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Author: Jolanta T. Pekacz
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754651512
Category : Music
Languages : en
Pages : 260
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Book Description
The contributors to this volume challenge the view that biography has little importance for music history, analysis, and criticism. Collectively, they reassert biography's centrality and relevance, and demonstrate biography's potential to speak not only to the crucial questions that music analysis and criticism raise, but also to more general epistemological questions about the nature of music history itself.
Author: Jolanta T. Pekacz
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754651512
Category : Music
Languages : en
Pages : 260
Get Book Here
Book Description
The contributors to this volume challenge the view that biography has little importance for music history, analysis, and criticism. Collectively, they reassert biography's centrality and relevance, and demonstrate biography's potential to speak not only to the crucial questions that music analysis and criticism raise, but also to more general epistemological questions about the nature of music history itself.
Author: David A. Jasen
Publisher: Courier Corporation
ISBN: 0486144577
Category : Music
Languages : en
Pages : 386
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Book Description
Definitive history traces the genre's growth and diversification from its 19th-century origins through its heyday and modern revival. Discusses 48 major composers and 800 rags. More than 100 photos.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 566
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Book Description
Author: William Lines Hubbard
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 578
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Book Description
Author: Jerry Grillo
Publisher: University of Georgia Press
ISBN: 0820358495
Category : Biography & Autobiography
Languages : en
Pages : 238
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Book Description
Col. Bruce Hampton was a charismatic musical figure who launched and continued to influence the jam band genre over his fifty-plus years performing. Part bandleader, soul singer, storyteller, conjuror, poet, preacher, comedian, philosopher, and trickster, Col. Bruce actively sought out and dealt in the weird, wild underbelly of the American South. The Music and Mythocracy of Col. Bruce Hampton is neither a true biography in the Boswellian sense nor a work of cultural studies, although it combines elements of both. Even as biographer Jerry Grillo has investigated and pursued the facts, this life history of Col. Bruce reads like a novel—one full of amazing tales of a musical life lived on and off the road. Grillo’s interviews with Hampton and his bandmates, family, friends, and fans paint a fascinating portrait of an artist who fostered some of the best music ever played in America. Grillo aims not so much to document and demystify the self-mythologizing performer as to explain why his fans and friends loved him so dearly. Hampton’s family history, his place in Atlanta and southeastern musical history, his significant friendships and musical relationships, and the controversies over personnel in his Hampton Grease Band over the years are all discussed. What emerges is a portrait of a P. T. Barnum of the musical world, but one who included his audience and invited them through the tent door to share his inside joke, with plenty of joy to go around.
Author: William Lines Hubbard
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 570
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Book Description
Author: Jolanta T. Pekacz
Publisher: Routledge
ISBN: 1351556967
Category : Music
Languages : en
Pages : 245
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Book Description
Musical biography has rarely been an object of theoretical and methodological reflection. Our present-day perception of the lives of prominent composers and performers of the past has been largely formed by cultural and political assumptions of nineteenth-century biographers and their twentieth-century followers. While older biographies are being scrutinized for veracity and 'updated' with new evidence, their historiographical premisses and narrative techniques remain largely unchallenged. The epistemological upheavals in the humanities since the 1960s have generated a body of theoretical thought that has undermined many of the assumptions of traditional biography. Consequently, many of these assumptions have lost their hold as viable underpinnings for present-day scholarly biography. For example, the accumulation of facts is no longer believed to bring us closer to an understanding of the subject; nor are the traditional views of the unified self and the self as a foundational idea taken for granted. This volume brings together musicologists and historians who explore, through individual case studies, the rich potential of these new theories for writing musical lives. The authors of this volume examine how the insights provided by these theories illuminate our critical reassessment of older biographies - and the interpretations of musical works these biographies were used to construe - and help forge new approaches to musical biography. The authors also explore the functions musical biographies served in different historical contexts, the relevance of biography for musical criticism, the reliability of archival evidence, the ethics of biography, the demands placed on biography by feminist and gender history, and the new possibilities offered by cinema. The contributors to this volume challenge the view that biography has little importance for music history, analysis, and criticism. Collectively, they reassert biography's centrality and relevance, and dem
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 706
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Book Description
Author: Rosemary Golding
Publisher: Taylor & Francis
ISBN: 100056438X
Category : History
Languages : en
Pages : 418
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Book Description
This volume of primary source material examines music and British national identity during the ninteenth century. Sources explore the reception of British music, continental and other foreign music, English, Scottish, Welsh and Irish music, and Empire. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.
Author: Ian Taylor
Publisher: Cambridge University Press
ISBN: 0521896096
Category : Music
Languages : en
Pages : 223
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Book Description
Taylor questions the widely held belief that the turn of the nineteenth century marked a 'dark age' of musical performance.
