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Author: Kim Munson
Publisher:
ISBN: 9781320729468
Category :
Languages : en
Pages :
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Book Description
Radical Since 1971 - What if would happen if you dressed Captain America in a corset and heels? How should we respond to war & exploitation? Why are women paid less and expected to do more? Over her 40+ year career, feminist artist and political activist Margaret Harrison has tried to answer these questions, creating an enormous body of work that includes oil paintings, watercolors, drawings, and large installations. Utilizing her Royal Academy training, cultural icons from Wonder Woman to Lady Gaga, and elements of the British landscape tradition, she insightfully comments on issues of cultural and political importance locally (UK) and internationally. From her first censored solo exhibition in 1971 (one of the first Feminist solo shows in London) to winning the Northern Art Prize in 2013 (Leeds, UK), Harrison has challenged the status quo with thought provoking and often humorous work questioning notions of gender & identity, place, politics, celebrity, domestic violence, and the exploitation of women's labor and sexuality.
Author: Kim Munson
Publisher:
ISBN: 9781320729468
Category :
Languages : en
Pages :
Get Book Here
Book Description
Radical Since 1971 - What if would happen if you dressed Captain America in a corset and heels? How should we respond to war & exploitation? Why are women paid less and expected to do more? Over her 40+ year career, feminist artist and political activist Margaret Harrison has tried to answer these questions, creating an enormous body of work that includes oil paintings, watercolors, drawings, and large installations. Utilizing her Royal Academy training, cultural icons from Wonder Woman to Lady Gaga, and elements of the British landscape tradition, she insightfully comments on issues of cultural and political importance locally (UK) and internationally. From her first censored solo exhibition in 1971 (one of the first Feminist solo shows in London) to winning the Northern Art Prize in 2013 (Leeds, UK), Harrison has challenged the status quo with thought provoking and often humorous work questioning notions of gender & identity, place, politics, celebrity, domestic violence, and the exploitation of women's labor and sexuality.
Author: Nina Kane
Publisher: Cambridge Scholars Publishing
ISBN: 1443877972
Category : Social Science
Languages : en
Pages : 265
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Book Description
This collection of essays emerged out of the Agender conference, and various queer cultural activities associated with the PoMoGaze project (Leeds Art Gallery, 2013–2015). PoMoGaze was a term created to promote queer co-curatorial projects held at the gallery as part of Community Engagement activities, and references ‘PoMo’ as a shortening of ‘Postmodern’ combined with ‘Gaze’ as a play on words linking the act of looking with LGBT*IQ activities. The book presents many voices exploring themes of female and trans* masculinities, gender equality, and the lives, work and activism of LGBT*IQ artists and thinkers. It includes discussion of arts-making, cultural materials, diverse identities, contemporary queer politics, and social histories, and travels across time telling gender-crossing stories of creative resistance. Readers with an interest in the performing and visual arts, literature, philosophy, and queer and gendered cultural readings with an intersectional emphasis, will be stimulated by this eclectic and thought-provoking collection.
Author: Kim Munson
Publisher:
ISBN: 9781320729444
Category :
Languages : en
Pages :
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Book Description
Radical Since 1971 - What if would happen if you dressed Captain America in a corset and heels? How should we respond to war & exploitation? Why are women paid less and expected to do more? Over her 40+ year career, feminist artist and political activist Margaret Harrison has tried to answer these questions, creating an enormous body of work that includes oil paintings, watercolors, drawings, and large installations. Utilizing her Royal Academy training, cultural icons from Wonder Woman to Lady Gaga, and elements of the British landscape tradition, she insightfully comments on issues of cultural and political importance locally (UK) and internationally. From her first censored solo exhibition in 1971 (one of the first Feminist solo shows in London) to winning the Northern Art Prize in 2013 (Leeds, UK), Harrison has challenged the status quo with thought provoking and often humorous work questioning notions of gender & identity, place, politics, celebrity, domestic violence, and the exploitation of women's labor and sexuality.
Author:
Publisher:
ISBN: 9780996314503
Category :
Languages : en
Pages : 96
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Book Description
Radical Since 1971 - What would happen if you dressed Captain America in a corset and heels? How should we respond to war & exploitation? Why are women paid less and expected to do more? Over her 40+ year career, feminist artist and political activist Margaret Harrison has tried to answer these questions, creating an enormous body of work that includes oil paintings, watercolors, drawings, and large installations. Utilizing her Royal Academy training, cultural icons from Wonder Woman to Lady Gaga, and elements of the British landscape tradition, she insightfully comments on issues of cultural and political importance locally (UK) and internationally. From her first censored solo exhibition in 1971 (one of the first Feminist solo shows in London) to winning the Northern Art Prize in 2013 (Leeds, UK), Harrison has challenged the status quo with thought provoking and often humorous work questioning notions of gender & identity, place, politics, celebrity, domestic violence, and the exploitation of women's labor and sexuality. About the Artist Margaret Harrison's work has helped define the relationship of feminism, art and politics in Britain, and she is frequently invited to speak on these topics in international forums. Her work has been exhibited recently in shows central to contemporary debates about feminist art practice, such as the 2009 exhibition REBELLE: Art and Feminism 1969-2009 (Museum of Contemporary Art, Arnhem, the Netherlands), the 2007 touring exhibition WACK Art and the Feminist Revolution (MOCA Los Angeles/MoMA PS1, New York), and the 11th Istanbul Biennale in 2009. Her work has been collected by the Tate Museum and other major institutions. She currently lives and works in both Cumbria and San Francisco. About the Author Kim Munson is an author, curator & art historian based in San Francisco.
