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Author: Max Wertheimer
Publisher: MIT Press
ISBN: 0262304759
Category : Psychology
Languages : en
Pages : 313
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Book Description
Two seminal articles by a founder of the Gestalt school of psychology, newly translated and accompanied by essays that connect his work to current research. There are few articles in science that remain relevant over a span of 100 years; Max Wertheimer's pioneering experimental studies on apparent motion and figural organization are notable exceptions. Wertheimer's 1912 account of motion perception started a revolution and established the Gestalt school of psychology. It also paved the way for further investigations of apparent motion perception, including subsequent research by Oliver Braddick, Stuart Anstis, Vilaynur Ramachandran, and others. Wertheimer's 1923 article on figural organization (known as the "dot study" for its numerous examples of dot patterns) helped define grouping as a principle of figure-ground perception. This book provides contemporary readers and researchers with Wertheimer's two pivotal articles, newly translated into English and each accompanied by a synopsis, and two essays on apparent motion and figural organization that describe the long-term impact of Wertheimer's work. The translation of the original German into readable English prose allows English-language readers for the first time to appreciate Wertheimer's visionary ideas. The accompanying essays tie Wertheimer's phenomenological descriptions to the underlying neuronal mechanisms, bridging the years between the articles' first publication and modern research.
Author: Max Wertheimer
Publisher: MIT Press
ISBN: 0262304759
Category : Psychology
Languages : en
Pages : 313
Get Book
Book Description
Two seminal articles by a founder of the Gestalt school of psychology, newly translated and accompanied by essays that connect his work to current research. There are few articles in science that remain relevant over a span of 100 years; Max Wertheimer's pioneering experimental studies on apparent motion and figural organization are notable exceptions. Wertheimer's 1912 account of motion perception started a revolution and established the Gestalt school of psychology. It also paved the way for further investigations of apparent motion perception, including subsequent research by Oliver Braddick, Stuart Anstis, Vilaynur Ramachandran, and others. Wertheimer's 1923 article on figural organization (known as the "dot study" for its numerous examples of dot patterns) helped define grouping as a principle of figure-ground perception. This book provides contemporary readers and researchers with Wertheimer's two pivotal articles, newly translated into English and each accompanied by a synopsis, and two essays on apparent motion and figural organization that describe the long-term impact of Wertheimer's work. The translation of the original German into readable English prose allows English-language readers for the first time to appreciate Wertheimer's visionary ideas. The accompanying essays tie Wertheimer's phenomenological descriptions to the underlying neuronal mechanisms, bridging the years between the articles' first publication and modern research.
Author: Adam Geremek
Publisher: Psychology Press
ISBN: 1135124779
Category : Psychology
Languages : en
Pages : 236
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Book Description
How does the brain piece together the information required to achieve object recognition, figure-ground segmentation, object completion in cases of partial occlusion and related perceptual phenomena? This book focuses on principles of Gestalt psychology and the key issues which surround them, providing an up-to-date survey of the most interesting and highly debated topics in visual neuroscience, perception and object recognition. The volume is divided into three main parts: Gestalt and perceptual organisation, attention aftereffects and illusions, and color vision and art perception. Themes covered in the book include: - a historical review of Gestalt theory and its relevance in modern-day neuroscience - the relationship between perceptive and receptive fields - a critical analysis of spatiotemporal unity of perception - the role of Gestalt principles in perceptual organization - self-organizing properties of the visual field - the role of attention and perceptual grouping in forming non-retinotopic representations - figural distortions following adaptation to spatial patterns - illusory changes of brightness in spatial patterns - the function of motion illusions as a tool to study Gestalt principles in vision - conflicting theories of color vision and the neural basis of it - the role of color in figure-ground segmentation - chromatic assimilation in visual art and perception - the phenomena of colored shadows. Including contributions from experts in the field, this book will provide an essential overview of current research and theory on visual perception and Gestalt. It will be key reading for researchers and academics in the field of visual perception and neuroscience.
Author: Max Wertheimer
Publisher: Springer Nature
ISBN: 3030360636
Category : Science
Languages : en
Pages : 257
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Book Description
Max Wertheimer (1880-1943), a pioneer of 20th-century psychology, had a major influence on the development of cognitive psychology, especially the psychology of perception and of productive thinking. His work "Productive Thinking" (1945), written in New York, is regarded as a milestone in creativity research. Consisting of many examples of creative thought processes - from geometric tasks to socio-psychologically relevant conflict resolutions to the development of Einstein's theory of relativity - the book leads the reader through a multi-faceted body of thought in the psychology of thinking. Only a few texts in psychology have remained significant even after a period of three quarters of a century - Max Wertheimer's Productive Thinking is such an exception. This book, which also presents an exposition of Gestalt psychology, highlights the "productive" (insightful) versus automatic (unreflected) thought processes for many areas of life. In addition to examples from school teaching, the chapter on the emergence of Albert Einstein's theory of relativity is of lasting interest to today's generation of psychologists, pedagogues, brain researchers, neuroscientists and philosophers. Wertheimer had the unique opportunity to analyze Einstein's thinking in direct conversation. An introductory commentary by Viktor Sarris for this new edition of the first publication of Productive Thinking in 1945 offers a detailed account of the genesis and reception of Wertheimer's work.
