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Author: Alfred de Vigny
Publisher:
ISBN:
Category :
Languages : fr
Pages : 296
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Author: Alfred de Vigny
Publisher:
ISBN:
Category :
Languages : fr
Pages : 296
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Book Description
Author: Alfred de Vigny
Publisher:
ISBN:
Category :
Languages : fr
Pages : 239
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Author: Sheila Mary Green
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Author: Henry F. Majewski
Publisher: University of Virginia Press
ISBN: 9780813911779
Category : Literary Collections
Languages : en
Pages : 196
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Author: Alfred de Vigny
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author: Yehuda Moraly
Publisher: Liverpool University Press
ISBN: 1802071288
Category : Performing Arts
Languages : en
Pages : 257
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Every artist has a dream project an enterprise that he or she has continuously taken up but never completed. Via archived notes and drafts, a retrospective reconstitution of such projects can serve as a key for better understanding the authors artistic corpus. The present study reaches out to the authorship of Paul Claudel, Jean Genet, and Federico Fellini. Claudel deferred and never completed the fourth segment of his Trilogie des Coufontaine. The only indication of the existence of this prospective fourth part of the theatre sequence is a brief entry in his Journal. In 1949, he began writing a third version of his first great work Tête d'Or. Like the unfinished fourth section that was to be added to the trilogy, the draft of the third version of Tête d'Or reveals a dialogue between the Old and New Testaments a theme that appears to be central to Claudel's entire corpus. Genet labored over La Mort for many years. At the conclusion of Saint Genet, comédien et martyr (1952), Sartre mentions this final work of Genet. Genet discussed his progress on La Mort in correspondence and even published Fragments of La Mort in the literary magazine Les Temps Modernes. While the project never came to fruition, it nevertheless remains an important means through which to understand Genets work. The aborted production of Fellinis Voyage de G. Mastorna has become a legend. After 8" and Giulietta degli spiriti, Fellini wrote a screenplay that he began to film but subsequently abandoned, much to the chagrin of producer Dino de Laurentiis who had already invested in sets and costumes. Fellini would often revisit this project, but never completed it. This book also examines additional dream projects taken from different art forms: poetry (Mallarmés Le Livre); literature (Vignys Daphné); painting (Monets Nymphéas); music (Schoenbergs Moses und Aron); and various films (Clouzots LEnfer, Viscontis La Recherche, Kubricks Napoleon, etc.).
Author: Elaine K. Shwimer
Publisher: Dissertations-G
ISBN:
Category : Fiction
Languages : en
Pages : 346
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Author: Alfred de Vigny
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
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Author: Göran Blix
Publisher: University of Pennsylvania Press
ISBN: 0812201302
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
In the early nineteenth century, as amateur archaeologists excavated Pompeii, Egypt, Assyria, and the first prehistoric sites, a myth arose of archaeology as a magical science capable of unearthing and reconstructing worlds thought to be irretrievably lost. This timely myth provided an urgent antidote to the French anxiety of amnesia that undermined faith in progress, and it armed writers from Chateaubriand and Hugo to Michelet and Renan with the intellectual tools needed to affirm the indestructible character of the past. From Paris to Pompeii reveals how the nascent science of archaeology lay at the core of the romantic experience of history and shaped the way historians, novelists, artists, and the public at large sought to cope with the relentless change that relegated every new present to history. In postrevolutionary France, the widespread desire to claim that no being, city, culture, or language was ever definitively erased ran much deeper than mere nostalgic and reactionary impulses. Göran Blix contends that this desire was the cornerstone of the substitution of a weak secular form of immortality for the lost certainties of the Christian afterlife. Taking the iconic city of Pompeii as its central example, and ranging widely across French romantic culture, this book examines the formation of a modern archaeological gaze and analyzes its historical ontology, rhetoric of retrieval, and secular theology of memory, before turning to its broader political implications.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 326
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