Author: Kim A. Munson
Publisher: Univ. Press of Mississippi
ISBN: 1496828100
Category : Literary Criticism
Languages : en
Pages : 397
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Book Description
Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson’s anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of “good art”—displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide.
Author: Brenda Schmahmann
Publisher: Routledge
ISBN: 1000414973
Category : Art
Languages : en
Pages : 279
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Book Description
In this book, contributors identify and explore a range of iconic works – "Mistress-Pieces" – that have been made by feminists and gender activists since the 1970s. The first volume for which the defining of iconic feminist art is the raison d’être, its contributors interpret a "Mistress-Piece" as a work that has proved influential in a particular context because of its distinctiveness and relevance. Reinterpreting iconic art by Alice Neel, Hannah Wilke and Ana Mendieta, the authors also offer important insights about works that may be less well known – those by Natalia LL, Tanja Ostojić, Swoon, Clara Menéres, Diane Victor, Usha Seejarim, Ilse Fusková, Phaptawan Suwannakudt □and Tracey Moffatt, among others. While in some instances revealing cross influences between artists working in different frameworks, the publication simultaneously makes evident how social and political factors specific to particular countries had significant impact on the making and reception of art focused on gender. The book will be of interest to scholars working in art history, visual studies and gender studies.
Author: Daniel Worden
Publisher: Univ. Press of Mississippi
ISBN: 1496833775
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Contributions by José Alaniz, Ian Blechschmidt, Paul Fisher Davies, Zanne Domoney-Lyttle, David Huxley, Lynn Marie Kutch, Julian Lawrence, Liliana Milkova, Stiliana Milkova, Kim A. Munson, Jason S. Polley, Paul Sheehan, Clarence Burton Sheffield Jr., and Daniel Worden From his work on underground comix like Zap and Weirdo, to his cultural prominence, R. Crumb is one of the most renowned comics artists in the medium’s history. His work, beginning in the 1960s, ranges provocatively and controversially over major moments, tensions, and ideas in the late twentieth and early twenty-first centuries, from the counterculture and the emergence of the modern environmentalist movement, to racial politics and sexual liberation. While Crumb’s early work refined the parodic, over-the-top, and sexually explicit styles we associate with underground comix, he also pioneered the comics memoir, through his own autobiographical and confessional comics, as well as in his collaborations. More recently, Crumb has turned to long-form, book-length works, such as his acclaimed Book of Genesis and Kafka. Over the long arc of his career, Crumb has shaped the conventions of underground and alternative comics, autobiographical comics, and the “graphic novel.” And, through his involvement in music, animation, and documentary film projects, Crumb is a widely recognized persona, an artist who has defined the vocation of the cartoonist in a widely influential way. The Comics of R. Crumb: Underground in the Art Museum is a groundbreaking collection on the work of a pioneer of underground comix and a fixture of comics culture. Ranging from art history and literary studies, to environmental studies and religious history, the essays included in this volume cast Crumb's work as formally sophisticated and complex in its representations of gender, sexuality, race, politics, and history, while also charting Crumb’s role in underground comix and the ways in which his work has circulated in the art museum.
Author: Matthew Smith
Publisher: Routledge
ISBN: 1317505786
Category : Social Science
Languages : en
Pages : 626
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Book Description
In The Secret Origins of Comics Studies, today’s leading comics scholars turn back a page to reveal the founding figures dedicated to understanding comics art. Edited by comics scholars Matthew J. Smith and Randy Duncan, this collection provides an in-depth study of the individuals and institutions that have created and shaped the field of Comics Studies over the past 75 years. From Coulton Waugh to Wolfgang Fuchs, these influential historians, educators, and theorists produced the foundational work and built the institutions that inspired the recent surge in scholarly work in this dynamic, interdisciplinary field. Sometimes scorned, often underappreciated, these visionaries established a path followed by subsequent generations of scholars in literary studies, communication, art history, the social sciences, and more. Giving not only credit where credit is due, this volume both offers an authoritative account of the history of Comics Studies and also helps move the field forward by being a valuable resource for creating graduate student reading lists and the first stop for anyone writing a comics-related literature review.
Author: Kim A. Munson
Publisher: Univ. Press of Mississippi
ISBN: 1496828089
Category : Literary Criticism
Languages : en
Pages : 428
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Book Description
Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson’s anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of “good art”—displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide.
Author: Margaret Thatcher
Publisher: HarperCollins UK
ISBN: 000826404X
Category : Political Science
Languages : en
Pages : 457
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Book Description
Lady Thatcher, a unique figure in global politics, shares her views about the dangers and opportunities of the new millennium.
