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Author: Paul Magriel
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
Long out of print, the three volumes contained here offer the modern reader a rare opportunity to see Vaslav Nijinsky, Anna Pavlova, and Isadora Duncan through the eyes of their contemporaries and admirers, and to share the excitement they were causing at the end of their careers.
Author: Paul Magriel
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
Long out of print, the three volumes contained here offer the modern reader a rare opportunity to see Vaslav Nijinsky, Anna Pavlova, and Isadora Duncan through the eyes of their contemporaries and admirers, and to share the excitement they were causing at the end of their careers.
Author: Paul Magriel
Publisher: Da Capo Press
ISBN: 9780306708459
Category :
Languages : en
Pages :
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Book Description
Author: Lucy Moore
Publisher: Profile Books
ISBN: 1847658288
Category : Biography & Autobiography
Languages : en
Pages : 460
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Book Description
'He achieves the miraculous,' the sculptor Auguste Rodin wrote of dancer Vaslav Nijinsky. 'He embodies all the beauty of classical frescoes and statues'. Like so many since, Rodin recognised that in Nijinsky classical ballet had one of the greatest and most original artists of the twentieth century, in any genre. Immersed in the world of dance from his childhood, he found his natural home in the Imperial Theatre and the Ballets Russes, he had a powerful sponsor in Sergei Diaghilev - until a dramatic and public failure ended his career and set him on a route to madness. As a dancer, he was acclaimed as godlike for his extraordinary grace and elevation, but the opening of Stravinsky's The Rite of Spring saw furious brawls between admirers of his radically unballetic choreography and horrified traditionalists. Nijinsky's story has lost none of its power to shock, fascinate and move. Adored and reviled in his lifetime, his phenomenal talent was shadowed by schizophrenia and an intense but destructive relationship with his lover, Diaghilev. 'I am alive' he wrote in his diary, 'and so I suffer'. In the first biography for forty years, Lucy Moore examines a career defined by two forces - inspired performance and an equally headline-grabbing talent for controversy, which tells us much about both genius and madness. This is the full story of one of the greatest figures of the twentieth century, comparable to the work of Rosamund Bartlett or Sjeng Scheijen.
Author: Geoffrey Whitworth
Publisher: London : Chatto & Windus
ISBN:
Category :
Languages : en
Pages : 156
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Book Description
Author: Kevin Kopelson
Publisher: Stanford University Press
ISBN: 9780804729499
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
This is three books in one: an impressionistic account (based on the aestheticism of Walter Pater) of the dancer's homoerotic career, a deconstructive analysis of his gay male reception (drawn from the semiotics of Roland Barthes), and an exploration of the limitations of that analysis.
Author: Keith Money
Publisher: Alfred A. Knopf
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 442
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Book Description
A biography of Amma Pavlova, Anna Pavlova, a Russian Empire ballerina of the late 19th and the early 20th centuries. She was one of the greatest classical ballet dancers in history and was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev.
Author: Ann Hutchinson Guest
Publisher: Psychology Press
ISBN: 9782881248191
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
This third volume in The Language of Dance series presents Nijinsky's ballet as he himself recorded it in 1915, making this authentic version, translated into Labanotation, immediately available to dance students, teachers, scholars and researchers. It intentionally includes the historical background, the chronology of Niminsky's performances of "Faune," Nijinsky's production notes, analysis of the choreographic style of the ballet, detailed study and performance notes, approaches to learning and teaching the ballet, research problems encountered in the transcription and revival, and a comprehensive explanation of Nijinsky's notation system with examples from his score. Supplemented by photographs of the 1912 production and with the music adjacent to the dance phrases, this book provides unique access to a much discussed and elusive ballet. Nijinsky's score of his "L'Apres-midi d'un faune" lay unused for nearly forty years after his death, because nobody could read it. In 1987
Author: Jeff Wanshel
Publisher: Dramatists Play Service Inc
ISBN: 9780822205760
Category :
Languages : en
Pages : 66
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Book Description
THE STORY: As the play begins we are in Hollywood, where a failed author has been offered a contract to write a film on the life and loves of Isadora Duncan. Reluctant at first, he decides to go ahead with the project, and as he creates the various
Author: Source Wikipedia
Publisher: University-Press.org
ISBN: 9781230554570
Category :
Languages : en
Pages : 28
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Book Description
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 26. Chapters: Anna Pavlova, Vaslav Nijinsky, Cyd Charisse, Alicia Markova, Mathilde Kschessinska, Lydia Lopokova, Ida Rubinstein, Five Moons, Tamara Karsavina, Vera Karalli, Moscelyne Larkin, Leonide Massine, Tamara Toumanova, Michel Fokine, Valentin Zeglovsky, Serge Lifar, Andre Eglevsky, Mia orak Slavenska, Anton Dolin, Marina Svetlova, Genia Melikova, Mikhail Mordkin, Felia Doubrovska, Pierre Vladimiroff. Excerpt: Anna Pavlovna (Matveyevna) Pavlova (Russian: ) (1881-1931) was a Russian ballerina of the late 19th and the early 20th century. She is widely regarded as one of the finest classical ballet dancers in history and was most noted as a principal artist of the Imperial Russian Ballet and the Ballets Russes of Serge Diaghilev. Pavlova is most recognised for the creation of the role The Dying Swan and, with her own company, would become the first ballerina to tour ballet around the world. Pavlova was born prematurely on January 31, 1881, in Ligovo, a suburb (now neighborhood) of Saint Petersburg, then the capital of the Russian Empire. Her mother was a laundress named Lyubov Feodorovna. The identity of her father has been open to debate. She later claimed her father (who was of possible Jewish origin) had died when she was two years old. Some sources, including The Saint Petersburg Gazette, have claimed that her illegitimate father was the banker Lazar Polyakov. Her mother's second husband, Matvey Pavlov, is believed to have adopted her at the age of three, by which she acquired her last name. Pavlova's passion for the art of ballet was ignited when her mother took her to a performance of Marius Petipa's original production of The Sleeping Beauty at the Imperial Maryinsky Theater. The lavish spectacle made an impression on the young Pavlova, and at the age of eight her mother took her to audition for the renowned...
Author: Penny Farfan
Publisher: Oxford University Press
ISBN: 0190679697
Category : Literary Criticism
Languages : en
Pages : 153
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Book Description
Focusing on some of the best-known and most visible stage plays and dance performances of the late nineteenth- and early twentieth-centuries, Penny Farfan's interdisciplinary study demonstrates that queer performance was integral to and productive of modernism, that queer modernist performance played a key role in the historical emergence of modern sexual identities, and that it anticipated, and was in a sense foundational to, the insights of contemporary queer modernist studies. Chapters on works from Vaslav Nijinsky's Afternoon of a Faun to Noël Coward's Private Lives highlight manifestations of and suggest ways of reading queer modernist performance. Together, these case studies clarify aspects of both the queer and the modernist, and how their co-productive intersection was articulated in and through performance on the late-nineteenth- and early-twentieth-century stage. Performing Queer Modernism thus contributes to an expanded understanding of modernism across a range of performance genres, the central role of performance within modernism more generally, and the integral relation between performance history and the history of sexuality. It also contributes to the ongoing transformation of the field of modernist studies, in which drama and performance remain under-represented, and to revisionist historiographies that approach modernist performance through feminist and queer critical perspectives and interdisciplinary frameworks and that consider how formally innovative as well as more conventional works collectively engaged with modernity, at once reflecting and contributing to historical change in the domains of gender and sexuality.
