Author: Dave Hickey
Publisher: Art Issues Press
ISBN: 9780963726452
Category : Art
Languages : en
Pages : 222
Book Description
Essays explore the influence of art in twentieth-century American culture, including jazz, basketball, professional wrestling, magic, gambling, entrepreneurship, series television and automotive design.
Air Guitar
The Legend of Korra: The Art of the Animated Series--Book One: Air (Second Edition)
Author: Michael Dante DiMartino
Publisher: Dark Horse Comics
ISBN: 1506721893
Category : Art
Languages : en
Pages : 160
Book Description
Reprinted just in time for the anniversary of the series that stole our hearts, this handsome hardcover contains hundreds of art pieces created during the development of the show's first season. Featuring creator commentary from DiMartino and Konietzko, this is an intimate look inside the creative process that brought the mystical world of bending and a new generation of heroes to life! Go behind the scenes of the animated series Legend of Korra Book One - Air - created by Michael Dante DiMartino and Bryan Konietzko - the smash-hit sequel to their blockbuster show Avatar: The Last Airbender!
Publisher: Dark Horse Comics
ISBN: 1506721893
Category : Art
Languages : en
Pages : 160
Book Description
Reprinted just in time for the anniversary of the series that stole our hearts, this handsome hardcover contains hundreds of art pieces created during the development of the show's first season. Featuring creator commentary from DiMartino and Konietzko, this is an intimate look inside the creative process that brought the mystical world of bending and a new generation of heroes to life! Go behind the scenes of the animated series Legend of Korra Book One - Air - created by Michael Dante DiMartino and Bryan Konietzko - the smash-hit sequel to their blockbuster show Avatar: The Last Airbender!
Objects in Air
Author: Margareta Ingrid Christian
Publisher: University of Chicago Press
ISBN: 022676480X
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its “milieu,” “atmosphere,” or “environment.” Christian explores how the artwork’s external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke’s observation that Rodin’s sculpture “exhales an atmosphere” and that Cezanne’s colors create “a calm, silken air” that pervades the empty rooms where the paintings are exhibited. Writers created an early theory of unbounded form that described what Christian calls an artwork’s ecstasis or its ability to stray outside its limits and engender its own space. Objects viewed in this perspective complicate the now-fashionable discourse of empathy aesthetics, the attention to self-projecting subjects, and the idea of the modernist self-contained artwork. For example, Christian invites us to historicize the immersive spatial installations and “environments” that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics. Throughout this beautifully written work, Christian offers ways for us to rethink entrenched narratives of aesthetics and modernism and to revisit alternatives.
Publisher: University of Chicago Press
ISBN: 022676480X
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its “milieu,” “atmosphere,” or “environment.” Christian explores how the artwork’s external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke’s observation that Rodin’s sculpture “exhales an atmosphere” and that Cezanne’s colors create “a calm, silken air” that pervades the empty rooms where the paintings are exhibited. Writers created an early theory of unbounded form that described what Christian calls an artwork’s ecstasis or its ability to stray outside its limits and engender its own space. Objects viewed in this perspective complicate the now-fashionable discourse of empathy aesthetics, the attention to self-projecting subjects, and the idea of the modernist self-contained artwork. For example, Christian invites us to historicize the immersive spatial installations and “environments” that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics. Throughout this beautifully written work, Christian offers ways for us to rethink entrenched narratives of aesthetics and modernism and to revisit alternatives.
The Work of Art
Author: Anthea Callen
Publisher: Reaktion Books
ISBN: 178023418X
Category : Art
Languages : en
Pages : 338
Book Description
In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.
Publisher: Reaktion Books
ISBN: 178023418X
Category : Art
Languages : en
Pages : 338
Book Description
In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.
