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Author: Thomas Dekker
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 176
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Book Description
Author: Thomas Dekker
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 176
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Book Description
Author: S. P. Cerasano
Publisher: Associated University Presse
ISBN: 0838644686
Category : Drama, Medieval
Languages : en
Pages : 301
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Book Description
Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eleven new articles and reviews of twelve books.
Author: Cyrus Hoy
Publisher: Cambridge University Press
ISBN: 9780521102988
Category : Literary Collections
Languages : en
Pages : 376
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Book Description
Four of the plays in this volume are based on important source materials, so that the relationship of plays to sources looms large in Cyrus Hoy's introductory essays. There is an extensive account of the relation of The Shoemakers' Holiday to Deloney's Gentle Craft. The Introduction to Old Fortunatus relates in detail that play's relationship to the German Volksbuch, and to the German Comoedia von Fortunate und seinem Seckel und Wünschhütlein (1620), a redaction of Dekker's play. The Introduction to Patient Grissil relates Dekker, Chettle and Haughton's play to the tradition of the Griselda story generally. The chronicle-history sources (Foxe, Grafton, Stow, Holinshed) of Sir Thomas Wyatt are surveyed in the Introduction, in his Introduction also, Professor Hoy considers the play's relationship to the lost play, Lady Jane, by Dekker, Chettle, Heywood, Webster and W. Smith. Satiromastix has no known source, but as Dekker's contribution to the stage quarrel of Marston and Jonson, this is a play that has always had particular interest for the student of Elizabethan theatrical history, and Professor Hoy therefore bestows on it the most elaborate Commentary in all these four volumes.
Author: Georges Minois
Publisher: University of Chicago Press
ISBN: 9780226530314
Category : History
Languages : en
Pages : 376
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Book Description
History of Old Age is the first major study of the ways in which old age has been perceived in western culture throughout history. Georges Minois paints a vast fresco, starting with the first old man to relate his own story—an Egyptian scribe some 4500 years ago—and ending with the deaths of Elizabeth I and Henry IV in the sixteenth century. Tracing the changing conceptions of the nature, value, and burden of the old, Minois argues that western history during this period is marked by great fluctuation in the social and political role of the aged. Minois shows how, in ancient Greece, the cult of youth and beauty on the one hand, and the reverence for the figure of the Homeric sage, on the other, created an ambivalent attitude toward the aged. This ambiguity appears again in the contrast between the active role that older citizens played in Roman politics and their depiction in satirical literature of the period. Christian literature in the Middle Ages also played a large part in defining society's perception of the old, both in the image of the revered holy sage and in the total condemnation of the aged sinner. Drawing on literary texts throughout, Minois considers the interrelation of literary, religious, medical, and political factors in determining the social fate of the elderly and their relationship to society. This book will be of great interest to social and cultural historians, as well as to general readers interested in the subject of the aged in society today.
Author: Jonathan Rittenhouse
Publisher: Routledge
ISBN: 0429620543
Category : Biography & Autobiography
Languages : en
Pages : 329
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Book Description
Originally published in 1984, this book contains the full text of I, Sir John Oldcastle, alongside critical and textual notes, including an examination of the authors and the theatrical background and assessment. For such an obscure play, I Sir John Oldcastle has had a varied printing history and has been printed eighteen times since its original 1600 publication date. The text here is a modern-spelling version and archaic forms are only presered where rhyme or metre requires them, or when modernization obscres rather than clarifies the required sense of the word.
Author: Mary Huse Eastman
Publisher:
ISBN:
Category : Fairy tales
Languages : en
Pages : 336
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Book Description
Author: Richard Dutton
Publisher: Oxford University Press
ISBN: 0198777744
Category : Drama
Languages : en
Pages : 334
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Book Description
Shakespeare made his money from writing for public theatres like the Globe, but the companies he served only survived because the royal courts had their own uses for drama, to fill the long winter nights of their Revels seasons. Shakepeare's plays were performed there more often than those by anyone else and he revised them--making them fuller, richer, and more sophisticated for his royal patrons. Shakespeare, Court Dramatist outlines the symbioticrelationship between Shakespeare and the court and shows how it affected his writing, forging plays like Romeo and Juliet and Hamlet in the versions we know best today.
Author: M.C. Bradbrook
Publisher: Univ of California Press
ISBN: 0520345983
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.
Author: Charles Knight
Publisher:
ISBN:
Category : Liberty
Languages : en
Pages : 634
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Book Description
Author: Joseph Jarrett
Publisher: Springer Nature
ISBN: 3030265668
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
This book considers the influence that sixteenth-century and early seventeenth-century mathematical thinking exerted on the writing and production of popular drama between about 1587 and 1603. It concentrates upon six plays by five early modern dramatists: Tamburlaine, Part 1 (1587) and Tamburlaine, Part 2 (1587) by Christopher Marlowe; Friar Bacon and Friar Bungay (1589) by Robert Greene; Old Fortunatus (1599) by Thomas Dekker; Hamlet (1600) by William Shakespeare; and The Tragedy of Hoffman (1603) by Henry Chettle. Each chapter analyses how the terms, concepts, and implications of contemporary mathematics impacted upon these plays’ vocabularies, forms, and aesthetic and dramaturgical effects and affects.
