Author: Luis Campos
Publisher: Cambridge Scholars Publishing
ISBN: 1527562018
Category : Music
Languages : en
Pages : 301
Book Description
Performance by its very nature embraces many constituents, the theories of which have developed into discreet disciplines as on-going research deepens our understanding and knowledge of each one of them. Concomitantly, there continues to grow a greater interlinking, fusion and blurring of discreet boundaries between traditional genres – features highlighted in the seventeen papers presented here. Topics explored in this volume include: the intermedial performance of the Irrepressibles and electronically controlled sounds on the concert platform; the ways in which the physical body dictates movement and character and how the embodiment of the voice goes beyond character stereotypes; how Romeo Catellucci legitimized the audience’s gaze whilst staging brain-damaged patients; interculturalism in a new operatic work focusing on the current Israeli-Palestinian crisis; interrogating transgenerational depictions of Otherness in the Rocky Horror Show; musical speech in Iannis Xenakis’ reworking of ancient Greek in his Oresteia; genre conflation in terms of unaccompanied monodrama; trans-genre adaptation in Strauss’s Der Rosenkavalier and Philip Glass’s “Cocteau trilogy”; and textual and musical comedy in Ligeti’s Le Grand Macabre, among others.
Music on Stage Volume 2
Author: Luis Campos
Publisher: Cambridge Scholars Publishing
ISBN: 1527562018
Category : Music
Languages : en
Pages : 301
Book Description
Performance by its very nature embraces many constituents, the theories of which have developed into discreet disciplines as on-going research deepens our understanding and knowledge of each one of them. Concomitantly, there continues to grow a greater interlinking, fusion and blurring of discreet boundaries between traditional genres – features highlighted in the seventeen papers presented here. Topics explored in this volume include: the intermedial performance of the Irrepressibles and electronically controlled sounds on the concert platform; the ways in which the physical body dictates movement and character and how the embodiment of the voice goes beyond character stereotypes; how Romeo Catellucci legitimized the audience’s gaze whilst staging brain-damaged patients; interculturalism in a new operatic work focusing on the current Israeli-Palestinian crisis; interrogating transgenerational depictions of Otherness in the Rocky Horror Show; musical speech in Iannis Xenakis’ reworking of ancient Greek in his Oresteia; genre conflation in terms of unaccompanied monodrama; trans-genre adaptation in Strauss’s Der Rosenkavalier and Philip Glass’s “Cocteau trilogy”; and textual and musical comedy in Ligeti’s Le Grand Macabre, among others.
Publisher: Cambridge Scholars Publishing
ISBN: 1527562018
Category : Music
Languages : en
Pages : 301
Book Description
Performance by its very nature embraces many constituents, the theories of which have developed into discreet disciplines as on-going research deepens our understanding and knowledge of each one of them. Concomitantly, there continues to grow a greater interlinking, fusion and blurring of discreet boundaries between traditional genres – features highlighted in the seventeen papers presented here. Topics explored in this volume include: the intermedial performance of the Irrepressibles and electronically controlled sounds on the concert platform; the ways in which the physical body dictates movement and character and how the embodiment of the voice goes beyond character stereotypes; how Romeo Catellucci legitimized the audience’s gaze whilst staging brain-damaged patients; interculturalism in a new operatic work focusing on the current Israeli-Palestinian crisis; interrogating transgenerational depictions of Otherness in the Rocky Horror Show; musical speech in Iannis Xenakis’ reworking of ancient Greek in his Oresteia; genre conflation in terms of unaccompanied monodrama; trans-genre adaptation in Strauss’s Der Rosenkavalier and Philip Glass’s “Cocteau trilogy”; and textual and musical comedy in Ligeti’s Le Grand Macabre, among others.
I Can Read Music, Volume 2
Author: Joanne Martin
Publisher: Alfred Music
ISBN: 9781457402470
Category : Music
Languages : en
Pages : 112
Book Description
These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method®, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.
Publisher: Alfred Music
ISBN: 9781457402470
Category : Music
Languages : en
Pages : 112
Book Description
These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method®, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.
I Can Read Music, Volume 1
Author: Joanne Martin
Publisher: Alfred Music
ISBN: 1457402661
Category : Music
Languages : en
Pages : 105
Book Description
These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method®, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.
Publisher: Alfred Music
ISBN: 1457402661
Category : Music
Languages : en
Pages : 105
Book Description
These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method®, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.
Tom Jackson's Live Music Method
Author: Tom Jackson (producer.)