Drawing on the Air
Author: Tim Prentice
Publisher: Easton Studio Press, LLC
ISBN: 193521294X
Category : Art
Languages : en
Pages : 144
Book Description
In the New York Times Michael Kimmelman called them "sleek, whimsical contraptions in a modernist mode"; the Basler Zeitung termed them "net-like structures . . . like hedgehogs or serpents." The kinetic sculptures of Tim Prentice create a novel geometry of air and light. Concentrating on movement rather than object, Prentice harnesses natural elements into his art machines-delicate structures that walk the tightrope between order and chaos, control and serendipity, understated technique and extravagant wonder. Prentice purposely circumscribes the artist's prerogatives, distilling the power of wind and sun into an ever-changing dance of light and shadow. These understated, subtle inventions provide endless distraction, delighting the child in all of us. Drawing on Air offers a many-sided vision of the kinetic sculptor and his works. An essay by Nicholas Fox Weber introduces the artist and his work, while a chapter on "Mechanics" explains some of the physical principles underlying Prentice's whimsical sculptures. Photographs of works-in-progress, principal public commissions as well as occasional pieces created for casual amusement are punctuated by the artist's mordant, sometimes mischievous comments. "Prentice's sculptures . . .are about fluid movement and change, reminding us that everything is in flux. . . . Wonders of engineering, they create evanescent drawings in thin air." -Michael Amy, Art in America "What is grand in these sculptures is the sense of immensity created by their movements, a sense resonant with our most pleasurable apprehensions of land, sea, and sky." -Elaine Bleakney, Sculpture "These refined sculptures are never ponderous, plump or boring but constantly and slowly transforming themselves as though imbued by perpetuum mobile." -Karen Gerig, Basler Zeitung Experiencing Tim Prentice's work is like taking a ride on a roller coaster" -Catalog of the Connecticut Biennial
Publisher: Easton Studio Press, LLC
ISBN: 193521294X
Category : Art
Languages : en
Pages : 144
Book Description
In the New York Times Michael Kimmelman called them "sleek, whimsical contraptions in a modernist mode"; the Basler Zeitung termed them "net-like structures . . . like hedgehogs or serpents." The kinetic sculptures of Tim Prentice create a novel geometry of air and light. Concentrating on movement rather than object, Prentice harnesses natural elements into his art machines-delicate structures that walk the tightrope between order and chaos, control and serendipity, understated technique and extravagant wonder. Prentice purposely circumscribes the artist's prerogatives, distilling the power of wind and sun into an ever-changing dance of light and shadow. These understated, subtle inventions provide endless distraction, delighting the child in all of us. Drawing on Air offers a many-sided vision of the kinetic sculptor and his works. An essay by Nicholas Fox Weber introduces the artist and his work, while a chapter on "Mechanics" explains some of the physical principles underlying Prentice's whimsical sculptures. Photographs of works-in-progress, principal public commissions as well as occasional pieces created for casual amusement are punctuated by the artist's mordant, sometimes mischievous comments. "Prentice's sculptures . . .are about fluid movement and change, reminding us that everything is in flux. . . . Wonders of engineering, they create evanescent drawings in thin air." -Michael Amy, Art in America "What is grand in these sculptures is the sense of immensity created by their movements, a sense resonant with our most pleasurable apprehensions of land, sea, and sky." -Elaine Bleakney, Sculpture "These refined sculptures are never ponderous, plump or boring but constantly and slowly transforming themselves as though imbued by perpetuum mobile." -Karen Gerig, Basler Zeitung Experiencing Tim Prentice's work is like taking a ride on a roller coaster" -Catalog of the Connecticut Biennial
Common As Air
Author: Lewis Hyde
Publisher: Union Books
ISBN: 190852605X
Category : Social Science
Languages : en
Pages : 342
Book Description
In 1963, Martin Luther King, Jr. delivered his famous ‘ I Have a Dream’ speech. Thirty years later his son registered the words ‘ I Have a Dream’ as a trademark and successfully blocked attempts to reproduce these four words. Unlike the Gettysburg Address and other famous speeches, ‘ I Have a Dream’ is now private property, even though some the speech is comprised of words written by Thomas Jefferson, a man who very much believed that the corporate land grab of knowledge was at odds with the development of civil society. Exploring the complex intersection between creativity and commerce, Hyde raises the question of how our shared store of art and knowledge might be made compatible with our desire to copyright everything, and questions whether the fruits of creative labour can – or should – be privately owned, especially in the digital age. ‘ In what sense,’ he writes, ‘ can someone own, and therefore control other people’ s access to, a work of fiction or a public speech or the ideas behind a drug?’ Moving deftly between literary analysis, history and biography (from Benjamin Franklin’ s reluctance to patent his inventions to Bob Dylan’ s admission that his early method of songwriting was largely comprised of ‘ rearranging verses to old blues ballads, adding an original line here or there… slapping a title on it’ ), Common As Air is a stirring call-to-arms about how we might concretely legislate for a cultural commons that would simultaneously allow for financial reward and protection from monopoly. Rigorous, informative and riveting, this is a book for anyone who is interested in the creative process.
Publisher: Union Books
ISBN: 190852605X
Category : Social Science
Languages : en
Pages : 342
Book Description
In 1963, Martin Luther King, Jr. delivered his famous ‘ I Have a Dream’ speech. Thirty years later his son registered the words ‘ I Have a Dream’ as a trademark and successfully blocked attempts to reproduce these four words. Unlike the Gettysburg Address and other famous speeches, ‘ I Have a Dream’ is now private property, even though some the speech is comprised of words written by Thomas Jefferson, a man who very much believed that the corporate land grab of knowledge was at odds with the development of civil society. Exploring the complex intersection between creativity and commerce, Hyde raises the question of how our shared store of art and knowledge might be made compatible with our desire to copyright everything, and questions whether the fruits of creative labour can – or should – be privately owned, especially in the digital age. ‘ In what sense,’ he writes, ‘ can someone own, and therefore control other people’ s access to, a work of fiction or a public speech or the ideas behind a drug?’ Moving deftly between literary analysis, history and biography (from Benjamin Franklin’ s reluctance to patent his inventions to Bob Dylan’ s admission that his early method of songwriting was largely comprised of ‘ rearranging verses to old blues ballads, adding an original line here or there… slapping a title on it’ ), Common As Air is a stirring call-to-arms about how we might concretely legislate for a cultural commons that would simultaneously allow for financial reward and protection from monopoly. Rigorous, informative and riveting, this is a book for anyone who is interested in the creative process.
