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Author: Swarupa Gupta
Publisher: BRILL
ISBN: 9004176144
Category : Philosophy
Languages : en
Pages : 425
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Book Description
This book reopens the debate on colonial nationalisms, going beyond derivative , borrowed , political and modernist paradigms. It introduces the conceptual category of samaj to demonstrate how indigenous socio-cultural origins in Bengal interacted with late-colonial discourses to produce the notion of a nation. Samaj (a historical society and an idea-in-practice) was a site for reconfiguring antecedents and negotiating fragmentation. Drawing on indigenous sources, this study shows how caste, class, ethnicity, region and community were refracted to conceptualise wider unities. The mapping of cultural continuities through change facilitates a more nuanced investigation of the ontology of nationhood, seeing it as related to, but more than political nationalism. It outlines a fresh paradigm for recalibrating postcolonial identities, offering interpretive strategies to mediate fragmentation.
Author: Swarupa Gupta
Publisher: BRILL
ISBN: 9004176144
Category : Philosophy
Languages : en
Pages : 425
Get Book Here
Book Description
This book reopens the debate on colonial nationalisms, going beyond derivative , borrowed , political and modernist paradigms. It introduces the conceptual category of samaj to demonstrate how indigenous socio-cultural origins in Bengal interacted with late-colonial discourses to produce the notion of a nation. Samaj (a historical society and an idea-in-practice) was a site for reconfiguring antecedents and negotiating fragmentation. Drawing on indigenous sources, this study shows how caste, class, ethnicity, region and community were refracted to conceptualise wider unities. The mapping of cultural continuities through change facilitates a more nuanced investigation of the ontology of nationhood, seeing it as related to, but more than political nationalism. It outlines a fresh paradigm for recalibrating postcolonial identities, offering interpretive strategies to mediate fragmentation.
Author: Swarupa Gupta
Publisher: BRILL
ISBN: 9004349766
Category : Social Science
Languages : en
Pages : 422
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Book Description
In Cultural Constellations, Place-Making and Ethnicity in Eastern India, c. 1850-1927, Swarupa Gupta outlines a fresh paradigm moving beyond stereotypical representations of eastern India as a site of ethnic fragmentation. The book traces unities by exploring intersections between (1) cultural constellations; (2) place-making and (3) ethnicity. Centralising place-making, it tells the story of how people made places, mediating caste / religious / linguistic contestations. It offers new meanings of ‘region’ in Eastern Indian and global contexts by showing how an interregional arena comprising Bengal, Assam and Orissa was forged. Using historical tracts, novels, poetry and travelogues, the book argues that commonalities in Eastern India were linked to imaginings of Indian nationhood. The analysis contains interpretive strategies for mediating federalist separatisms and fragmentation in contemporary India.
Author: Semantī Ghosha
Publisher: Oxford University Press, USA
ISBN: 9780199468232
Category : History
Languages : en
Pages : 0
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Book Description
Originally presented as the author's thesis (Ph. D.)--Tufts University, 1999.
Author: Mimasha Pandit
Publisher: Oxford University Press
ISBN: 0199099758
Category : History
Languages : en
Pages : 270
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Book Description
This book serves as the corridor to one’s ‘self’. It began as a humble attempt to interrogate the performance history of Swadeshi Bengal. The burgeoning public space and audibility of voices hitherto unheard presented a two-way problem, for the colonisers, as well as for the colonised. The thinking mind that hid behind a facade of obedience suddenly appeared before all. The transparent veil separating the hidden from the manifest was torn apart. In the context of swadeshi and boycott agitation, performative spaces like theatre, jatra, and songs did not just serve as a forum for disseminating the notions of nationhood put forward by the intellectuals. The ideas gained a life of their own once they were placed in the performative space. Encompassing both the performer and the audience/recipient of the ideas, the notion underwent a change at various planes of consciousness. The notion of nation, as disseminated by the performances, acquired a different meaning at the level of enactment, and attained an entirely new substance when received by the audience. None of these exchanges occurred in complete passivity of any one party present in the performative space. Consequently, the emergent emotion of nationhood developed as a nuanced image of ‘self’. This book has tried to locate the beginning of that emotion of national ‘self’.
Author: Swarupa Gupta
Publisher: BRILL
ISBN: 9047429583
Category : Philosophy
Languages : en
Pages : 424
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Book Description
This book reopens the debate on colonial nationalisms, going beyond ‘derivative’, ‘borrowed’, political and modernist paradigms. It introduces the conceptual category of samaj to demonstrate how indigenous socio-cultural origins in Bengal interacted with late-colonial discourses to produce the notion of a nation. Samaj (a historical society and an idea-in-practice) was a site for reconfiguring antecedents and negotiating fragmentation. Drawing on indigenous sources, this study shows how caste, class, ethnicity, region and community were refracted to conceptualise wider unities. The mapping of cultural continuities through change facilitates a more nuanced investigation of the ontology of nationhood, seeing it as related to, but more than political nationalism. It outlines a fresh paradigm for recalibrating postcolonial identities, offering interpretive strategies to mediate fragmentation.
