The British Library General Catalogue of Printed Books to 1975

The British Library General Catalogue of Printed Books to 1975 PDF Author: British Library
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 538

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The British Library General Catalogue of Printed Books to 1975

The British Library General Catalogue of Printed Books to 1975 PDF Author: British Library
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 538

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Book Description


Olimpia vendicata. Drama per musica da rappresentarsi nel Teatro di S. Angelo l'anno 1682 ... Opera XXII, etc. [In verse.]

Olimpia vendicata. Drama per musica da rappresentarsi nel Teatro di S. Angelo l'anno 1682 ... Opera XXII, etc. [In verse.] PDF Author: Aurelio Aureli
Publisher:
ISBN:
Category :
Languages : it
Pages : 56

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Opera in Seventeenth-Century Venice

Opera in Seventeenth-Century Venice PDF Author: Ellen Rosand
Publisher: Univ of California Press
ISBN: 0520254260
Category : Art
Languages : en
Pages : 712

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Book Description
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi

Annals of Opera, 1597-1940

Annals of Opera, 1597-1940 PDF Author:
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 912

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Music in the Seventeenth Century

Music in the Seventeenth Century PDF Author: Lorenzo Bianconi
Publisher: Cambridge University Press
ISBN: 9780521269155
Category : Music
Languages : en
Pages : 364

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Book Description
Examines musical life in the seventeenth century, a period of profound change in the history of music.

Claudio Monteverdi: Orfeo

Claudio Monteverdi: Orfeo PDF Author: John Whenham
Publisher: Cambridge University Press
ISBN: 9780521284776
Category : Biography & Autobiography
Languages : en
Pages : 236

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Book Description
A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance.

Music and Culture in Italy from the Middle Ages to the Baroque

Music and Culture in Italy from the Middle Ages to the Baroque PDF Author: Nino Pirrotta
Publisher:
ISBN: 9780674863613
Category :
Languages : en
Pages : 504

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Venetian Opera in the Seventeenth Century

Venetian Opera in the Seventeenth Century PDF Author: Simon Towneley Worsthorne
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 0

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Of Poetry and Music's Power

Of Poetry and Music's Power PDF Author: Barbara Russano Hanning
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 400

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Myths of Venice

Myths of Venice PDF Author: David Rosand
Publisher: Univ of North Carolina Press
ISBN: 0807872792
Category : Art
Languages : en
Pages : 232

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Book Description
Over the course of several centuries, Venice fashioned and refined a portrait of itself that responded to and exploited historical circumstance. Never conquered and taking its enduring independence as a sign of divine favor, free of civil strife and proud of its internal stability, Venice broadcast the image of itself as the Most Serene Republic, an ideal state whose ruling patriciate were selflessly devoted to the commonweal. All this has come to be known as the "myth of Venice." Exploring the imagery developed in Venice to represent the legends of its origins and legitimacy, David Rosand reveals how artists such as Gentile and Giovanni Bellini, Carpaccio, Titian, Jacopo Sansovino, Tintoretto, and Veronese gave enduring visual form to the myths of Venice. He argues that Venice, more than any other political entity of the early modern period, shaped the visual imagination of political thought. This visualization of political ideals, and its reciprocal effect on the civic imagination, is the larger theme of the book.