Author: American Bar Association. House of Delegates
Publisher: American Bar Association
ISBN: 9781590318737
Category : Law
Languages : en
Pages : 216
Book Description
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Model Rules of Professional Conduct
Author: American Bar Association. House of Delegates
Publisher: American Bar Association
ISBN: 9781590318737
Category : Law
Languages : en
Pages : 216
Book Description
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Publisher: American Bar Association
ISBN: 9781590318737
Category : Law
Languages : en
Pages : 216
Book Description
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Marvel Comics, Vol. 1
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 401
Book Description
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 401
Book Description
Problems of Communism
Author:
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 582
Book Description
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 582
Book Description
The Romita Legacy
Author:
Publisher: Dynamite Entertainment
ISBN: 1524117846
Category : Art
Languages : en
Pages : 211
Book Description
John Romita Sr is as synonymous with Marvel as is Stan Lee. Stan was the definitive writer and visionary of the Marvel Universe, but Jazzy John was the ultimate catcher to all of Stan's pitches. Arguably the most important contributor to Marvel canon with Jack Kirby, and arguably the definitive Spider-Man artist, John Romita has left his mark creating, defining and/or designing some of Marvel's most, well, marvelous characters. From being (in our humble opinion) the definitive Spider-Man artist to helping design many of Marvel's major characters from Wolverine and the Punisher to Spider-Woman, The Kingpin and so many more. And, though it was Stan Lee and Steve Ditko who co-created Spider-Man and Peter Parker, and helped us love the boy with the problems we all grew up with, it was Jazzy John who allowed Peter to grow up and have the same problems many had growing up, and glamorized Peter Parker and rounded out his stable of characters from Gwen Stacy and Harry Osborne, and who also gave us the unbelievable entrance by Mary Jane Watson, showing us just how Peter had hit the jackpot! And John Romita Jr. has also created a rich body of work that few can follow in his footsteps. Having outgrown the shadow of his father early in his career, John Romita Jr. has shown the world why he is "Mr. Marvel". From his early days working with Bob Layton on the Iron Man issues featuring the controversial issues of Tony Stark's alcoholism, to his jump to stardom in the early '90's on the Uncanny X-Men (almost a decade after his first stint on the Uncanny X-Men with Chris Claremont), to his unbelievable work on Daredevil: Man Without Fear with Frank Miller and Al Williamson, John proved that he was one of only a few artists who can shine working with a master such as Frank Miller. Moving in to the new millennium, John's work on Thor was nothing short of amazing, as well as working on Daredevil with Ann Nocenti and Al Williamson. But nothing has been more tailor made for John Jr's art than Marvel's flagship title - Spider-Man! His return on Peter Parker, Spider-Man proved that he was Marvel's best choice for a Spider-Man artist, and when Joe Michael Straczynski took hold of Marvel's flagship title, it was John Jr's art that made the great stories shine as well as they did! One thing that's kept John's art fresh is his ability to move from character to character. It definitely is bitter sweet to see John leave Spider-Man and run around the Marvel Universe on characters such as The Eternals (with Neil Gaiman), proving that once again, John Jr. is the artists artist who can tackle such great projects, and even on his run on the World War Hulk (yes, Hulk does indeed Smash!), one is mesmerized by his incredible artwork. What's amazing is, that as of this writing, John Romita Jr. will be returning to Amazing Spider-Man #568, and this fan, Nick Barrucci, President of Dynamic Forces, feels the excitement and energy to his return. These are the things that we live for in comics. it's rare to know when a series is going to be great because a great artist is working on it. We are fortunate to be on the ground floor, again, but the anticipation is something that will only be quenched with the first read of a series that will be great. The Romit's are one of the few royal families in comics. If you haven't had a chance to fully appreciate their work, here's your chance. it's a fun ride. I hope you enjoy it as much as we have in putting this book together! With an introduction by Alex Ross and an afterword by Stan "The Man" Lee, this hard cover book is perfect for every Spider-Man fan young and old!