Author: Samarpita Mitra
Publisher: BRILL
ISBN: 9004427082
Category : Literary Criticism
Languages : en
Pages : 447
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Book Description
In Periodicals, Readers and the Making of a Modern Literary Culture: Bengal at the Turn of the Twentieth Century Samarpita Mitra studies literary periodicals as a particular print form, and reveals how their production and circulation were critical to the formation of a Bengali public sphere during the turn of the twentieth century. Given its polyphonic nature, capacity for sustaining debates and adaptability by readers with diverse reading competencies, periodicals became the preferred means for dispensing modern education and entertainment through the vernacular. The book interrogates some of the defining debates that shaped readers’ perspectives on critical social issues and explains how literary culture was envisioned as an indicator of the emergent nation. Finally it looks at the Bengali-Muslim and women’s periodicals and their readerships and argues that the presence of multiple literary voices make it impossible to speak of Bengali literary culture in any singular terms.
Author: Partha Chatterjee
Publisher: U of Minnesota Press
ISBN: 9780816623112
Category : Social Science
Languages : en
Pages : 196
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Book Description
"If it isn't obvious from the title of this book that this is going to be full of postmodern jargon, it becomes clear quite quickly that Chaterjee prefers difficult terms like 'problematic', 'thematic' and 'discourse' without always defining them - he even admits his admiration for Rorty, Barthes, Foucault and Derrida. Nonetheless, underneath all of this verbiage is a strong and convincing argument about the three stages of nationalism in India: the moment of departure (epitomized by Bankimchandra Chatttopadhyay), the moment of manoeuvre (Gandhi) and the moment of arrival (Nehru). Chatterjee clearly shows how nationalism in India was akin to Gramsci's concept of the 'passive revolution' - i.e. merely a drive towards independence, not towards transforming or breaking up colonial instutions. He argues that, instead of supporting nationalism, we should instead challenge the marriage between reason and capital. From the title of this book one might expect Chatterjee to draw links to other anti-colonial nationalisms but he doesn't; rather he only discusses India (not even other parts of South Asia). While this approach doesn't really make this book too useful for examining anti-colonial nationalisms in general, for someone like me who has never read a book on Indian nationalism this is a good introduction." -- from Amazon.ca.
Author: Paulomi Chakraborty
Publisher: Oxford University Press
ISBN: 0199095396
Category : Literary Collections
Languages : en
Pages : 399
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Book Description
The Refugee Woman examines the Partition of 1947 by engaging with the cultural imagination of the ‘refugee woman’ in West Bengal, particularly in three significant texts of the Partition of Bengal—Ritwik Ghatak’s film Meghe Dhaka Tara; and two novels, Jyotirmoyee Devi’s Epar Ganga, Opar Ganga and Sabitri Roy’s Swaralipi. It shows that the figure of the refugee woman, animated by the history of the political left and refugee movements, and shaped by powerful cultural narratives, can contest and reconstitute the very political imagination of ‘woman’ that emerged through the long history of dominant cultural nationalisms. The reading it offers elucidates some of the complexities of nationalist, communal, and communist gender-politics of a key period in post-independence Bengal.
Author: Tanika Sarkar
Publisher:
ISBN:
Category : Family & Relationships
Languages : en
Pages : 374
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Book Description
In Rebels, Wives, Saints, acclaimed scholar Tanika Sarkar continues her revolutionary scholarship on women, religion, and nationhood in colonial Bengal. The colonial universe Sarkar describes in Rebels, Wives, Saints centers around symbols of women as both defiled and deified, exemplified in the idea of woman as widow and woman as goddess. The nation, Sarkar explains, is imagined as a woman-goddess within a country comprising plural cultural traditions. Sarkar also broadens the discussion to consider male reformers who battle Hindu conservatives, a Hindu novelist who idealizes nationalism as a means for overcoming Muslim influence, male-dominant social norms, and theatre and censorship. Throughout the book, Sarkar deploys her trademark focus on small, specific, emotional defining moments in order to arrive at a larger, compelling picture that reveals how people actually feel and experience life in Bengal.
Author: Sumathi Ramaswamy
Publisher: Duke University Press
ISBN: 0822391538
Category : History
Languages : en
Pages : 402
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Book Description
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.