Publisher:
ISBN: 9781936417681
Category : Music
Languages : en
Pages : 442
Book Description
Publisher:
ISBN: 9781936417681
Category : Music
Languages : en
Pages : 442
Book Description
Music on the Move
Author: Danielle Fosler-Lussier
Publisher: University of Michigan Press
ISBN: 0472126784
Category : Music
Languages : en
Pages : 323
Book Description
A dynamic multimedia introduction to the global connections among peoples and their music
Publisher: University of Michigan Press
ISBN: 0472126784
Category : Music
Languages : en
Pages : 323
Book Description
A dynamic multimedia introduction to the global connections among peoples and their music
Music on Stage Volume III
Author: Fiona Jane Schopf
Publisher: Cambridge Scholars Publishing
ISBN: 152752695X
Category : Music
Languages : en
Pages : 244
Book Description
The Music on Stage conferences are a unique engine for interdisciplinary interaction, which is reflected in this compendium of the latest research by international scholars. Scholars and practitioners of operas by Handel, Mozart, Thomas, Chabrier, Korngold and Taktakishvili will find new “readings” from hitherto unexplored contexts and contemporary fine art. Also discussed is operatic lighting and the problematics of traditional lighting schemes apropos recent inventive methodologies. Popular sound development of the late 1960s is highlighted through unique oral transcripts. Other chapters discuss the intermediality of music and social media in the work of Brigitta Muntendorf; the visual transcoding of Wagner’s leitmotif technique; a new theory of Affektenlehre, and the art and politics of the Slovenian conceptual music collective Laibach.
Publisher: Cambridge Scholars Publishing
ISBN: 152752695X
Category : Music
Languages : en
Pages : 244
Book Description
The Music on Stage conferences are a unique engine for interdisciplinary interaction, which is reflected in this compendium of the latest research by international scholars. Scholars and practitioners of operas by Handel, Mozart, Thomas, Chabrier, Korngold and Taktakishvili will find new “readings” from hitherto unexplored contexts and contemporary fine art. Also discussed is operatic lighting and the problematics of traditional lighting schemes apropos recent inventive methodologies. Popular sound development of the late 1960s is highlighted through unique oral transcripts. Other chapters discuss the intermediality of music and social media in the work of Brigitta Muntendorf; the visual transcoding of Wagner’s leitmotif technique; a new theory of Affektenlehre, and the art and politics of the Slovenian conceptual music collective Laibach.
Music in a Word Volume 2
Author: Ira A Robbins
Publisher: Trouser Press Books
ISBN: 9780984253982
Category :
Languages : en
Pages : 470
Book Description
The second volume of veteran rock critic Ira Robbins' anthology-and-memoir Music in a Word trilogy compiles his extensive writing about nine artists: The Who, Cheap Trick, Ramones, Nirvana, Clash, Kinks, Elvis Costello, Keith Richards and the Replacements. This large-format paperback includes features, reviews and previously unpublished interviews as well as commentary and memories from a half-century of writing about popular music. Illustrated with images from the author's collection.
Publisher: Trouser Press Books
ISBN: 9780984253982
Category :
Languages : en
Pages : 470
Book Description
The second volume of veteran rock critic Ira Robbins' anthology-and-memoir Music in a Word trilogy compiles his extensive writing about nine artists: The Who, Cheap Trick, Ramones, Nirvana, Clash, Kinks, Elvis Costello, Keith Richards and the Replacements. This large-format paperback includes features, reviews and previously unpublished interviews as well as commentary and memories from a half-century of writing about popular music. Illustrated with images from the author's collection.
Alfred's Basic Guitar Method, Book 5
Author: Alfred d'Auberge
Publisher: Alfred Music
ISBN: 9781457431388
Category : Music
Languages : en
Pages : 44
Book Description
Alfred's Basic Guitar Method has expanded into a library, including theory, chord study, play-alongs and more. This best-selling method teaches the basics in a logical sequence, with concise and complete information that is easily accessible to students. Numerous chord diagrams and fingering photos help students quickly learn how to read music and play chords. Exciting music arranged in pop, rock, blues, country and folk styles makes learning to play the guitar an enjoyable and life-long reward.
Publisher: Alfred Music
ISBN: 9781457431388
Category : Music
Languages : en
Pages : 44
Book Description
Alfred's Basic Guitar Method has expanded into a library, including theory, chord study, play-alongs and more. This best-selling method teaches the basics in a logical sequence, with concise and complete information that is easily accessible to students. Numerous chord diagrams and fingering photos help students quickly learn how to read music and play chords. Exciting music arranged in pop, rock, blues, country and folk styles makes learning to play the guitar an enjoyable and life-long reward.
Kabuki Plays on Stage. Volume 2
Author: James R. Brandon
Publisher: University of Hawaii Press
ISBN: 0824846281
Category : Performing Arts
Languages : en
Pages : 427
Book Description
Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances.
Publisher: University of Hawaii Press
ISBN: 0824846281
Category : Performing Arts
Languages : en
Pages : 427
Book Description
Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances.
The London Stage: vol. 2
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 668
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 668
Book Description