Air Powered
Author: Richard H. Childers Productions
Publisher: Random House (NY)
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
Publisher: Random House (NY)
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
Plein Air Painters of California, the North
Author: Ruth Lilly Westphal
Publisher: Westphal Publishing
ISBN:
Category : Art
Languages : en
Pages : 226
Book Description
Publisher: Westphal Publishing
ISBN:
Category : Art
Languages : en
Pages : 226
Book Description
The Book of Air
Author: Steven Forrest
Publisher:
ISBN: 9781939510068
Category : Body, Mind & Spirit
Languages : en
Pages : 524
Book Description
In The Book of Air, award-winning astrologer Steven Forrest continues his investigation of the four elements which began with The Book of Fire and The Book of Earth. In this third volume of the series, he focuses on what seems to be a very simple idea: the fine art of truly paying attention. He writes, "Air is what connects our hearts and our minds to the world around us. Astrologically - but also in plain speech - it is the linking element, telegraphing an endless stream of information to us - and letting us send a few telegrams in return. Air makes a mockery of the delusion that we are separate from each other - or, for that matter, from anything else. Air connects. It is what allows us to pay attention, and perhaps to create some good reasons for other people to pay attention to us." In these pages, Forrest offers a detailed exploration of Gemini, Libra, and Aquarius, along with their planetary rulers and their associated astrological houses: the third, the seventh, and the eleventh. Together, these powerful words in astrology's magical vocabulary are the key to nothing less than aligning your mind with reality as it actually is.
Publisher:
ISBN: 9781939510068
Category : Body, Mind & Spirit
Languages : en
Pages : 524
Book Description
In The Book of Air, award-winning astrologer Steven Forrest continues his investigation of the four elements which began with The Book of Fire and The Book of Earth. In this third volume of the series, he focuses on what seems to be a very simple idea: the fine art of truly paying attention. He writes, "Air is what connects our hearts and our minds to the world around us. Astrologically - but also in plain speech - it is the linking element, telegraphing an endless stream of information to us - and letting us send a few telegrams in return. Air makes a mockery of the delusion that we are separate from each other - or, for that matter, from anything else. Air connects. It is what allows us to pay attention, and perhaps to create some good reasons for other people to pay attention to us." In these pages, Forrest offers a detailed exploration of Gemini, Libra, and Aquarius, along with their planetary rulers and their associated astrological houses: the third, the seventh, and the eleventh. Together, these powerful words in astrology's magical vocabulary are the key to nothing less than aligning your mind with reality as it actually is.
The Matter of Air
Author: Steven Connor
Publisher: Reaktion Books
ISBN: 1861898827
Category : History
Languages : en
Pages : 378
Book Description
Take a deep breath. Air—without it, life on Earth would cease to exist. Though not usually seen, its presence is relied upon. At once both ethereal and physical, air has been associated with flight and spirit, and yet it has progressively become a territory that can be claimed through communications, warfare, travel, and scientific exploration. At the same time, air is no longer a completely reliable part of our daily life: like water, it has become an environmental element that must be watched closely for quality and purity. A Matter of Air investigates the meanings of air over the last three centuries, including our modern concern over emissions and climate change. Steven Connor looks at the human relationship with air, both positive and negative. His explorations include the dangers posed by radio atmospherics, poison gas, and haze as well as our continued fascination with effervescence and explosives. Drawing ideas from religion, science, art, literature, and philosophy, A Matter of Air creates a comprehensive history of the human perception of air. Thoroughly researched and written with wit and quirky enthusiasm, the book will appeal to a wide range of general readers interested in the environment, human history, and our most essential aspects of life.
Publisher: Reaktion Books
ISBN: 1861898827
Category : History
Languages : en
Pages : 378
Book Description
Take a deep breath. Air—without it, life on Earth would cease to exist. Though not usually seen, its presence is relied upon. At once both ethereal and physical, air has been associated with flight and spirit, and yet it has progressively become a territory that can be claimed through communications, warfare, travel, and scientific exploration. At the same time, air is no longer a completely reliable part of our daily life: like water, it has become an environmental element that must be watched closely for quality and purity. A Matter of Air investigates the meanings of air over the last three centuries, including our modern concern over emissions and climate change. Steven Connor looks at the human relationship with air, both positive and negative. His explorations include the dangers posed by radio atmospherics, poison gas, and haze as well as our continued fascination with effervescence and explosives. Drawing ideas from religion, science, art, literature, and philosophy, A Matter of Air creates a comprehensive history of the human perception of air. Thoroughly researched and written with wit and quirky enthusiasm, the book will appeal to a wide range of general readers interested in the environment, human history, and our most essential aspects of life.