, theater history, performance studies, and gender studies.
The end of the old drama. Philip Massinger (1583-1640) ; Nathaniel Field (1587-1633) ; John Webster (died c1630) ; Cyril Tourneur (fl. 1603-c1613) ; John Ford (1586-c1640 or post) ; James Shirley (1596-1666) ; Minor dramatists of this period ; Dramatists who wrote both before and after the Civil War and Commonwealth periods ; Academical plays ; Masque-writers of the reigns of James I and Charles I ; Historical review of the period from Shakspere to the Civil War ; The stage under James I and Charles I ; Summary of the literary history of the drama in this period ; Summary of the achievements of our dramatic literature in this period
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 624
Book Description
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 624
Book Description
Catalogue
Author: Maggs Bros
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 952
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 952
Book Description
A History of English Literature
Author: William Vaughn Moody
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 410
Book Description
The Oxford Handbook of Victorian Literary Culture
Author: Juliet John
Publisher: Oxford University Press
ISBN: 0191082090
Category : Literary Criticism
Languages : en
Pages : 769
Book Description
The Oxford Handbook of Victorian Literary Culture is a major contribution to the dynamic field of Victorian studies. This collection of 37 original chapters by leading international Victorian scholars offers new approaches to familiar themes including science, religion, and gender, and gives space to newer and emerging topics including old age, fair play, and economics. Structured around three broad sections (Ways of Being: Identity and Ideology, Ways of Understanding: Knowledge and Belief, and Ways of Communicating: Print and Other Cultures), the volume is sub-divided into nine sub-sections each with its own 'lead' essay: on subjectivity, politics, gender and sexuality, place and race, religion, science, material and mass culture, aesthetics and visual culture, and theatrical culture. The collection, like today's Victorian studies, is thoroughly interdisciplinary and yet its substantial Introduction explores a concern which is evident both implicitly and explicitly in the volume's essays: that is, the nature and status of 'literary' culture and the literary from the Victorian period to the present. The diverse and wide-ranging essays present original scholarship framed accessibly for a mixed readership of advanced undergraduates, graduate students, and established scholars.
Publisher: Oxford University Press
ISBN: 0191082090
Category : Literary Criticism
Languages : en
Pages : 769
Book Description
The Oxford Handbook of Victorian Literary Culture is a major contribution to the dynamic field of Victorian studies. This collection of 37 original chapters by leading international Victorian scholars offers new approaches to familiar themes including science, religion, and gender, and gives space to newer and emerging topics including old age, fair play, and economics. Structured around three broad sections (Ways of Being: Identity and Ideology, Ways of Understanding: Knowledge and Belief, and Ways of Communicating: Print and Other Cultures), the volume is sub-divided into nine sub-sections each with its own 'lead' essay: on subjectivity, politics, gender and sexuality, place and race, religion, science, material and mass culture, aesthetics and visual culture, and theatrical culture. The collection, like today's Victorian studies, is thoroughly interdisciplinary and yet its substantial Introduction explores a concern which is evident both implicitly and explicitly in the volume's essays: that is, the nature and status of 'literary' culture and the literary from the Victorian period to the present. The diverse and wide-ranging essays present original scholarship framed accessibly for a mixed readership of advanced undergraduates, graduate students, and established scholars.
The History of Southern Drama
Author: Charles S. Watson
Publisher: University Press of Kentucky
ISBN: 081318889X
Category : Drama
Languages : en
Pages : 416
Book Description
Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.
Publisher: University Press of Kentucky
ISBN: 081318889X
Category : Drama
Languages : en
Pages : 416
Book Description
Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.