Author: Johan Wagemans
Publisher: Oxford Library of Psychology
ISBN: 0199686858
Category : Psychology
Languages : en
Pages : 1121
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Book Description
Perceptual organization comprises a wide range of processes such as perceptual grouping, figure-ground organization, filling-in, completion and perceptual switching. 'Oxford Handbook of Perceptual Organization' provides a broad and extensive review of the current literature, written in an accessible form for scholars and students.
Author:
Publisher: John Wiley & Sons
ISBN: 1119170044
Category : Psychology
Languages : en
Pages : 992
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Book Description
II. Sensation, Perception & Attention: John Serences (Volume Editor) (Topics covered include taste; visual object recognition; touch; depth perception; motor control; perceptual learning; the interface theory of perception; vestibular, proprioceptive, and haptic contributions to spatial orientation; olfaction; audition; time perception; attention; perception and interactive technology; music perception; multisensory integration; motion perception; vision; perceptual rhythms; perceptual organization; color vision; perception for action; visual search; visual cognition/working memory.)
Author: Ryan Pierson
Publisher: Oxford University Press
ISBN: 0190949783
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
How can we describe movements in animated films? In Figure and Force in Animation Aesthetics, Ryan Pierson introduces a powerful new method for the study of animation. By looking for figures--arrangements that seem to intuitively hold together--and forces--underlying units of attraction, repulsion, and direction--Pierson reveals startling new possibilities for animation criticism, history, and theory. Drawing on concepts from Gestalt psychology, Pierson offers a wide-ranging comparative study of four animation techniques--soft-edged forms, walk cycles, camera movement, and rotoscoping--as they appear in commercial, artisanal, and avant-garde works. In the process, through close readings of little-analyzed films, Pierson demonstrates that figures and forces make fertile resources for theoretical speculation, unearthing affinities between animation practice and such topics as the philosophy of mathematics, scientific and political revolution, and love. Beginning and ending with the imperative to look closely, Figure and Force in Animation Aesthetics is a performance in seeing the world of motion anew.
Author: Vanja Malloy
Publisher: Amherst College Press
ISBN: 194320800X
Category : Art
Languages : en
Pages : 108
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Book Description
Published to accompany an exhibit on Albers' work as both artist and teacher, this volume assesses Albers' understanding and teaching of color as "the most relative medium in art."
Author: Adam Pautz
Publisher: Routledge
ISBN: 1317676874
Category : Philosophy
Languages : en
Pages : 237
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Book Description
A thorough, accessible introduction to philosophy of perception unlike competitors which are higher level or edited collections Lots of beneficial student features: chapter summaries, annotated further reading, glossary Perception is one of the most important enduring problems in philosophy, with lots of renewed interest as a result of advances in cognitive science and psychology Fascinating examples such as hallucination, illusion, blindsight, the reliability of introspection Excellent complement to our strong backllist in philosophy of mind
Author: Susan Pashman
Publisher: BRILL
ISBN: 9004697594
Category : Philosophy
Languages : en
Pages : 341
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Book Description
Current neuroscience discloses that all emotional feeling originates as movement. Kinesthesia, our sixth sense, begins with movement of muscle cells and ends as emotion. Depth perception, which depends on movement, is always feeling-laden. To be expressive, art must somehow move our bodies. Studies of expressive dance demonstrate that we unconsciously model observed movements, duplicating in ourselves the feelings that generated the dancer's movements. The art of landscape creates choreography for a walk. But each of the fine arts play a role in landscape design. Here, then, is a new theory of landscape that easily extends to all the fine arts, explaining our enjoyment in landscape, as well as aesthetic enjoyment more generally.
Author: Mauro Antonelli
Publisher: Springer
ISBN: 3319966847
Category : Philosophy
Languages : en
Pages : 377
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Book Description
This book covers the basic guidelines of Vittorio Benussi’s research during the period at Graz and at Padua. It does so in the light of a thorough study of his Nachlass. The book re-evaluates Benussi’s work as a historical piece, and shows how his work is still relevant today, especially in the areas of cognitive psychology and cognitive science. The volume deals with this original and ingenious - though largely ignored - scholar and discusses his work as a leading experimental psychologist. Benussi’s contributions as discussed in this book were particularly relevant in the fields of visual and tactile perception, time perception, forensic psychology, hypnosis and suggestion, unconscious, and emotions. His classical papers are impressive in their originality, energy, range of approaches, experimental skill, the wealth of findings, and the quality of theoretical discussions. This book demonstrates that Benussi was ahead of his time and that his themes, experiments and research programmes are highly relevant to contemporary cognitive psychology.
