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Author: Reza Abedini
Publisher: Bis Publishers
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
This publication shows a new side of Iran, one we do not often read about in newspapers.
Author: Reza Abedini
Publisher: Bis Publishers
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
This publication shows a new side of Iran, one we do not often read about in newspapers.
Author: Staci Gem Scheiwiller
Publisher: Anthem Press
ISBN: 085728293X
Category : Performing Arts
Languages : en
Pages : 261
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Book Description
This book discusses what it means to “perform the State,” what this action means in relation to the country of Iran and how these various performances are represented. The concept of the “State” as a modern phenomenon has had a powerful impact on the formation of the individual and collective, as well as on determining how political entities are perceived in their interactions with one another in the current global arena.
Author: Christiane Gruber
Publisher: Indiana University Press
ISBN: 0253008948
Category : Social Science
Languages : en
Pages : 393
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Book Description
A collection of essays examining the role and power of images from a wide variety of media in today’s Middle Eastern societies. This timely book examines the power and role of the image in modern Middle Eastern societies. The essays explore the role and function of image making to highlight the ways in which the images “speak” and what visual languages mean for the construction of Islamic subjectivities, the distribution of power, and the formation of identity and belonging. Visual Culture in the Modern Middle East addresses aspects of the visual in the Islamic world, including the presentation of Islam on television; on the internet and other digital media; in banners, posters, murals, and graffiti; and in the satirical press, cartoons, and children’s books. “This volume takes a new approach to the subject . . . and will be an important contribution to our knowledge in this area. . . . It is comprehensive and well-structured with fascinating material and analysis.” —Peter Chelkowski, New York University “An innovative volume analyzing and instantiating the visual culture of a variety of Muslim societies [which] constitutes a substantially new object of study in the regional literature and one that creates productive links with history, anthropology, political science, art history, media studies, and urban studies, as well as area studies and Islamic studies.” —Walter Armbrust, University of Oxford
Author: Zahra Pamela Karimi
Publisher: Routledge
ISBN: 0415781833
Category : Architecture
Languages : en
Pages : 282
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Book Description
This book explores the transformation of home culture and domestic architecture in twentieth century Iran. While highlighting the role of architects and urban planners since the turn of the century, the book also studies the interplay between foreign influences, gender roles, consumer culture, and women's education as they intersect with taste, fashion, and interior design.
Author: Pedram Dibazar
Publisher: Bloomsbury Publishing
ISBN: 1350195316
Category : Art
Languages : en
Pages : 225
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Book Description
In Urban and Visual Culture in Contemporary Iran, Pedram Dibazar argues that everyday life in Iran is a rich domain of social existence and cultural production. Regular patterns of day-to-day practice in Iran are imbued with forms of expressivity that are unmarked and inconspicuous, but have remarkable critical value for a cultural study of contemporary society. Blended into the rhythms of everyday life are nonconformist modes of presence, subtle in their visibility and non-confrontational in their resistance to the established societal norms and structures. This volume is about such everyday tactics and creativity as lived in space, visualised in cultural forms and communicated through media. Through its analysis of familiar everyday experiences, Urban and Visual Culture in Contemporary Iran covers a wide range of ordinary practices-such as walking, driving, shopping and doing or watching sports-and spatial conditions-such as streets, cars, rooftops, shopping centres and stadiums. It also explores a variety of cultural formations, including film, photography, architecture, literature, visual arts, television and digital media. This book offers new ways of thinking about visual and urban cultures by highlighting a politics of everyday life that is conditioned on concerns over visibility and presence.
Author: Linda Komaroff
Publisher: Prestel
ISBN: 9783791357386
Category : ART
Languages : en
Pages : 0
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Book Description
"Published in conjunction with the exhibition In The Fields of Empty Days: The Intersection of Past and Present in Iranian Art, at the Los Angeles County Museum of Art, May 6-September 9, 2018"--Colophon.
Author: Fereshteh Daftari
Publisher: I.B. Tauris
ISBN: 9781860648830
Category : History
Languages : en
Pages : 144
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Book Description
This book assesses modern Iranian visual culture from the 1960's and 1970's and suggests that modernity in Iran was a creative, complex, and contested process. It examines the expression of Iranian modernity in a variety of media including painting and sculpture, photography, posters, and graphic arts. It highlights new modes of artistic production and the expanding scene in Iran: developments in Iranian art criticism, exhibition apparatus, education, and patronage. The contributors also address changes in the iconography of Iranian art and in the increasingly social role of the artist. This groundbreaking work demonstrates that the visual arts serve as an important archival record of a critical period in Iranian history.
Author: Liora Hendelman-Baavur
Publisher: Cambridge University Press
ISBN: 1108498078
Category : History
Languages : en
Pages : 341
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Book Description
A fresh look at Iranian popular culture and women's role within this prior to the 1979 Revolution.
Author: Author
Publisher:
ISBN: 9780863569791
Category : Art
Languages : en
Pages : 0
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Book Description
Iranian artists have been producing some of the world's most thought-provoking and intellectually grounded artworks. In this landmark compendium, renowned art historian Hamid Keshmirshekan provides a thorough review of contemporary art in Iran and shows that the twentieth century was a crucial period in the country's art and culture, when the legacies of tradition and modernism where critically reassessed. Contemporary Iranian Art is an unprecedented introduction to Iran's vibrant art history over the past one hundred years. This fully revised and updated edition features more than 370 colour illustrations by the country's leading artists, including Mahmoud Bakhshi, Shadi Ghadirian, Barbad Golshiri, Marcos Grigorian, Farhad Moshiri, Shirin Neshat, Sohrab Sepehri, Mitra Tabrizian, Parviz Tanavoli and Charles Hossein Zenderoudi.
Author: Negar Mottahedah
Publisher: Syracuse University Press
ISBN: 9780815631798
Category : History
Languages : en
Pages : 288
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Book Description
In this pioneering book, Negar Mottahedeh explores the central issues of vision and visibility in Iranian culture. She focuses on historical and literary texts to understand the use of visual culture and performance traditions in the production of the contemporary nation. Tracing the historical mediation and dissemination of ideas for national reform in the modern period of Iran, the book examines the various discourses that have constituted the image of the unpresentable “Babi” as the figure of Iran’s Other. In her exploration of gender and Iranian cinema, the author powerfully argues that this unpresentable image continues to haunt contemporary Iranian cinema’s representations of the nation. As cinema began to displace other forms of representation in Iran, Islamic culture attempted to keep the motion picture industry free from what it perceived to be the taint of foreign values and intervention. With insight and detail, Mottahedeh looks at the revealing ways in which contemporary Iranian cinema has dealt with representing an unpresentable national modernity articulated through traversals in time and space. These deeply national tropes of traversal shaped the image of the “Babi,” against which nineteenth-century Iran produced its own modernity. This highly original work, signaling a paradigmatic shift in Iranian studies and gender studies, will be an invaluable resource for scholars in cultural, Iranian, or film studies.
