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Author: Robert Cetti
Publisher: Robert Cettl
ISBN: 0987242555
Category : History
Languages : en
Pages : 248
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Book Description
Thoroughly researched and fully APA referenced chronological history of film censorship and classification in Australia. Case by case histories of banned films punctuate a detailed account of the evolution of the Australian Film Classification system and the concurrent development of the Australian adult XXX industry, culminating in the establishment of the Australian Sex Party. Former SAR Research Fellow at Australia’s National Film & Sound Archive Robert Cettl gained exclusive access to both the national collection and the highly restricted Australian adult industry archive, the Eros Collection, at the Flinders University of South Australia Library to piece together the complete history of film censorship in Australia. Progressing through individual banned and censored films – including works by such internationally renowned directors as Hitchcock, Whale, Bunuel, Forman, Godard, Oshima, Pasolini, Hopper, Lyne, Breillat, Noe, Brass, Bertolucci, Fellini, Ford, Clark, Despentes, Winterbottom, Von Trier – Cettl maps out the specification of “offensive” material in parallel to the emergence of Australia’s adult XXX industry and the Christian morals-driven pressure groups that advocate tighter censorship restrictions. In a country that has the dubious honor of being the most censorial of Western democracies, film censorship is based on the principle of “offense to a reasonable adult”, an undefined refrain that religious minorities have used to manipulate censorship decisions in their favor. The history of these groups and the political support for their right-wing Christian agenda – driven by what Australians term “Wowserism” – makes Australian film censorship unique in its delineation of :the “aesthetics of offense” as grounds for the suppression of free dissemination, to the point of seeking mandatory ISP Internet filtering and Internet blacklisting of all material classified RC (or “refused classification”), much of which is available for dissemination throughout Europe and the USA, in violation of UN Human Rights Article 19. In this comprehensive study of the socio-political ideology surrounding the censorship of primarily sexually explicit material (“pornography”), Cettl delineates the aesthetic construction of “offense” as a transgressive genre and charts the morality-driven religiosity behind their construction as Other to a civilized society, questioning whether the categorization of such material as other makes of it legitimate discourse. With extensive case histories, never-before-published government censorship reports, press clippings and secret internal memos between some of Australia’s most powerful and influential politicians, Offensive to a Reasonable Adult exposes the quagmire of Australian censorship law and the morals-cabal of “wowsers” that dominate the censorship agenda in the so-called “Clever Country”.
Author: Robert Cetti
Publisher: Robert Cettl
ISBN: 0987242555
Category : History
Languages : en
Pages : 248
Get Book Here
Book Description
Thoroughly researched and fully APA referenced chronological history of film censorship and classification in Australia. Case by case histories of banned films punctuate a detailed account of the evolution of the Australian Film Classification system and the concurrent development of the Australian adult XXX industry, culminating in the establishment of the Australian Sex Party. Former SAR Research Fellow at Australia’s National Film & Sound Archive Robert Cettl gained exclusive access to both the national collection and the highly restricted Australian adult industry archive, the Eros Collection, at the Flinders University of South Australia Library to piece together the complete history of film censorship in Australia. Progressing through individual banned and censored films – including works by such internationally renowned directors as Hitchcock, Whale, Bunuel, Forman, Godard, Oshima, Pasolini, Hopper, Lyne, Breillat, Noe, Brass, Bertolucci, Fellini, Ford, Clark, Despentes, Winterbottom, Von Trier – Cettl maps out the specification of “offensive” material in parallel to the emergence of Australia’s adult XXX industry and the Christian morals-driven pressure groups that advocate tighter censorship restrictions. In a country that has the dubious honor of being the most censorial of Western democracies, film censorship is based on the principle of “offense to a reasonable adult”, an undefined refrain that religious minorities have used to manipulate censorship decisions in their favor. The history of these groups and the political support for their right-wing Christian agenda – driven by what Australians term “Wowserism” – makes Australian film censorship unique in its delineation of :the “aesthetics of offense” as grounds for the suppression of free dissemination, to the point of seeking mandatory ISP Internet filtering and Internet blacklisting of all material classified RC (or “refused classification”), much of which is available for dissemination throughout Europe and the USA, in violation of UN Human Rights Article 19. In this comprehensive study of the socio-political ideology surrounding the censorship of primarily sexually explicit material (“pornography”), Cettl delineates the aesthetic construction of “offense” as a transgressive genre and charts the morality-driven religiosity behind their construction as Other to a civilized society, questioning whether the categorization of such material as other makes of it legitimate discourse. With extensive case histories, never-before-published government censorship reports, press clippings and secret internal memos between some of Australia’s most powerful and influential politicians, Offensive to a Reasonable Adult exposes the quagmire of Australian censorship law and the morals-cabal of “wowsers” that dominate the censorship agenda in the so-called “Clever Country”.
