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Author: Katy Bunning
Publisher: Routledge
ISBN: 1000222918
Category : Art
Languages : en
Pages : 151
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Book Description
Negotiating Race and Rights in the Museum traces the evolution of pervasive racial ideas, and ‘post-race’ allusions, over more than a century of museum thinking and practice. Drawing on the illuminating history of the Smithsonian Institution, this book offers an account of how museums have addressed and renegotiated wider calls for inclusion, ‘self-definition’, and racial justice, in ways that continually re-centre and legitimise the White frame. Charting the emergence of ‘post-race’ ideas in museums, Bunning demonstrates how and why ‘culturally specific’ approaches have been met with suspicion and derision by powerful museum stakeholders against the backdrop of a changing United States of America, just as they have offered crucial vehicles for sectoral change. This study of the evolution of racial ideas in response to Black empowerment highlights deeply entrenched forms of White supremacy that remain operative within the international museum sector today, and serves to reinforce the urgent calls for the active disruption of racist ideas and the redesign of institutions. Negotiating Race and Rights in the Museum will appeal to those working in the international fields of museum and heritage studies, cultural studies, and American studies, and all who are interested in the production of racial ideas and White supremacy in the museum.
Author: Katy Bunning
Publisher: Routledge
ISBN: 1000222918
Category : Art
Languages : en
Pages : 151
Get Book Here
Book Description
Negotiating Race and Rights in the Museum traces the evolution of pervasive racial ideas, and ‘post-race’ allusions, over more than a century of museum thinking and practice. Drawing on the illuminating history of the Smithsonian Institution, this book offers an account of how museums have addressed and renegotiated wider calls for inclusion, ‘self-definition’, and racial justice, in ways that continually re-centre and legitimise the White frame. Charting the emergence of ‘post-race’ ideas in museums, Bunning demonstrates how and why ‘culturally specific’ approaches have been met with suspicion and derision by powerful museum stakeholders against the backdrop of a changing United States of America, just as they have offered crucial vehicles for sectoral change. This study of the evolution of racial ideas in response to Black empowerment highlights deeply entrenched forms of White supremacy that remain operative within the international museum sector today, and serves to reinforce the urgent calls for the active disruption of racist ideas and the redesign of institutions. Negotiating Race and Rights in the Museum will appeal to those working in the international fields of museum and heritage studies, cultural studies, and American studies, and all who are interested in the production of racial ideas and White supremacy in the museum.
Author: Linda Kim
Publisher: U of Nebraska Press
ISBN: 1496208056
Category : Art
Languages : en
Pages : 420
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Book Description
2019 Finalist for the Charles Rufus Morey Book Award from the CAA Charles C. Eldredge Prize for Distinguished Scholarship in American Art from the Smithsonian American Art Museum In Race Experts Linda Kim examines the complicated and ambivalent role played by sculptor Malvina Hoffman in The Races of Mankind series created for the Chicago Field Museum in 1930. Although Hoffman had training in fine arts and was a protégé of Auguste Rodin and Ivan Meštrović, she had no background in anthropology or museum exhibits. She was nonetheless commissioned by the Field Museum to make a series of life-size sculptures for the museum’s new racial exhibition, which became the largest exhibit on race ever installed in a museum and one of the largest sculptural commissions ever undertaken by a single artist. Hoffman’s Races of Mankind exhibit was realized as a series of 104 bronzes of racial types from around the world, a unique visual mediation between anthropological expertise and everyday ideas about race in interwar America. Kim explores how the artist brought scientific understandings of race and the everyday racial attitudes of museum visitors together in powerful and productive friction. The exhibition compelled the artist to incorporate not only the expertise of racial science and her own artistic training but also the popular ideas about race that ordinary Americans brought to the museum. Kim situates the Races of Mankind exhibit at the juncture of these different forms of racial expertise and examines how the sculptures represented the messy resolutions between them. Race Experts is a compelling story of ideological contradiction and accommodation within the racial practices of American museums, artists, and audiences.
Author: Monique Scott
Publisher: Routledge
ISBN: 1134135912
Category : Art
Languages : en
Pages : 209
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Book Description
Rethinking Evolution in the Museum explores the ways diverse natural history museum audiences imagine their evolutionary heritage. In particular, the book considers how the meanings constructed by audiences of museum exhibitions are a product of dynamic interplay between museum iconography and powerful images museum visitors bring with them to the museum. In doing so, the book illustrates how the preconceived images held by museum audiences about anthropology, Africa, and the museum itself strongly impact the human origins exhibition experience. Although museological theory has come increasingly to recognize that museum audiences ‘make meaning’ in exhibitions, or make their own complex interpretations of museum exhibitions, few scholars have explicitly asked how. Rethinking Evolution in the Museum, however, provides a rare window into visitor perceptions at four world-class museums—the Natural History Museum and Horniman Museum in London, the National Museums of Kenya in Nairobi and the American Museum of Natural History in New York. Through rigorous and novel mixed methods (quantitative and qualitative) covering nearly 500 museum visitors, this innovative study shows that audiences of human origins exhibitions interpret evolution exhibitions through a profoundly complex convergence of personal, political, intellectual, emotional and cultural interpretive strategies. This book also reveals that natural history museum visitors often respond to museum exhibitions similarly because they use common cultural tools picked up from globalized popular media circulating outside of the museum. One tool of particular interest is the notion that human evolution has proceeded linearly from a bestial African prehistory to a civilized European present. Despite critical growths in anthropological science and museum displays, the outdated Victorian progress motif lingers persistently in popular media and the popular imagination. Rethinking Evolution in the Museum sheds light on our relationship with natural history museums and will be crucial to those people interested in understanding the connection between the visitor, the museum and media culture outside of the museum context.
