New Theatre Quarterly 50: Volume 13, Part 2 PDF Download
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Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521589017
Category : Drama
Languages : en
Pages : 98
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Book Description
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521589017
Category : Drama
Languages : en
Pages : 98
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Book Description
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521535892
Category : Drama
Languages : en
Pages : 108
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Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 74 include: Joan Littlewood's Key to Creativity: 'Go on Stage to Fail'; Grandfathers and Orphans: the Family Saga of European Theatre; Decoding Myths in the Nepalese Festival of Indra Jatra; Theatre in Education in Britain: Current Practice and Future Potential; From Object to Subject: the Israeli Theatre of the Battered Women; 'The Spirits Wouldn't Let Me Be Anything Else': Shamanic Dimensions in Theatre Practice Today; The Contaminated Audience: Researching Amateur Theatre in Wales before 1939.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521558426
Category : Drama
Languages : en
Pages : 98
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author: Geoffrey Borny
Publisher: ANU E Press
ISBN: 1920942688
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov's dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays. The author suggests that, by accepting that Chekhov's plays are synthetic tragi-comedies which juxtapose potentially tragic sub-texts with essentially comic texts, critics and directors are more likely to produce richer and more deeply satisfying interpretations of these works. Besides being of general interest to any reader interested in understanding Chekhov's work, the book is intended to be of particular interest to students of Drama and Theatre Studies and to potential directors of these subtle plays.
Author: Lizbeth Goodman
Publisher: Routledge
ISBN: 113490696X
Category : Art
Languages : en
Pages : 326
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Book Description
A much-needed analysis of the development of feminist theatre in different cultures and on several continents in the past quarter-century.
Author: R. Shaughnessy
Publisher: Springer
ISBN: 1403913668
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
Author: Aleks Sierz
Publisher: A&C Black
ISBN: 1408112396
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This is an essential guide for anyone interested in the best new British stage plays to emerge in the new millennium. For students of theatre studies and theatre-goers Rewriting the Nation: British Theatre Today is a perfect companion to Britain's burgeoning theatre writing scene. It explores the context from which new plays have emerged and charts the way that playwrights have responded to the key concerns of the decade and helped shape our sense of who we are. In recent years British theatre has seen a renaissance in playwriting accompanied by a proliferation of writing awards and new writing groups. The book provides an in-depth exploration of the industry and of the key plays and playwrights. It opens by defining what is meant by 'new writing' and providing a study of the leading theatres, such as the Royal Court, the Traverse, the Bush, the Hampstead and the National theatres, together with the London fringe and the work of touring companies. In the second part, Sierz provides a fascinating survey of the main issues that have characterised new plays in the first decade of the new century, such as foreign policy and war overseas, economic boom and bust, divided communities and questions of identity and race. It considers too how playwrights have re-examined domestic issues of family, of love, of growing up, and the fantasies and nightmares of the mind. Against the backdrop of economic, political and social change under New Labour, Sierz shows how British theatre responded to these changes and in doing so has been and remains deeply involved in the project of rewriting the nation.
Author: Graham Saunders
Publisher: Faber & Faber Plays
ISBN:
Category : Drama
Languages : en
Pages : 212
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Book Description
Graham Saunders offers an important study of one of the most controversial and talented playwrights of recent times. His survey includes a concise biography, in-depth analysis of Sarah Kane's work, and interviews with Kane and those who helped to put her work on stage.
Author: Aleks Sierz
Publisher: Bloomsbury Publishing
ISBN: 1408123347
Category : Drama
Languages : en
Pages : 545
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Book Description
The Methuen Drama Guide to Contemporary British Playwrights is an authoritative guide to the work of twenty-five playwrights who have risen to prominence since the 1980s. Written by an international team of scholars, it will be invaluable to anyone interested in, studying or teaching contemporary drama. Among the many playwrights whose work is examined are Sarah Daniels, Terry Johnson, Martin Crimp, Sarah Kane, Anthony Neilson, Mark Ravenhill, Simon Stephens, Debbie Tucker Green, Tanika Gupta and Richard Bean. Each essay features: A biographical sketch and introduction to the playwright A discussion of their most important plays An analysis of their stylistic and thematic traits, the critical reception and their place in the discourses of British theatre A bibliography of texts and critical material
Author: Dennis Kennedy
Publisher: Cambridge University Press
ISBN: 9780521785488
Category : Drama
Languages : en
Pages : 468
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Book Description
Most studies of the performance of Shakespeare's work concentrate on how the text has been played and what meanings have been conveyed through acting and interpretive directing. Dennis Kennedy demonstrates that much of audience response is determined by the visual representation, which is normally more immediate and direct than the aural conveyance of a text. Ranging widely over productions in Britain, Europe, Japan and North America, Kennedy gives a thorough account of the main scenographic movements of the century, investigating how the visual relates to Shakespeare on the stage. The second edition of this acclaimed history includes a new chapter on Shakespeare performance in the 1990s, bringing the story up to date by drawing on examples from a wide international field. There are more than twenty new illustrations, some of them in colour (bringing the total number of illustrations to almost 200), and previous references have been updated.
