Author: Geological Society of London. Library
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 632
Book Description
Catalogue of the Library of the Geological Society of London
Author: Geological Society of London. Library
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 632
Book Description
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 632
Book Description
Transactions
Author: Colonial Society of Massachusetts
Publisher:
ISBN:
Category : Massachusetts
Languages : en
Pages : 562
Book Description
Publisher:
ISBN:
Category : Massachusetts
Languages : en
Pages : 562
Book Description
Watteau at Work
Author: Emily A. Beeny
Publisher: Getty Publications
ISBN: 1606067362
Category : Art
Languages : en
Pages : 88
Book Description
Marking the three hundredth anniversary of Jean Antoine Watteau’s death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise. The painting La Surprise by Jean Antoine Watteau (1684–1721) belongs to a new genre of painting invented by the artist himself—the fête galante. These works, which show graceful open-air gatherings filled with scenes of courtship, music and dance, strolling lovers, and actors, do not so much tell a story as set a mood: one of playful, wistful, nostalgic reverie. Esteemed by collectors in Watteau’s day as a work that showed the artist at the height of his skill and success, La Surprise vanished from public view in 1848, not to reemerge for more than a century and a half. Acquired by the Getty Museum in 2017, it has never before been the subject of a dedicated publication. Marking the three hundredth anniversary of Watteau’s death, this book considers La Surprise within the context of the artist’s oeuvre and discusses the surprising history of collecting Watteau in Los Angeles. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 23, 2021, to February 20, 2022.
Publisher: Getty Publications
ISBN: 1606067362
Category : Art
Languages : en
Pages : 88
Book Description
Marking the three hundredth anniversary of Jean Antoine Watteau’s death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise. The painting La Surprise by Jean Antoine Watteau (1684–1721) belongs to a new genre of painting invented by the artist himself—the fête galante. These works, which show graceful open-air gatherings filled with scenes of courtship, music and dance, strolling lovers, and actors, do not so much tell a story as set a mood: one of playful, wistful, nostalgic reverie. Esteemed by collectors in Watteau’s day as a work that showed the artist at the height of his skill and success, La Surprise vanished from public view in 1848, not to reemerge for more than a century and a half. Acquired by the Getty Museum in 2017, it has never before been the subject of a dedicated publication. Marking the three hundredth anniversary of Watteau’s death, this book considers La Surprise within the context of the artist’s oeuvre and discusses the surprising history of collecting Watteau in Los Angeles. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 23, 2021, to February 20, 2022.
Accounts and Papers
Author: Great Britain. Parliament. House of Lords
Publisher:
ISBN:
Category :
Languages : en
Pages : 538
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 538
Book Description
French Primitivism and the Ends of Empire, 1945-1975
Author: Daniel J. Sherman
Publisher: University of Chicago Press
ISBN: 0226752690
Category : Art
Languages : en
Pages : 307
Book Description
For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture—including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia—Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti’s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.
Publisher: University of Chicago Press
ISBN: 0226752690
Category : Art
Languages : en
Pages : 307
Book Description
For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture—including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia—Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti’s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.
The Restoration of Ancient Bronzes
Author: Erik Risser
Publisher: Getty Publications
ISBN: 1606061542
Category : Art
Languages : en
Pages : 148
Book Description
The archaeological finds at Herculaneum and Pompeii have rendered Naples an especially rich field for the study of the history of restorations, particularly of ancient bronzes. Bringing together the research of an international group of curators, conservators, archivists, and scientists, this extensively illustrated online volume examines the evolving practice of bronze restoration in Naples and other European centers from the eighteenth century to today. Presenting the results of new investigations, this collection of essays and case studies addresses the contexts in which the restorations took place, the techniques and materials used, the role of specialists, and changing attitudes to the display of these statues. Along with a rich selection of images, these texts offer a significant contribution to the history of restoration and conservation, providing valuable information regarding the evolution of taste and museum practices at a formative stage of modern archaeology. The essays collected here were written following a series of presentations at a one-day conference, “Restoring Ancient Bronzes in the Nineteenth Century,” held at the J. Paul Getty Museum on May 6, 2011. Each illustrated essay is accompanied by a separate gallery of large-format images to facilitate study and analysis. Edited by Erik Risser, associate conservator in the Department of Antiquities at the J. Paul Getty Museum, and David Saunders, assistant curator in the Department of Antiquities at the J. Paul Getty Museum, this collection is part of the Getty’s ongoing commitment to the online publication of scholarly conferences and symposia.
