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Author: Bernard Nesfield-Cookson
Publisher: Temple Lodge Publishing
ISBN: 1906999112
Category : Art
Languages : en
Pages : 158
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Book Description
The Italian Renaissance is considered by many to mark the beginning of the modern age. The name itself (literally "rebirth") accurately expresses the innovation that took place during that period. Renaissance thinkers took a vital interest in history, literature, and the arts, focusing on the human world as much as, if not more than, that of God. The rapid development of the arts and sciences reflected their study of the visible, physical world in all its three-dimensional glory. The source of these new impulses, says the author, can be found in what Rudolf Steiner calls the birth of "the consciousness soul"--the faculty for objective self-awareness. Instead of a primarily inward-looking consciousness, people began looking outward with greater intensity, observing the world around them in detail. With greater conscious of their separate being, people of the Renaissance began to study the phenomena of the world of nature from an individual, personal perspective. In this enlightening book, illustrated with sixteen pages of color plates, the author illuminates the concept of the consciousness soul, showing how it is reflected in fifteenth-century Florentine painting, sculpture, and architecture, as well as in the impulses issuing from Plato's Academy of Athens.
Author: Bernard Nesfield-Cookson
Publisher: Temple Lodge Publishing
ISBN: 1906999112
Category : Art
Languages : en
Pages : 158
Get Book Here
Book Description
The Italian Renaissance is considered by many to mark the beginning of the modern age. The name itself (literally "rebirth") accurately expresses the innovation that took place during that period. Renaissance thinkers took a vital interest in history, literature, and the arts, focusing on the human world as much as, if not more than, that of God. The rapid development of the arts and sciences reflected their study of the visible, physical world in all its three-dimensional glory. The source of these new impulses, says the author, can be found in what Rudolf Steiner calls the birth of "the consciousness soul"--the faculty for objective self-awareness. Instead of a primarily inward-looking consciousness, people began looking outward with greater intensity, observing the world around them in detail. With greater conscious of their separate being, people of the Renaissance began to study the phenomena of the world of nature from an individual, personal perspective. In this enlightening book, illustrated with sixteen pages of color plates, the author illuminates the concept of the consciousness soul, showing how it is reflected in fifteenth-century Florentine painting, sculpture, and architecture, as well as in the impulses issuing from Plato's Academy of Athens.
Author: E.H. Gombrich
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Ernst Hans Gombrich
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
These studies on the interpretation of images focus on the greatest artists of the Renaissance - notably Botticelli, Leonardo, Raphael and Michelangelo - and all reflect the author's deep and abiding concern with standards, values and problems of method.
Author: Sandra Sider
Publisher: Infobase Publishing
ISBN: 0816074860
Category : History
Languages : en
Pages : 401
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Book Description
Examines architecture and design, dance, fashion, literature, music, philosophy, religion, theater and visual arts in Europe between 1300 and 1600.
Author: Davide Stimilli
Publisher: State University of New York Press
ISBN: 0791484246
Category : Philosophy
Languages : en
Pages : 222
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Book Description
The literature on physiognomy—the art of studying a person's outward appearance, especially the face, in order to determine character and intelligence—has flourished in recent years in the wake of renewed scholarly interest in the history and politics of the body. Virtually no attention, however, has been devoted to the vocabulary and rhetoric of physiognomy. The Face of Immortality addresses this gap, arguing that the trend in Western culture has been to obliterate the face, which is manifested in criticism as a disregard for the letter. Denouncing this trend, Davide Stimilli draws on Hebrew, Greek, Latin, Italian, English, and German sources in order to explore the terminology and historical development of physiognomy. Stimilli takes physiognomy to be the resistance to such an obliteration of the face, and argues that it offers a model for a theory of reading that does not discount the letter as inessential. Elaborating on the work of Walter Benjamin, he defines the task of physiognomical criticism as transliteration (which preserves the letter) rather than translation (which obliterates it). The Face of Immortality is meant to exemplify the method and test the reach of such a criticism, which aims at mediating between philology and philosophy, between literal and allegorical modes of interpretation.
Author: Laurie Schneider Adams
Publisher: Routledge
ISBN: 0429963661
Category : Art
Languages : en
Pages : 420
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Book Description
"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
Author: W. McAllister Johnson
Publisher: University of Toronto Press
ISBN: 9780802068415
Category : Art
Languages : en
Pages : 396
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Book Description
These essays discuss major questions that should arise in courses in bibliography, methodology, and historiography, once the survey courses are left behind.
Author: E.H. Gombrich
Publisher: Phaidon Press
ISBN: 9780714829890
Category : Art
Languages : en
Pages : 200
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Book Description
Volume 4 in Gombrich's influential series of essays on the Renaissance.
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022648257X
Category : Art
Languages : en
Pages : 241
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Book Description
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.” Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
Author: Chris Murray
Publisher: Routledge
ISBN: 1134597215
Category : Art
Languages : en
Pages : 337
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Book Description
A unique and authoritative guide to modern responses to art. Featuring forty-eight essays, and written by a panel of expert contributors, it introduces readers to the key approaches and analytical tools of contemporary art study and debate.
