British Photography from the Thatcher Years PDF Download
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Author: Susan Kismaric
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 60
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Book Description
The five artists whose works are illustrated in this catalogue, Chris Killip, Graham Smith, John Davies, Martin Parr, and Paul Graham, are representative of a new approach to social documentary photography.
Author: Susan Kismaric
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 60
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Book Description
The five artists whose works are illustrated in this catalogue, Chris Killip, Graham Smith, John Davies, Martin Parr, and Paul Graham, are representative of a new approach to social documentary photography.
Author: Gerry Badger
Publisher: National Geographic Books
ISBN: 0500022178
Category : Photography
Languages : en
Pages : 0
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Book Description
From the Second World War to Brexit and Covid-19, a vividly written, generously illustrated history of British documentary photography by renowned writer and critic Gerry Badger. Another Country offers a lively, vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages. As Britain takes an increasingly significant place in the history of documentary photography, award-winning photography writer and critic Gerry Badger brings vital context and breadth to the conversation. Organized chronologically, each chapter spans a particular period of social and cultural history, focusing on the major photographers, figures, institutions, publications, and galleries that shaped the photographic climate of their time, as well as the broader tastes of the era. Chapter-by-chapter picture sections present famous works alongside forgotten masterpieces, interspersed with focused commentaries on selected photographs. This multilayered approach provides a rich understanding of the evolution and sheer variety of British documentary photography. A must-have for anyone interested in the history of photography, this book is a comprehensive overview of how photographers and photo- artists have depicted Britain and British society over the last seventy years.
Author: Hatty Nestor
Publisher: John Hunt Publishing
ISBN: 1789040035
Category : Social Science
Languages : en
Pages : 116
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Book Description
'Hatty Nestor is a writer of rare commitment, ambition and talent, whose interest in the field of criminal and carceral portraits has already produced an urgent and engaged piece of research and writing. The book outlined here mounts a timely and compelling case for such representation as more urgently than ever in need of analysis.' Brian Dillon, author of Essayism Prisons systematically dehumanise the imprisoned. Visualised through mugshots and surveillance recordings, the incarcerated lose control of their own image and identity. The criminal justice system in the United States does not only carry out so-called justice in ways that compound inequality, it also minimises the possibility for empathetic encounters with those who are most marginalised. It is therefore urgent to understand how prisoners are portrayed by the carceral state and how this might be countered or recuperated. How can understanding the visual representation of prisoners help us confront the invisible forms of power in the American prison system? Ethical Portraits investigates the representation of the incarcerated in the United States criminal justice system, and the state's failure to represent those incarcerated humanely. Through wide-ranging interviews and creative nonfiction, Hatty Nestor deconstructs the different roles of prison portraiture, such as in courtroom sketches, DNA profiling, and the incarceration of Chelsea Manning. Includes Foreword by Jackie Wang
Author: Dick Arentz
Publisher: Taylor & Francis
ISBN: 1136094539
Category : Photography
Languages : en
Pages : 420
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Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Mark Haworth-Booth
Publisher:
ISBN: 9780893812775
Category : Photography
Languages : en
Pages : 0
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Book Description
Introduced to the British public in 1839 by its inventor, William Henry Fox Talbot, photography quickly took its place-alongside explorations of new territories, discoveries in science, and expanding horizons in the arts-as an authentic wonder in an age of wonders. T"he Golden Age of British Photography "presents photographs that represent the era, drawn from the extensive collection of the Victoria and Albert Museum and from other major museums and archives. The medium's early history unfolds in 199 images, from one of photography's first successes, Talbot's enchanting view of his breakfast table, to Paul Martin's turn-of-the-century beach scenes, the precursors of today's snapshots. Uninhibited by notions of what the new invention should be, early photographers depicted exotic faraway lands and the disappearing rural landscape, British cathedrals and London slums, the public and private faces of the time, and the newsworthy events that brought the times into view. These images, rarely seen and never before shown together, present photography at its most miraculous, its purest, and its most daring.
Author:
Publisher: Penn State Press
ISBN: 9780271048376
Category : Art
Languages : en
Pages : 392
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Book Description
Since the production of the first negative by William Henry Fox Talbot in Wiltshire's Lacock Abbey in 1835, English photography has played a central role in revolutionizing the production of images, yet it has largely evaded critical attention. The Making of English Photography investigates this new enterprise--and specifically how professional photographers shaped a strange aesthetic for their practice. The Making of English Photography examines the development of English photography as an industrial, commercial, and (most problematically) artistic enterprise. Concentrating on the first decades of photography's history, Edwards tracks the pivotal distinction between art and document as it emerged in the writings of the "men of science" and professional photographers, suggesting that this key opposition is rooted in social fantasies of the worker. Through a close reading of the photographic press in the 1860s, he both reconstructs the ideological world of photographers and employs the unstable category of photography to cast light on art, class, and industrial knowledge. Bringing together an array of early photographs, recent historical and theoretical scholarship, and extensive archival sources, The Making of English Photography sheds new light on the prevailing discourses of photography as well as the antinomies of art and work in a world shaped by social division.
Author: Andrew Dewdney
Publisher: MIT Press
ISBN: 1912685817
Category : Photography
Languages : en
Pages : 287
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Book Description
Why we must forget photography and reject the frame of reality it prescribes and delineates. The central paradox this book explores is that at the moment of photography's replacement by the algorithm and data flow, photographic cultures proliferate as never before. The afterlife of photography, residual as it may technically be, maintains a powerful cultural and representational hold on reality, which is important to understand in relationship to the new conditions. Forgetting photography is a strategy to reveal the redundant historicity of the photographic constellation and the cultural immobility of its epicenter. It attempts to liberate the image from these historic shackles, forged by art history and photographic theory. More important, perhaps, forgetting photography also entails rejecting the frame of reality it prescribes and delineates, and in doing so opens up other relationships between bodies, times, events, materials, memory, representation and the image. Forgetting photography attempts to develop a systematic method for revealing the limits and prescriptions of thinking with photography, which no amount of revisionism of post-photographic theory can get beyond. The world urgently needs to unthink photography and go beyond it in order to understand the present constitution of the image as well as the reality or world it shows. Forgetting photography will require a different way of organizing knowledge about the visual in culture that involves crossing different knowledges of visual culture, technologies, and mediums. It will also involve thinking differently about routine and creative labor and its knowledge practices within the institutions and organization of visual reproduction.
Author: William Henry Fox Talbot
Publisher: DigiCat
ISBN:
Category : Photography
Languages : en
Pages : 66
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Book Description
DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Colin Westerbeck
Publisher: HarperCollins
ISBN: 0062795589
Category : Photography
Languages : en
Pages : 256
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Book Description
The first definitive monograph of color photographs by American street photographer Vivian Maier. Photographer Vivian Maier’s allure endures even though many details of her life continue to remain a mystery. Her story—the secretive nanny-photographer who became a pioneer photographer—has only been pieced together from the thousands of images she made and the handful of facts that have surfaced about her life. Vivian Maier: The Color Work is the largest and most highly curated published collection of Maier’s full-color photographs to date. With a foreword by world-renowned photographer Joel Meyerowitz and text by curator Colin Westerbeck, this definitive volume sheds light on the nature of Maier’s color images, examining them within the context of her black-and-white work as well as the images of street photographers with whom she clearly had kinship, like Eugene Atget and Lee Friedlander. With more than 150 color photographs, most of which have never been published in book form, this collection of images deepens our understanding of Maier, as its immediacy demonstrates how keen she was to record and present her interpretation of the world around her.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 96
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Book Description
A revised edition of the classic book that launched Martin Parr and transformed the world of documentary photography.
