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Author: Agnes Christina
Publisher: Aurora Metro Publications Ltd.
ISBN: 1912430401
Category : Drama
Languages : en
Pages : 239
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Book Description
A unique anthology of hard-hitting contemporary plays exploring a wide range of themes and characters, from religious teens to sex workers to survivors of political turbulence, providing insight into the changing nature of Indonesian society today. THE SILENT SONG OF THE GENJER FLOWERS by Faiza Mardzoeki translated by Gratiagusti Chananya Rompas & Mikael Johani. Four women friends gather to help Nini reveal a painful secret to her granddaughter about their ordeal in a prison camp, and its consequences. Red Janger by Ibed Surgana Yuga translated by Andy Fuller. A village tries to lay lingering ghosts to rest through the spiritual purification of a mass grave, but one family faces surprising truths. CUT OUT by Riyadhus Shalihin translated by Alfian Sa’at. A vibrant mash-up of Indonesian history from the village to the top. SIN by Trisa Triandisa translated by John H. McGlynn from the novel Not a Virgin by Nuril Basri. A group of young men at a religious school explore their sexual identities at a gay nightclub and as sex-workers. BREAK IN by Agnes Christina A young woman locks herself in her bedroom, talking to the many voices around her. Can she find answers and connections? BEDFELLOWS by Hanna Fransisca translated by Cobina Gillitt. Centring on a local coffee shop, the play explores rising ethnic conflict and the protest by local people against a Chinese dragon statue. THE MAKASSAR TRILOGY by Shinta Febriany translated by Alfian Sa’at. Three short plays exploring the break-up of a community and the harmful effects of beach redevelopment on its people. Foreword by Muhammad Abe & Gunawan Maryanto Introduced by Rebecca Kezia Edited by Cheryl Robson The first collection of Indonesian plays in English post 2000 published in the world
Author: Agnes Christina
Publisher: Aurora Metro Publications Ltd.
ISBN: 1912430401
Category : Drama
Languages : en
Pages : 239
Get Book Here
Book Description
A unique anthology of hard-hitting contemporary plays exploring a wide range of themes and characters, from religious teens to sex workers to survivors of political turbulence, providing insight into the changing nature of Indonesian society today. THE SILENT SONG OF THE GENJER FLOWERS by Faiza Mardzoeki translated by Gratiagusti Chananya Rompas & Mikael Johani. Four women friends gather to help Nini reveal a painful secret to her granddaughter about their ordeal in a prison camp, and its consequences. Red Janger by Ibed Surgana Yuga translated by Andy Fuller. A village tries to lay lingering ghosts to rest through the spiritual purification of a mass grave, but one family faces surprising truths. CUT OUT by Riyadhus Shalihin translated by Alfian Sa’at. A vibrant mash-up of Indonesian history from the village to the top. SIN by Trisa Triandisa translated by John H. McGlynn from the novel Not a Virgin by Nuril Basri. A group of young men at a religious school explore their sexual identities at a gay nightclub and as sex-workers. BREAK IN by Agnes Christina A young woman locks herself in her bedroom, talking to the many voices around her. Can she find answers and connections? BEDFELLOWS by Hanna Fransisca translated by Cobina Gillitt. Centring on a local coffee shop, the play explores rising ethnic conflict and the protest by local people against a Chinese dragon statue. THE MAKASSAR TRILOGY by Shinta Febriany translated by Alfian Sa’at. Three short plays exploring the break-up of a community and the harmful effects of beach redevelopment on its people. Foreword by Muhammad Abe & Gunawan Maryanto Introduced by Rebecca Kezia Edited by Cheryl Robson The first collection of Indonesian plays in English post 2000 published in the world
Author: Evan Darwin Winet
Publisher: Springer
ISBN: 0230246672
Category : Performing Arts
Languages : en
Pages : 279
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Book Description
Indonesian Postcolonial Theatre explores modern theatrical practices in Indonesia from a performance of Hamlet in the warehouses of Dutch Batavia to Ratna Sarumpaet's feminist Muslim Antigones. The book reveals patterns linking the colonial to the postcolonial eras that often conflict with the historical narratives of Indonesian nationalism.
Author: Antonius Herujiyanto
Publisher: Sanata Dharma University Press
ISBN: 6026369074
Category : Biography & Autobiography
Languages : en
Pages : 207
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Book Description
This (research) book highlights the unavoidable conversation engaging readers about the meaning and significance of Indonesian plays from the flights of Wayang and Brechtian strategy. The goal is, thus, to provide those willing to understand Indonesian plays with the necessary steps to go through. Not only are they invited to pay a visit to (world) literature, but they are also to deal with cultural studies, the dramatictext, and a critical vocabulary common to play analysis. Offering a response to such a compact goal, there are important things that need pointing out, namely, the elaboration of Wayang strategy and its application. This also suggests highlighting Brechtian strategy, the world of literature, Indonesian literature, Bahasa Indonesia (Indonesian language) and its roles within the national political affairs. This book is, thus, organized to discuss methods of play analysis which primarily means to find the meaning of the very plays, in this case the work of Arifin C. Noer.