Author: Jamillah Karim
Publisher: NYU Press
ISBN: 0814748104
Category : Religion
Languages : en
Pages : 304
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Book Description
"Focusing on women, who sometimes move outside of their ethnic Muslim spaced and interact with other Muslim ethnic groups in search of gender justice, this ethnographic study of African American and South Asian immigrant Muslims in Chicago and Atlanta explores how Islamic ideas of racial harmony amd equality create hopeful possibilities in an American society that remains challenged by race and class inequalities."--Page 4 of cover.
Author: Linda Kim
Publisher:
ISBN:
Category : Bronze sculpture, American
Languages : en
Pages : 876
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Book Description
"Malvina Hoffman's Races of Mankind and the Materiality of Race in Early Twentieth-Century Sculpture and Photography" is a monographic study of a racial exhibit created in the 1930s for the Chicago Field Museum of Natural History. The exhibit, the Races of Mankind, was comprised of 104 figurative sculptures made by a single sculptor, Malvina Hoffman. The dissertation focuses on Hoffman's attempts to reconcile the demands of anthropology and racial science with the constraints of her artistic training and medium. Sculpture, the dissertation argues, was both the most ideal and most tendentious vehicle for the Field Museum's representation of race. Hoffman's training as a sculptor and her sensibility to form and embodiment offered a distinct and compelling mode with which to encode and embed race in real bodies. Yet Hoffman's sculptures co-existed with photographs, plaster casts, and mannequins, in the museum and had to differentiate themselves from these other objects while incorporating their tactile and visual effects into the representation of race. The dissertation studies the problem of sculpture in the natural history museum from a diverse range of media, disciplines, and histories, with special reliance on recent theoretical and methodological advances in museum studies, histories of anthropology, and postcolonial and critical race studies, in order to produce an expanded account of sculpture and American art
Author: Sadiah Qureshi
Publisher: University of Chicago Press
ISBN: 0226700968
Category : Business & Economics
Languages : en
Pages : 391
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Book Description
Examines the phenomenon of human exhibitions in nineteenth-century Britain and considers how this legacy informs understandings of race and empire today.
Author: Madison Grant
Publisher: BoD – Books on Demand
ISBN: 3368901494
Category : Fiction
Languages : en
Pages : 197
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Book Description
Reproduction of the original.
Author: American Anthropological Association
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 516
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Book Description
Author: Samuel J. Redman
Publisher: Harvard University Press
ISBN: 0674969731
Category : Science
Languages : en
Pages : 365
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Book Description
A Smithsonian Book of the Year A Nature Book of the Year “Provides much-needed foundation of the relationship between museums and Native Americans.” —Smithsonian In 1864 a US Army doctor dug up the remains of a Dakota man who had been killed in Minnesota and sent the skeleton to a museum in Washington that was collecting human remains for research. In the “bone rooms” of the Smithsonian, a scientific revolution was unfolding that would change our understanding of the human body, race, and prehistory. Seeking evidence to support new theories of racial classification, collectors embarked on a global competition to recover the best specimens of skeletons, mummies, and fossils. As the study of these discoveries discredited racial theory, new ideas emerging in the budding field of anthropology displaced race as the main motive for building bone rooms. Today, as a new generation seeks to learn about the indigenous past, momentum is building to return objects of spiritual significance to native peoples. “A beautifully written, meticulously documented analysis of [this] little-known history.” —Brian Fagan, Current World Archeology “How did our museums become great storehouses of human remains? Bone Rooms chases answers...through shifting ideas about race, anatomy, anthropology, and archaeology and helps explain recent ethical standards for the collection and display of human dead.” —Ann Fabian, author of The Skull Collectors “Details the nascent views of racial science that evolved in U.S. natural history, anthropological, and medical museums...Redman effectively portrays the remarkable personalities behind [these debates]...pitting the prickly Aleš Hrdlička at the Smithsonian...against ally-turned-rival Franz Boas at the American Museum of Natural History.” —David Hurst Thomas, Nature
Author: Jonathan Spiro
Publisher: UPNE
ISBN:
Category : History
Languages : en
Pages : 504
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Book Description
A historical rediscovery of one of the heroic founders of the conservation movement who was also one of the most infamous racists in American history