Author: Robert Cettl
Publisher: Robert Cettl
ISBN: 0987456237
Category : Performing Arts
Languages : en
Pages : 57
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Book Description
The Golden Age of American Cinema Up Close and Personal. The famous director who roughed up a death row inmate during a prison interview to get the emotional reaction he wanted | the Disney movie into which was inserted an image from Playboy magazine forcing a VHS recall | the model for a company whose logo was “99 & 44/100% Pure” who made a fortune as a porn star. These and dozens of other choice movie-making anecdotes comprise American Film Tales, a genre by genre tour through the secret history of Hollywood back-story folklore. Famous directors, actors, movies and critics feature in this compendium of movie stories, making American Film Tales the ideal book companion for home theatre buffs in the digital age and faced with an array of viewing choices. Comprehensively researched and organized into easy to access genre-themed chapters, Hollywood history has never been as accessible and as infotaining as it is here and now.
Author: U.S. Commission on International Religious Freedom
Publisher: Government Printing Office
ISBN: 9780160942938
Category : Education
Languages : en
Pages : 152
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Book Description
This report examines and compares the content of laws prohibiting blasphemy ("blasphemy laws") worldwide through the lens of international and human rights law principles. The laws examined in this study prohibit or criminalize the expression of opinions deemed "blasphemous," or counter to majority views or religious belief systems, and many impose serious, often criminal, penalties. Blasphemy laws are actively enforced in many states throughout the world. Many governments deem repeal not feasible or desirable and justify the prohibition and criminalization of blasphemy as necessary to promote religious harmony. This study seeks to evaluate the language and content of blasphemy laws to understand what aspects of these laws adhere to--or deviate from--international and human rights law principles. A better understanding of the laws' compliance with these principles may assist in the public policy community in developing clear, specifically-tailored recommendations for areas for reform. Related products: Explore ourFaith-Based Education resources collection Discover ourHuman Rights collection
Author: Bernard Williams
Publisher: Cambridge University Press
ISBN: 1316432467
Category : Philosophy
Languages : en
Pages : 235
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Book Description
When it first appeared in 1979, the Williams Report on Obscenity and Film Censorship provoked strong reactions. The practical issues and political principles examined are of continuing interest and remain a crucial point of reference for discussions on obscenity and censorship. Presented in a fresh series livery for the twenty-first century, and with a specially commissioned preface written by Onora O'Neill, illuminating its continuing importance and relevance to philosophical enquiry, this abridged edition of Bernard Williams's Report presents all the main findings and arguments of the full report, central to which is the application of Mill's 'harm principle' and the conclusion that restrictions are out of place where no harm can be reasonably thought to be done.
Author: Maria Mellins
Publisher: Springer Nature
ISBN: 3030837580
Category : Social Science
Languages : en
Pages : 406
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Book Description
This book explores the recent surge in true crime by critically exploring how murder and violence are represented in documentaries, films, podcasts, museums, novels and in the press, and the effects. From a range of contributors, it touches on a wide variety of topics overall and illustrates how examining true crime across the changing popular media landscape can contribute to important debates in contemporary culture and society. It encourages a critical eye towards understanding the harmful stereotypes, myths and misinformation that popular media can bring. Arranged into four sections, including: true crime trials, representations of victims, the consumption of serial killer narratives, and true crime spaces, each chapter explores different themes and topics across traditional and newer media. These topics include: emotion and appeals for justice in Making a Murderer, #MeToo and misogyny in crime narratives, true crime journalism being exploitative, the ethics of consuming dark tourism and the appetite for true crime, live streamed murder, and the ways in which true murder accounts might lend insight into other types of crime such as domestic violence and stalking. This book stimulates discussion on undergraduate courses in crime, media and culture as well as in film and media studies, and it also speaks to those with a general interest in true crime.
Author: Jonathan Clough
Publisher: Cambridge University Press
ISBN: 1316409295
Category : Law
Languages : en
Pages : 581
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Book Description
Digital technology has transformed the way in which we socialise and do business. Proving the maxim that crime follows opportunity, virtually every advance has been accompanied by a corresponding niche to be exploited for criminal purposes; so-called 'cybercrimes'. Whether it be fraud, child pornography, stalking, criminal copyright infringement or attacks on computers themselves, criminals will find ways to exploit new technology. The challenge for all countries is to ensure their criminal laws keep pace. The challenge is a global one, and much can be learned from the experience of other jurisdictions. Focusing on Australia, Canada, the UK and the USA, this book provides a comprehensive analysis of the legal principles that apply to the prosecution of cybercrimes. This new edition has been fully revised to take into account changes in online offending, as well as new case law and legislation in this rapidly developing area of the law.
