Northern Painting from Pucelle to Bruegel PDF Download
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Author: Charles D. Cuttler
Publisher: Houghton Mifflin
ISBN:
Category : Art
Languages : en
Pages : 566
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Book Description
Author: Charles D. Cuttler
Publisher: Houghton Mifflin
ISBN:
Category : Art
Languages : en
Pages : 566
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870998706
Category : Art patronage
Languages : en
Pages : 466
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Book Description
Published in conjunction with the 1999 exhibition of the same name, ten essays and 317 illustrations (157 in color) depict northern Renaissance painting in Belgium and the Netherlands. This lovely book includes such artists as Van Eyck, Campin, Van der Weyden, David, Memling, and Bruegel, and contains commentaries on individual works, an appendix of paintings not covered in the text, artists' biographies, a glossary, a bibliography, and comparative illustrations. Oversize: 9.5x11.25"Annotation copyrighted by Book News, Inc., Portland, OR
Author: Charles D. Cuttler
Publisher:
ISBN:
Category : Painting, European
Languages : en
Pages : 0
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Book Description
![Icons of Beauty [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/UbfOEAAAQBAJ?fife=w80-h100)
Author: Lindsay J. Bosch
Publisher: Bloomsbury Publishing USA
ISBN: 0313081565
Category : Social Science
Languages : en
Pages : 780
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Book Description
What gives beauty such fascinating power? Why is beauty so easy to recognize but so hard to define? Across cultures and continents and over the centuries the standards of beauty have changed but the desire to portray beauty, to praise beauty, and to possess beauty has never diminished. Icons of Beauty offers an enthralling overview of the most revered icons of female beauty in world art from pre-history to the present. From images of Eve to Cindy Sherman's self-portraits, from Cleopatra to Madonna, from ancient goddesses to modern celebrities, this interdisciplinary set offers fresh insight as to how we can use perceptions of beauty to learn about world cultures, both past and present. Each chapter looks at an individual work of art to pose a question about the power of beauty. What makes beauty modern? What is the influence of celebrities? How do women portray their own beauty in a different manner than men? In-depth profiles of the icons reveal how specific ideas about beauty were developed and expressed, offering a full analysis of their history, cultural significance, and lasting influence. In addition to renowned works of art, Icons of Beauty also looks at icons in literature, film, politics, and contemporary entertainment. Interdisciplinary and multicultural in its approach, chapters inside this set also feature sidebars on provocative topics and issues, such as foot binding and body adornment; myths and practices; opinions and interpretations; and even related films, songs, and even comic book characters. Generously illustrated, this rich set encompasses history, politics, society, women's studies, and art history, making it an indispensable resource for high school and college students as well as general readers.
Author: John F. Vickrey
Publisher: Rowman & Littlefield
ISBN: 1611461685
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
Readers of Old English would generally agree that the poem Genesis B, a translation into Old English of an Old Saxon (that is, continental) retelling of the story of the Fall, is a vigorous and moving narrative. They would disagree, however, as to the meaning of the poem. Some hold that it reflects an orthodox Christian viewpoint and others claim that it assumes a distinctly unorthodox position in portraying Adam and Eve as not morally culpable in their disobedience but merely tricked into disobedience through the wiles of the Devil's agent. The study Genesis B and the Comedic Imperative, examining these incompatible readings, infers that the poem is essentially orthodox, that it demonstrates sufficiently the moral culpability of Adam and Eve, and that it departs from orthodoxy only insofar as it conveys a strong impression that Adam and Even will undertake what amounts to Christian penance, leading them eventually to Heaven. The poem thereby attains the happy ending typical of early medieval Christian narrative. Hence the titular "Comedic Imperative." The inference of orthodoxy follows as a nigh-inevitable conclusion of the interpretation of several motifs: the poem's culturally imbued martiality, its allegorical bent, and also what A. N. Doane noted as its tropological bent. The argument depends heavily upon philological inquiry and on examination of prevailing beliefs and attitudes of contemporaneous Frankish society, religious and civil, leading to the reinterpretation of crucial passages. Of these, most notably, is the passage in which Adam, in refusing the Tempter's invitation to eat the fruit, observes that the Tempter has given no tacen ‘sign’ as evidence that he truly is God’s emissary. Other passages that have impeded critical perception of the poem's significance are also examined, such as the notorious micel wundor clause (lines 595-98) and the pseudo-gnomic declaration swa hire eaforan sculon after lybban (623-35). In sum, Genesis B sustains the orthodoxy otherwise of the Junius 11 manuscript.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994476
Category : Art
Languages : en
Pages : 174
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Book Description
This volume offers a broad selection of the arts of the medieval world, all drawn from the rich collections of the Metropolitan Museum of Art. This is one of a series that covers practically all the world's cultures from the earliest times to the present. In total, some 1500 objects drawn from every department of The Metropolitan Museum of Art are reproduced, most in full color and many with details and multiple views. -- Provided by publisher.
