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Author: Carol-la Sonam Dorje
Publisher: Xlibris Corporation
ISBN: 1479727547
Category : Poetry
Languages : en
Pages : 113
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Book Description
This exquisite map of a book offers countless geographiesfrom the powerful landscape of Taos to the perilous lands of Tibet. Like a cartographer, poet Carol-la Sonam Dorje traverses the sacred terrain of living, aging, care-giving, and loss. Ultimately, her writing evokes the lustrous horizon of understanding the world within, the world without. Andrea L. Watson Collecting Life: Poets on Objects Known and Imagined Carol-las poetry is remarkable, open and frank. She writes about her life and family with an uncommon awareness and sensitivity that are sure to touch you deeply. Charles Trumbull Editor- Modern Haiku Journal From the depths of her unconscious, the author further expands and illuminates her own conscious, as well as that of sensitive readers. In this, her third book of poetry, she sharpens our maturing views of everyday life, love, death and beyond, sparked with appealing humor. Barbara Waters Celebrating the Coyote (Wife of Frank Waters) The Man Who Killed The Deer
Author: Carol-la Sonam Dorje
Publisher: Xlibris Corporation
ISBN: 1479727547
Category : Poetry
Languages : en
Pages : 113
Get Book Here
Book Description
This exquisite map of a book offers countless geographiesfrom the powerful landscape of Taos to the perilous lands of Tibet. Like a cartographer, poet Carol-la Sonam Dorje traverses the sacred terrain of living, aging, care-giving, and loss. Ultimately, her writing evokes the lustrous horizon of understanding the world within, the world without. Andrea L. Watson Collecting Life: Poets on Objects Known and Imagined Carol-las poetry is remarkable, open and frank. She writes about her life and family with an uncommon awareness and sensitivity that are sure to touch you deeply. Charles Trumbull Editor- Modern Haiku Journal From the depths of her unconscious, the author further expands and illuminates her own conscious, as well as that of sensitive readers. In this, her third book of poetry, she sharpens our maturing views of everyday life, love, death and beyond, sparked with appealing humor. Barbara Waters Celebrating the Coyote (Wife of Frank Waters) The Man Who Killed The Deer
Author: William Carlos Williams
Publisher: New Directions Publishing
ISBN: 0811223418
Category : Poetry
Languages : en
Pages : 342
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Book Description
Long recognized as a masterpiece of modern American poetry, William Carlos Williams' Paterson is one man's testament and vision, "a humanist manifesto enacted in five books, a grammar to help us live" (Denis Donoghue). Paterson is both a place—the New Jersey city in whom the person (the poet's own life) and the public (the history of the region) are combined. Originally four books (published individually between 1946 and 1951), the structure of Paterson (in Dr. Williams' words) "follows the course of teh Passaic River" from above the great falls to its entrance into the sea. The unexpected Book Five, published in 1958, affirms the triumphant life of the imagination, in spite of age and death. This revised edition has been meticulously re-edited by Christopher MacGowan, who has supplied a wealth of notes and explanatory material.
Author: Donald Sidney-Fryer
Publisher: Donald M. Grant Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 312
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Book Description
Author: Helen Phillips
Publisher: Henry Holt and Company
ISBN: 1627793771
Category : Fiction
Languages : en
Pages : 192
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Book Description
A NEW YORK TIMES NOTABLE BOOK OF 2015 NAMED A BEST BOOK OF THE YEAR by Time Out, Bustle, The Atlantic, Electric Literature, Kobo, Kirkus and more... "Riveting... thrillerlike...drolly surreal...Ultimately, The Beautiful Bureaucrat succeeds because it isn't afraid to ask the deepest questions." The New York Times Book Review, Editor's Choice "A joyride..." -Karen Russell NAMED A MUST READ OF THE SUMMER by the Chicago Tribune, Los Angeles Times, Bustle, The Huffington Post, Buzzfeed, HelloGiggles and more... A young wife's new job pits her against the unfeeling machinations of the universe in a first novel Ursula K. Le Guin hails as "funny, sad, scary, beautiful. I love it." In a windowless building in a remote part of town, the newly employed Josephine inputs an endless string of numbers into something known only as The Database. After a long period of joblessness, she's not inclined to question her fortune, but as the days inch by and the files stack up, Josephine feels increasingly anxious in her surroundings-the office's scarred pinkish walls take on a living quality, the drone of keyboards echoes eerily down the long halls. When one evening her husband Joseph disappears and then returns, offering no explanation as to his whereabouts, her creeping unease shifts decidedly to dread. As other strange events build to a crescendo, the haunting truth about Josephine's work begins to take shape in her mind, even as something powerful is gathering its own form within her. She realizes that in order to save those she holds most dear, she must penetrate an institution whose tentacles seem to extend to every corner of the city and beyond. Both chilling and poignant, The Beautiful Bureaucrat is a novel of rare restraint and imagination. With it, Helen Phillips enters the company of Murakami, Bender, and Atwood as she twists the world we know and shows it back to us full of meaning and wonder-luminous and new.