Publisher: Dynamite Entertainment
ISBN: 1524117846
Category : Art
Languages : en
Pages : 211
Book Description
John Romita Sr is as synonymous with Marvel as is Stan Lee. Stan was the definitive writer and visionary of the Marvel Universe, but Jazzy John was the ultimate catcher to all of Stan's pitches. Arguably the most important contributor to Marvel canon with Jack Kirby, and arguably the definitive Spider-Man artist, John Romita has left his mark creating, defining and/or designing some of Marvel's most, well, marvelous characters. From being (in our humble opinion) the definitive Spider-Man artist to helping design many of Marvel's major characters from Wolverine and the Punisher to Spider-Woman, The Kingpin and so many more. And, though it was Stan Lee and Steve Ditko who co-created Spider-Man and Peter Parker, and helped us love the boy with the problems we all grew up with, it was Jazzy John who allowed Peter to grow up and have the same problems many had growing up, and glamorized Peter Parker and rounded out his stable of characters from Gwen Stacy and Harry Osborne, and who also gave us the unbelievable entrance by Mary Jane Watson, showing us just how Peter had hit the jackpot! And John Romita Jr. has also created a rich body of work that few can follow in his footsteps. Having outgrown the shadow of his father early in his career, John Romita Jr. has shown the world why he is "Mr. Marvel". From his early days working with Bob Layton on the Iron Man issues featuring the controversial issues of Tony Stark's alcoholism, to his jump to stardom in the early '90's on the Uncanny X-Men (almost a decade after his first stint on the Uncanny X-Men with Chris Claremont), to his unbelievable work on Daredevil: Man Without Fear with Frank Miller and Al Williamson, John proved that he was one of only a few artists who can shine working with a master such as Frank Miller. Moving in to the new millennium, John's work on Thor was nothing short of amazing, as well as working on Daredevil with Ann Nocenti and Al Williamson. But nothing has been more tailor made for John Jr's art than Marvel's flagship title - Spider-Man! His return on Peter Parker, Spider-Man proved that he was Marvel's best choice for a Spider-Man artist, and when Joe Michael Straczynski took hold of Marvel's flagship title, it was John Jr's art that made the great stories shine as well as they did! One thing that's kept John's art fresh is his ability to move from character to character. It definitely is bitter sweet to see John leave Spider-Man and run around the Marvel Universe on characters such as The Eternals (with Neil Gaiman), proving that once again, John Jr. is the artists artist who can tackle such great projects, and even on his run on the World War Hulk (yes, Hulk does indeed Smash!), one is mesmerized by his incredible artwork. What's amazing is, that as of this writing, John Romita Jr. will be returning to Amazing Spider-Man #568, and this fan, Nick Barrucci, President of Dynamic Forces, feels the excitement and energy to his return. These are the things that we live for in comics. it's rare to know when a series is going to be great because a great artist is working on it. We are fortunate to be on the ground floor, again, but the anticipation is something that will only be quenched with the first read of a series that will be great. The Romit's are one of the few royal families in comics. If you haven't had a chance to fully appreciate their work, here's your chance. it's a fun ride. I hope you enjoy it as much as we have in putting this book together! With an introduction by Alex Ross and an afterword by Stan "The Man" Lee, this hard cover book is perfect for every Spider-Man fan young and old!
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1642
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1642
Book Description
Technical Reports of the National Highway Traffic Safety Administration; a Bibliography, 1976
Author: L. Flynn (comp)
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
Book Description
The Passing Show
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 118
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 118
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1536
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1536
Book Description
Economic Policy and the Great Stagflation
Author: Alan S. Blinder
Publisher: Elsevier
ISBN: 1483264564
Category : Business & Economics
Languages : en
Pages : 244
Book Description
Economic Policy and the Great Stagflation discusses the national economic policy and economics as a policy-oriented science. This book summarizes what economists do and do not know about the inflation and recession that affected the U.S. economy during the years of the Great Stagflation in the mid-1970s. The topics discussed include the basic concepts of stagflation, turbulent economic history of 1971-1976, anatomy of the great recession and inflation, and legacy of the Great Stagflation. The relation of wage-price controls, fiscal policy, and monetary policy to the Great Stagflation is also elaborated. This publication is beneficial to economists and students researching on the history of the Great Stagflation and policy errors of the 1970s.
Publisher: Elsevier
ISBN: 1483264564
Category : Business & Economics
Languages : en
Pages : 244
Book Description
Economic Policy and the Great Stagflation discusses the national economic policy and economics as a policy-oriented science. This book summarizes what economists do and do not know about the inflation and recession that affected the U.S. economy during the years of the Great Stagflation in the mid-1970s. The topics discussed include the basic concepts of stagflation, turbulent economic history of 1971-1976, anatomy of the great recession and inflation, and legacy of the Great Stagflation. The relation of wage-price controls, fiscal policy, and monetary policy to the Great Stagflation is also elaborated. This publication is beneficial to economists and students researching on the history of the Great Stagflation and policy errors of the 1970s.
Canadian Film and Video
Author: Loren R. Lerner
Publisher: University of Toronto Press
ISBN: 0802029884
Category : Reference
Languages : en
Pages : 1862
Book Description
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
Publisher: University of Toronto Press
ISBN: 0802029884
Category : Reference
Languages : en
Pages : 1862
Book Description
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.