Publisher: Getty Publications
ISBN: 1606061542
Category : Art
Languages : en
Pages : 148
Book Description
The archaeological finds at Herculaneum and Pompeii have rendered Naples an especially rich field for the study of the history of restorations, particularly of ancient bronzes. Bringing together the research of an international group of curators, conservators, archivists, and scientists, this extensively illustrated online volume examines the evolving practice of bronze restoration in Naples and other European centers from the eighteenth century to today. Presenting the results of new investigations, this collection of essays and case studies addresses the contexts in which the restorations took place, the techniques and materials used, the role of specialists, and changing attitudes to the display of these statues. Along with a rich selection of images, these texts offer a significant contribution to the history of restoration and conservation, providing valuable information regarding the evolution of taste and museum practices at a formative stage of modern archaeology. The essays collected here were written following a series of presentations at a one-day conference, “Restoring Ancient Bronzes in the Nineteenth Century,” held at the J. Paul Getty Museum on May 6, 2011. Each illustrated essay is accompanied by a separate gallery of large-format images to facilitate study and analysis. Edited by Erik Risser, associate conservator in the Department of Antiquities at the J. Paul Getty Museum, and David Saunders, assistant curator in the Department of Antiquities at the J. Paul Getty Museum, this collection is part of the Getty’s ongoing commitment to the online publication of scholarly conferences and symposia.
The Tastemakers
Author: Diana Davis
Publisher: Getty Publications
ISBN: 1606066412
Category : Art
Languages : en
Pages : 322
Book Description
An examination of the development, role, and influence of the British decorative art dealers who invented an Anglo-Gallic style for elite interiors. In this volume Diana Davis demonstrates how London dealers invented a new and visually splendid decorative style that combined the contrasting tastes of two nations. Departing from the conventional narrative that depicts dealers as purveyors of antiquarianism, Davis repositions them as innovators who were key to transforming old art objects from ancien régime France into cherished “antiques” and, equally, as creators of new and modified French-inspired furniture, bronze work, and porcelain. The resulting old, new, and reconfigured objects merged aristocratic French eighteenth-century taste with nineteenth-century British preference, and they were prized by collectors, who displayed them side by side in palatial interiors of the period. The Tastemakers analyzes dealer-made furnishings from the nineteenth-century patron’s perspective and in the context of the interiors for which they were created, contending that early dealers deliberately formulated a new aesthetic with its own objects, language, and value. Davis examines a wide variety of documents to piece together the shadowy world of these dealers, who emerge center stage as a traders, makers, and tastemakers.
Publisher: Getty Publications
ISBN: 1606066412
Category : Art
Languages : en
Pages : 322
Book Description
An examination of the development, role, and influence of the British decorative art dealers who invented an Anglo-Gallic style for elite interiors. In this volume Diana Davis demonstrates how London dealers invented a new and visually splendid decorative style that combined the contrasting tastes of two nations. Departing from the conventional narrative that depicts dealers as purveyors of antiquarianism, Davis repositions them as innovators who were key to transforming old art objects from ancien régime France into cherished “antiques” and, equally, as creators of new and modified French-inspired furniture, bronze work, and porcelain. The resulting old, new, and reconfigured objects merged aristocratic French eighteenth-century taste with nineteenth-century British preference, and they were prized by collectors, who displayed them side by side in palatial interiors of the period. The Tastemakers analyzes dealer-made furnishings from the nineteenth-century patron’s perspective and in the context of the interiors for which they were created, contending that early dealers deliberately formulated a new aesthetic with its own objects, language, and value. Davis examines a wide variety of documents to piece together the shadowy world of these dealers, who emerge center stage as a traders, makers, and tastemakers.
Publications of the Colonial Society of Massachusetts
Author: Colonial Society of Massachusetts
Publisher:
ISBN:
Category : Local history
Languages : en
Pages : 634
Book Description
Primarily consists of: Transactions, v. 1, 3, 5-8, 10-14, 17-21, 24-28, 32, 34-35, 38, 42-43; and: Collections, v. 2, 4, 9, 15-16, 22-23, 29-31, 33, 36-37, 39-41; also includes lists of members.
Publisher:
ISBN:
Category : Local history
Languages : en
Pages : 634
Book Description
Primarily consists of: Transactions, v. 1, 3, 5-8, 10-14, 17-21, 24-28, 32, 34-35, 38, 42-43; and: Collections, v. 2, 4, 9, 15-16, 22-23, 29-31, 33, 36-37, 39-41; also includes lists of members.
Revolution and the Antiquarian Book
Author: Kristian Jensen
Publisher: Cambridge University Press
ISBN: 1107000513
Category : Antiques & Collectibles
Languages : en
Pages : 329
Book Description
Examines the late eighteenth-century preoccupation with the acquisition of old books, and the new historical discipline created by traders.
Publisher: Cambridge University Press
ISBN: 1107000513
Category : Antiques & Collectibles
Languages : en
Pages : 329
Book Description
Examines the late eighteenth-century preoccupation with the acquisition of old books, and the new historical discipline created by traders.
Practical French Grammar and Exercises
Author: Paul Baume
Publisher: BoD – Books on Demand
ISBN: 3752522747
Category : Fiction
Languages : en
Pages : 274
Book Description
Reprint of the original, first published in 1867.
Publisher: BoD – Books on Demand
ISBN: 3752522747
Category : Fiction
Languages : en
Pages : 274
Book Description
Reprint of the original, first published in 1867.