Author: Douglas B. Wilson
Publisher: U of Nebraska Press
ISBN: 9780803247611
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Although criticism on the medieval and Renaissance dream abounds, a strange lacuna exists in the critical literature of dream in the English Romantics. Every major Romantic poet relied frequently and explicitly on dream imagery, and Romantic poems conduct a long discussion about the meaning, power, value, and provenance of dreams. Douglas B. Wilson's book traces the wide web of connections that the Romantics wove between dreams and other expressions of consciousness: sensation, emotions, illusions, creativity, personality, and memory. Situating his study of the Wordsworthian dream between ancient interpretation and Freudian interpretation, Wilson gains a new perspective on the oneiric moment of Romanticism while liberating it from a narrowly psychoanalytic reading. Wordsworth embodies virtually all of the dream theory of his time, thus making him the perfect object of Wilson's multiple approaches to dream activity as poetic creation. - Back cover.
Author: Robert G. Eisenhauer
Publisher: Peter Lang
ISBN: 9781433107337
Category : Language Arts & Disciplines
Languages : en
Pages : 282
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Book Description
Ode Consciousness examines a preeminent literary form in its three-thousand-year history, navigating between philosophy and literature, offering cross-cultural perspectives on a poetic logic informed by polar intensities of sensuous cognition. Making a double incision on the corpus, Robert Eisenhauer interprets works by Henry Vaughan and the modernist Frank O'Hara, foregrounding the text, but also the text(-ile) message, and the dialogical weave of enunciation. The ancient Chinese ode, translated by Karlgren and estranged by Pound, anchors sentience in the flora and fauna of physical nature, and the I Jing or Book of Changes offers insights on poetry, psychoanalysis, and aleatoriness per se. The rise of the ode in the West is contemporary with that of a philosophical discourse concerning clarity and obscurity of thought. While Milton widens the esoteric scope, Lovelace concretizes ode consciousness through the image of a frozen grasshopper («green ice»), whose non-longevity is contrasted with the human capacity for survival through friendship. Translating the «Polish Horace» (Sarbiewski), Coleridge prepares the ground for the lyricism of Keats and Shelley, raising the neural stakes through passages of lingering, delay, and intoxication. A negative capability inclusive of desire as well as nihilation inhabits Jalal al-Din Rumi and the Arabic qasida. Affliction, a key concept for the Baroque, is discussed in the context of film noir, while Hegel's privileging in the Aesthetics of Schiller's «Song of the Bell» is seen as part of a larger attempt to censure the radical re-Pindarization and revolutionary retexting of the ode, most notably in Klopstock and Hölderlin. The author analyzes the role played by impersonality in Yeats's attempt to recrystallize Keatsian and Confucian sensibility through «annotated seeing» and the opening of windows of clairvoyant perception. Eisenhauer also suggests parallels between O'Hara's autumnal glimpses of New York City at the height of modernism and Keatsian sensibility. Ode Consciousness concludes by examining the return of the repressed in the graphic novels of Osamu Tezuka, thereby enriching our understanding of the ode's perennial relevance.
Author: Clark Ashton Smith
Publisher: Penguin
ISBN: 0698137469
Category : Fiction
Languages : en
Pages : 400
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Book Description
A much-awaited collection of prose and poetry from one of the great cosmic masters of the supernatural Not just any fantasy, horror, and science fiction author could impress H. P. Lovecraft into calling him “unexcelled by any other writer, dead or living” or compel Fritz Lieber to employ the worthy term sui generis. Clark Ashton Smith—autodidact, prolific poet, amateur philosopher, bizarre sculptor, and unmatched storyteller—simply wrote like no one else, before or since. This new collection of his very best tales and poems is selected and introduced by supernatural literature scholar S. T. Joshi and allows readers to encounter Smith’s visionary brand of fantastical, phantasmagorical worlds, each one filled with invention, terror, and a superlative sense of metaphysical wonder. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Christopher John Murray
Publisher: Routledge
ISBN: 1135455791
Category : History
Languages : en
Pages : 1303
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Book Description
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
Author: William Carlos Williams
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 72
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Book Description
Author: Graham Davidson
Publisher: Lutterworth Press
ISBN: 0718896467
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
From its first publication, what is now known as the Immortality Ode has been praised for the magnificence of its verse and disparaged for its paucity of meaning - the 'immortality' of the subtitle unsubstantiated, and the 'recollections' insubstantial. Yet Wordsworth's idea of immortality has clear precedents in the seventeenth century, and recollections of childhood are Traherne's starting point for the recovery of a lost vision comparable to Wordsworth's. Via the power of the imagination, or reason, they believed they could experience a renewed vision that both termed variously Paradise, or infinity, or immortality. Graham Davidson traces the origins of Wordsworth's poetic impetus to his resistance to the Cartesian division between mind and nature, first adumbrated by the Cambridge Platonists. If reunited, Paradise was regained, but this personal trajectory was tempered by a deep sympathy for the woes of mortal life. Davidson explores the consequent dialogue through some of Wordsworth's best-known poems, at the heart of which is the Ode. In the last section, he demonstrates how Wordsworth's publishing history led the Victorians and modernists to misinterpret his work; if one considers Eliot's Four Quartets as odes, facing several of the same problems as did Wordsworth, there is some irony in Eliot's dismissal of the Immortality Ode as 'verbiage'.