Author: Peter R. MacMillan
Publisher: Gower Publishing Company
ISBN:
Category : Law
Languages : en
Pages : 584
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Book Description
Author: Linda Pearson
Publisher: Bloomsbury Publishing
ISBN: 1847314694
Category : Law
Languages : en
Pages : 428
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Book Description
This book of essays celebrates Mark Aronson's contribution to administrative law. As joint author of the leading Australian text on judicial review of administrative action, Aronson's work is well-known to public lawyers throughout the common law world and this is reflected in the list of contributors from the US, Canada, Australia, New Zealand and the UK. The introduction comes from Justice Michael Kirby of the High Court of Australia. The essays reflect Aronson's interests in judicial review, non-judicial grievance mechanisms, problems of proof and evidence, and the boundaries of public and private law. Amongst the contributors, Peter Cane, Elizabeth Fisher, and Linda Pearson write on administrative adjudication and decision-making, Anita Stuhmcke writes on Ombudsmen, and Robin Creyke and John McMillan, the Commonwealth Ombudsman, write on charters, codes and 'soft law'. There are evaluations of the profound influence of human rights law on judicial review from the UK by Sir Jack Beatson and Thomas Poole and from Canada by David Mullan. Matthew Groves and Chief Justice James Spigelman address developing themes in judicial review, while Carol Harlow, Richard Rawlings, Michael Taggart and Janet McLean follow Aronson's interests into the private side of public law. An American perspective is added by Alfred Aman and Jack Beermann.
Author: Anne Wagner
Publisher: Springer Science & Business Media
ISBN: 9048193222
Category : Law
Languages : en
Pages : 1051
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Book Description
The proposed volumes are aimed at a multidisciplinary audience and seek to fill the gap between law, semiotics and visuality providing a comprehensive theoretical and analytical overview of legal visual semiotics. They seek to promote an interdisciplinary debate from law, semiotics and visuality bringing together the cumulative research traditions of these related areas as a prelude to identifying fertile avenues for research going forward. Advance Praise for Law, Culture and Visual Studies This diverse and exhilarating collection of essays explores the many facets both historical and contemporary of visual culture in the law. It opens a window onto the substantive, jurisdictional, disciplinary and methodological diversity of current research. It is a cornucopia of materials that will enliven legal studies for those new to the field as well as for established scholars. It is a ‘must read’ that will leave you wondering about the validity of the long held obsession that reduces the law and legal studies to little more than a preoccupation with the word. Leslie J Moran Professor of Law, Birkbeck College, University of London Law, Culture & Visual Studies is a treasure trove of insights on the entwined roles of legality and visuality. From multiple interdisciplinary perspectives by scholars from around the world, these pieces reflect the fullness and complexities of our visual encounters with law and culture. From pictures to places to postage stamps, from forensics to film to folklore, this anthology is an exciting journey through the fertile field of law and visual culture as well as a testament that the field has come of age. Naomi Mezey, Professor of Law, Georgetown University Law Center, Washington, D.C., USA This highly interdisciplinary reference work brings together diverse fields including cultural studies, communication theory, rhetoric, law and film studies, legal and social history, visual and legal theory, in order to document the various historical, cultural, representational and theoretical links that bind together law and the visual. This book offers a breath-taking range of resources from both well-established and newer scholars who together cover the field of law’s representation in, interrogation of, and dialogue with forms of visual rhetoric, practice, and discourse. Taken together this scholarship presents state of the art research into an important and developing dimension of contemporary legal and cultural inquiry. Above all, Law Culture and Visual Studies lays the groundwork for rethinking the nature of law in our densely visual culture: How are legal meanings produced, encoded, distributed, and decoded? What critical and hermeneutic skills, new or old, familiar or unfamiliar, will be needed? Topical, diverse, and enlivening, Law Culture and Visual Studies is a vital research tool and an urgent invitation to further critical thinking in the areas so well laid out in this collection. Desmond Manderson, Future Fellow, ANU College of Law / Research School of Humanities & the Arts, Australian National University, Australia
Author: Alice Erh-Soon Tay
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 490
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Book Description
