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Author: American Musical Instrument Society
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 24
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Book Description
Author: American Musical Instrument Society
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 24
Get Book Here
Book Description
Author: American Musical Instrument Society
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 68
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Book Description
Author: American Musical Instrument Society
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 204
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Book Description
Author: American Musical Instrument Society
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 238
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 148
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Features the American Musical Instrument Society (AMIS), an international organization that was founded to promote better understanding of the history, design, construction, restoration, and usage of musical instruments in all cultures and from all periods. Highlights the organizational structure, activities, and publications and provides membership details.
Author: James R. McKay
Publisher: Indiana University Press
ISBN: 9780253213129
Category : Music
Languages : en
Pages : 164
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Book Description
Drawings and photographs complement step-by-step explanations of reedmaking techniques, making every procedure clear. Rather than present an onerous shopping list, the chapter on tools gives a thorough tour of Skinner's workbench, explaining the uses of various items and what can be used as substitutes. Throughout, instructions are given in clear language, not just outlining steps to follow but explaining he principles behind the practice. In addition to basic reed types, a number of variations are treated in detail, as is the making of contrabassoon reeds. Finally, every effort has been made to make this book practical for use at the workbench--in a secure binding that will allow the pages to stay open (without the use of clothespins) and in print large enough to permit easy consultation when the reader's hands are occupied with cane and knives and glue and wire.
Author: Stephen Cottrell
Publisher: Yale University Press
ISBN: 0300190956
Category : Music
Languages : en
Pages : 449
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Book Description
In the first fully comprehensive study of one of the world's most iconic musical instruments, Stephen Cottrell examines the saxophone's various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world.After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840s before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.
Author: Deirdre Loughridge
Publisher: University of Chicago Press
ISBN: 0226830101
Category : Music
Languages : en
Pages : 251
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Book Description
An expansive analysis of the relationship between human and machine in music. From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing “human” musicality from its “merely mechanical” simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the “human or machine” logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of a “sound wave instrument” by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers’ voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been—or can be—used to help explain and contest what it is to be human.
Author: Richard W. Griscom
Publisher: Routledge
ISBN: 1135839328
Category : Art
Languages : en
Pages : 745
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Book Description
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
