Official Guide to City of New York Exhibit Building, New York World's Fair, 1939-1940 PDF Download
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Author: New York (City). World's fair commission, New York world's fair, 1939-1940
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 16
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Author: New York (City). World's fair commission, New York world's fair, 1939-1940
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 16
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Book Description
Author: Richard Wurts
Publisher: Courier Corporation
ISBN: 0486317897
Category : Architecture
Languages : en
Pages : 170
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Book Description
Photographic tour of best-loved world's fair: the 700-foot-tall Trylon, the 200-foot-wide Perisphere, GM's Futurama ride, 3-D movies, Elektro the 7-foot-tall robot, artwork by Dali and Calder, much more. 155 photographs, map.
Author: Andrew F. Wood
Publisher: Arcadia Publishing
ISBN: 9780738535852
Category : History
Languages : en
Pages : 132
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Book Description
The 1939-1940 New York World's Fair promised a new age of global communication, nationwide superhighways, and suburban living-and it delivered. Crafted by designers such as Walter Dorwin Teague, Norman Bel Geddes, and Raymond Loewy, the twelve-hundred-acre fair in Flushing Meadows sold visitors a streamlined world of consumer goods-teardrop cars and smoking robots, electric dishwashers and nylon stockings-manufactured by companies such as Westinghouse, General Motors, and AT&T. In New York's 1939-1940 World's Fair, insightful narrative accompanies dazzling postcards, advertisements, and illustrations of Democracity, Futurama, the Lagoon of Nations, and the famed Trylon and Perisphere, recalling the promise and optimism of a fair that enchanted forty-five million visitors.
Author: New York Public Library. Municipal Reference Library
Publisher:
ISBN:
Category : Cities and towns
Languages : en
Pages : 696
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Author: Kristian Moen
Publisher: Springer Nature
ISBN: 3030279316
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
This book reveals and explores the thriving animation culture in midtown Manhattan, the World’s Fair, art galleries and cinemas during a vibrant period of artistic, commercial and industrial activity in New York City. Alongside a detailed investigation of animated film at the time – ranging from the abstract works of Mary Ellen Bute and Norman McLaren to the exhibition practices of the Disney Studios and the New York World’s Fair – New York’s Animation Culture examines a host of other animated forms, including moving dioramas, illuminated billboards, industrial displays, gallery exhibitions, mobile murals, and shop windows. In this innovative microhistory of animation, Moen combines the study of art, culture, design and film to offer a fine-grained account of an especially lively animation culture that was seen as creating new media, expanding the cinema experience, giving expression to utopian dreams of modernity, and presenting dynamic visions of a kinetic future.
Author: Harriet Atkinson
Publisher: Bloomsbury Publishing
ISBN: 1350088498
Category : Design
Languages : en
Pages : 321
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Book Description
After World War II, museum and gallery exhibitions, industrial and trade fairs, biennials, triennials, festivals and world's fairs increasingly came to be used as locations for the exercise of "soft power," for displays of cultural diplomacy between nations and as spaces for addressing areas of social and political contestation. Exhibitions Beyond Boundaries opens with a substantial introduction to the key debates, followed by case studies that advance the field of exhibition histories both geographically and methodologically, focusing on postwar transnational exchange and the wider networks engendered through exhibitions. Chapters trace relations across Africa, Asia, Europe, the Middle East, the Pacific, and the United States of America, drawing on a range of approaches and perspectives, principally from art and design history but also from social, economic and political history, and museum studies. Featured case studies include the presentation of African-American Art at FESMAN '66 and FESTAC '77, the US's 1961 Small Industries Exhibition in Colombo, Israel's early appearances at the Venice Biennale, the Vatican Pavilion at the 1964-1965 New York World's Fair, and Hong Kong's Pavilion at Expo 70 in Tokyo.
Author: Bill Cotter
Publisher: Arcadia Publishing
ISBN: 9780738536064
Category : History
Languages : en
Pages : 132
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Book Description
The 1964-1965 New York World's Fair was the largest international exhibition ever built in the United States. More than one hundred fifty pavilions and exhibits spread over six hundred forty-six acres helped the fair live up to its reputation as "the Billion-Dollar Fair." With the cold war in full swing, the fair offered visitors a refreshingly positive view of the future, mirroring the official theme: Peace through Understanding. Guests could travel back in time through a display of full-sized dinosaurs, or look into a future where underwater hotels and flying cars were commonplace. They could enjoy Walt Disney's popular shows, or study actual spacecraft flown in orbit. More than fifty-one million guests visited the fair before it closed forever in 1965. The 1964-1965 New York World's Fair captures the history of this event through vintage photographs, published here for the first time.
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1254
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Author: Davin Heckman
Publisher: Duke University Press
ISBN: 0822388847
Category : History
Languages : en
Pages : 226
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Conceived in the 1960s, Walt Disney’s original plans for his Experimental Prototype Community of Tomorrow (EPCOT) outlined a utopian laboratory for domestic technology, where families would live, work, and play in an integrated environment. Like many of his contemporaries, Disney imagined homes that would attend to their inhabitants’ every need, and he regarded the home as a site of unending technological progress. This fixation on “space-age” technology, with its promise of domestic bliss, marked an important mid-twentieth-century shift in understandings of the American home. In A Small World, Davin Heckman considers how domestic technologies that free people to enjoy leisure time in the home have come to be understood as necessary parts of everyday life. Heckman’s narrative stretches from the early-twentieth-century introduction into the home of electric appliances and industrial time-management techniques, through the postwar advent of television and the space-age “house of tomorrow,” to the contemporary automated, networked “smart home.” He considers all these developments in relation to lifestyle and consumer narratives. Building on the tension between agency and control within the walls of homes designed to anticipate and fulfill desires, Heckman engages debates about lifestyle, posthumanism, and rights under the destabilizing influences of consumer technologies, and he considers the utopian and dystopian potential of new media forms. Heckman argues that the achievement of an environment completely attuned to its inhabitants’ specific wants and needs—what he calls the “Perfect Day”—institutionalizes everyday life as the ultimate consumer practice.
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1256
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