Author: Katherine Brisbane
Publisher: Routledge
ISBN: 1134929781
Category : Performing Arts
Languages : en
Pages : 703
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Book Description
This volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.
Author: Kevin J. Wetmore, Jr.
Publisher: Bloomsbury Publishing
ISBN: 1408176505
Category : Drama
Languages : en
Pages : 529
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Book Description
A companion volume to Modern Asian Theatre and Performance 1900–2000, this anthology contains nine emblematic scripts from twentieth and twenty-first century Asian theatre. Opening with a history of modern Asian drama and a summary of the plays and their contexts, it features nine works written between 1912 and 2009 in Japan, China, Korea, India, Indonesia and Vietnam. Showcasing fresh contemporary writing alongside plays central to the established canon, the collection surveys each playwright's work, and includes: Father Returns by Kikuchi Kan Hot Pepper, Air Conditioner and the Farewell Speech by Okada Toshiki Sunrise by Cao Yu I Love XXX by Meng Jinghui, Huang Jingang, Wang Xiaoli, Shi Hang Bicycle by O Tae-sok The Post Office by Rabindranath Tagore Hayavadana by Girish Karnad The Struggle of the Naga Tribe by W. S. Rendra Truong Ba's Soul in the Butcher's Skin by Luu Quang Vu The chronological and geographical breadth of the anthology provides a unique insight into modern Asian theatre and is essential to any understanding of its relation to Western drama and indigenous performance.
Author: Clara Van Groenendael
Publisher: BRILL
ISBN: 9004658270
Category : History
Languages : en
Pages : 229
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Book Description
Author: Jan van der Putten
Publisher: Cambridge Scholars Publishing
ISBN: 1527502775
Category : Social Science
Languages : en
Pages : 315
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Book Description
This volume is the result of a conference held in October 2015 in connection with the Frankfurt Book Fair discussing developments that are considered important in contemporary Indonesian cultural productions. The first part of the book reflects on the traumatic experiences of the Indonesian nation caused by a failed coup on October 1, 1965. In more general theoretical terms, this topic connects to the field of memory studies, which, in recent decades, has made an academic comeback. The focus of the chapters in this section is how certain, often distressing, events are represented in narratives in a variety of media that are periodically renewed, changed, rehearsed, repeated, and performed, in order to become or stay part of the collective memory of a certain group of people. The second part of the book explores how forces of globalisation have impacted upon the local and, linguistically surprisingly, rather homogeneous cultural productions of Indonesia. The main strands of inquiry in this second section are topics of global trends in religion, responses to urban development, the impact of popular literary developments, and how traditions are revisited in order to come to terms with international cultural developments.
Author: S.E. Wilmer
Publisher: University of Iowa Press
ISBN: 1587295210
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship, and sociopolitical contexts influence all histories; and theatre histories, too, are often revised to reflect changing times and interests. This significant collection examines the problems and challenges of formulating national theatre histories.The essayists included here--leading theatre scholars from all over the world, many of whom wrote essays specifically for this volume--provide an international context for national theatre histories as well as studies of individual nations. They cover a wide geographical area: Asia, the Middle East, Africa, Europe, and North America. The essays contrast large countries (India, Indonesia) with small (Ireland), newly independent (Slovenia) with established (U.S.A.), developed (Canada) with developing (Mexico, South Africa), capitalist (U.S.A.) with formerly communist (Russia), monolingual (Sweden) with multilingual (Belgium, Canada), and countries with stable historical boundaries (Sweden) with those whose borders have shifted (Germany).The essays also explore such sociopolitical issues as the polarization of language groups, the importance of religion, the invisibility of ethnic minorities, the redrawing of geographical borders, changes in ideology, and the dismantling of colonial legacies. Finally, they examine such common problems of history writing as types of evidence, periodization, canonization, styles of narrative, and definitions of key terms.Writing and Rewriting National Theatre Histories will be of special interest to students and scholars of theatre, cultural studies, and historiography.
Author: Siyuan Liu
Publisher: Routledge
ISBN: 1317278852
Category : Performing Arts
Languages : en
Pages : 875
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Book Description
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
Author: Michael H. Bodden
Publisher: Ohio University Press
ISBN: 0896804690
Category : History
Languages : en
Pages : 405
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Book Description
Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater pracxadtitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto. It examines the work of an array of theater groups and networks from Jakarta, Bandung, and Yogyakarta that pioneered new forms of theater-making and new themes that were often presented more directly and critically than previous groups had dared to do. Michael H. Bodden looks at a wide range of case studies to show how theater contributed to and helped build the opposition. He also looks at how specific combinations of social groups created tensions and gave modern theater a special role in bridging social gaps and creating social networks that expanded the reach of the prodemocracy movement. Theater workers constructed new social networks by involving peasants, Muslim youth, industrial workers, and lower-middle-class slum dwellers in theater productions about their own lives. Such networking and resistance established theater as one significant arena in which the groundwork for the ouster of Suharto in May 1998, and the succeeding Reform era, was laid. Resistance on the National Stage will have broad appeal, not only for scholars of contemporary Indonesian culture and theater, but also for those interested in Indonesian history and politics, as well as scholars of postcolonial theater and culture.