Author: Roberta Crisci-Richardson
Publisher: Cambridge Scholars Publishing
ISBN: 1443879339
Category : Art
Languages : en
Pages : 390
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Book Description
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas’s approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas is thought about today.
Author: Charles D Cuttler
Publisher: Pindar Press
ISBN: 1915837022
Category : Art
Languages : en
Pages : 325
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Book Description
Professor Charles D. Cuttler changed from artist to art historian at New York University's Institute of Fine Arts, studying under distinguished teachers such as Walter Friedlaender and Erwin Panofsky. A specialist in Flemish painting, he spent the major part of his career teaching at the University of Iowa. He published numerous articles, reviews, and a well known text, Northern Painting. He lectured on Bosch on three continents, and his retirement enabled him to devote time to further research. A result is Hieronymus Bosch: Late Work. This new book presents Cuttler's discoveries on three late triptychs, a major trio of Bosch's maturity: the Haywain, the Lisbon Temptation of St. Anthony, and the Garden of Earthly Delights. He presents Bosch's unique view of Christ and salvation in union with hagiography, the Devotio moderna, and medieval hermeneutics, a revelation of Bosch's immense erudition and overwhelming artistry. Bosch reinforced his concepts with supporting casts of animals, natural and demonic, birds, and other iconographic elements. Analysis of the Berlin painting of St. John the Evangelist's apocalyptic vision of the Virgin Mary, the Madrid Seven Deadly Sins tondo, and the Vienna drawing of the Tree-Man expands our understanding of these themes. Other influences affecting Bosch's art, such as whether he travelled or whether he used contemporary prints, whether he drew upon Dante's Inferno, or religious tracts, and the attitudes of his ambience are also examined. The final chapter presents the author's understanding of Bosch, his religiosity and his genius, in his time and place.
Author: Andrew Ladis
Publisher: Pindar Press
ISBN: 1915837189
Category : Art
Languages : en
Pages : 457
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Book Description
Andrew Ladis is Franklin Professor of Art History at the University of Georgia. Over the course of the last twenty years he has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he has made notable contributions to the study of early Italian painting and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolo di Tommaso. But the range of his interests, made apparent by this collection, extends far beyond fourteenth-century Florence and Siena to encompass Tuscan painting of the fifteenth century, Renaissance maiolica, the writings of Giorgio Vasari, biography, and modern historiography. Further, the assembled essays and book reviews embrace a wide array of art historical problems, such as connoisseurship, patronage, workshop procedure, and the relationship between form and meaning. Of particular note is a major interpretive essay on one of the key monuments of the Renaissance, the mural decoration of the Brancacci Chapel painted by Masaccio, Masolino, and Filippino Lippi. Appearing here in revised form, this study is newly accompanied by a copious number of illustrations, including some never before published.
Author: Metropolitan Museum of Art. Robert Lehman Collection
Publisher: Metropolitan Museum of Art
ISBN: 0870998811
Category :
Languages : en
Pages : 257
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Book Description
