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Author: Stanley C. Pelkey
Publisher: Oxford University Press, USA
ISBN: 019993617X
Category : Music
Languages : en
Pages : 321
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Book Description
"In this collection, contributors employ diverse critical methods and perspectives to explore the role of music in American film and television of the 1950s and 1960s, as well as in films from more recent years that allude to, reflect back upon, or recreate those decades. Particular attention is given to uncovering how motion picture culture and its music treated anxieties about suburbanization, conformity, the family, and gender" -- Provided by publisher.
Author: James Wierzbicki
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: James Wierzbicki
Publisher: University of Illinois Press
ISBN: 0252098277
Category : Music
Languages : en
Pages : 313
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Book Description
Derided for its conformity and consumerism, 1950s America paid a price in anxiety. Prosperity existed under the shadow of a mushroom cloud. Optimism wore a Bucky Beaver smile that masked worry over threats at home and abroad. But even dread could not quell the revolutionary changes taking place in virtually every form of mainstream music. Music historian James Wierzbicki sheds light on how the Fifties' pervasive moods affected its sounds. Moving across genres established--pop, country, opera--and transfigured--experimental, rock, jazz--Wierzbicki delves into the social dynamics that caused forms to emerge or recede, thrive or fade away. Red scares and white flight, sexual politics and racial tensions, technological progress and demographic upheaval--the influence of each rooted the music of this volatile period to its specific place and time. Yet Wierzbicki also reveals the host of underlying connections linking that most apprehensive of times to our own uneasy present.
Author: Stanley C. Pelkey
Publisher: Oxford University Press, USA
ISBN: 019993617X
Category : Music
Languages : en
Pages : 321
Get Book Here
Book Description
"In this collection, contributors employ diverse critical methods and perspectives to explore the role of music in American film and television of the 1950s and 1960s, as well as in films from more recent years that allude to, reflect back upon, or recreate those decades. Particular attention is given to uncovering how motion picture culture and its music treated anxieties about suburbanization, conformity, the family, and gender" -- Provided by publisher.
Author: James Wierzbicki
Publisher: University of Illinois Press
ISBN: 9780252081569
Category : Music
Languages : en
Pages : 0
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Book Description
Derided for its conformity and consumerism, 1950s America paid a price in anxiety. Prosperity existed under the shadow of a mushroom cloud. Optimism wore a Bucky Beaver smile that masked worry over threats at home and abroad. But even dread could not quell the revolutionary changes taking place in virtually every form of mainstream music. Music historian James Wierzbicki sheds light on how the Fifties' pervasive moods affected its sounds. Moving across genres established--pop, country, opera--and transfigured--experimental, rock, jazz--Wierzbicki delves into the social dynamics that caused forms to emerge or recede, thrive or fade away. Red scares and white flight, sexual politics and racial tensions, technological progress and demographic upheaval--the influence of each rooted the music of this volatile period to its specific place and time. Yet Wierzbicki also reveals the host of underlying connections linking that most apprehensive of times to our own uneasy present.
Author: James Wierzbicki
Publisher: Springer Nature
ISBN: 3030966941
Category : History
Languages : en
Pages : 300
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Book Description
This book examines the American Sixties, and how that period’s socio-political essence was reflected and refracted in certain forms of the period’s music. Its five main chapters bear the names of familiar musical categories: ’Folk,’ ‘Rock,’ ‘Jazz,’ ‘Avant-Garde,’ ‘Classical.’ But the book’s real subject matter—treated at length in the Prologue and the Epilogue but spread throughout all that comes between—is the Sixties’ tangled mess of hopes and frustrations, of hungers as much for self-identity as for self-indulgence, of crises of conscience that bothered Americans of almost all ages and regardless of political persuasion.
Author: Steve Fishell
Publisher: University of Illinois Press
ISBN: 0252053729
Category : Music
Languages : en
Pages : 209
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Book Description
A No Depression Most Memorable Music Book of 2022 The acknowledged maestro of the pedal steel guitar, Buddy Emmons lent his unparalleled virtuosity to over five decades of hit recordings and set standards that remain the benchmark for musicians today. Steve Fishell’s merger of biography and memoir draws extensively on in-depth interviews with Emmons and the artist's autobiographical writings. Emmons went from playing strip clubs to a Grand Ole Opry debut with Little Jimmy Dickens at age 18. His restless experimentation led to work with Ernest Tubb and Ray Price--and established him in a career that saw him play alongside a who’s who of American music. Fishell weaves in stories and anecdotes from Willie Nelson, Brenda Lee, Linda Ronstadt, Pat Martino, and many others to provide a fascinating musical and personal portrait of an innovator whose peerless playing and countless recordings recognized no boundaries. A one-of-a-kind life story, Buddy Emmons expands our view of a groundbreaking artist and his impact on country music, jazz, and beyond.
Author: Howard Pollack
Publisher: University of Illinois Press
ISBN: 0252054059
Category : Music
Languages : en
Pages : 565
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Book Description
A pivotal twentieth-century composer, Samuel Barber earned a long list of honors and accolades that included two Pulitzer Prizes for Music and the public support of conductors like Arturo Toscanini, Serge Koussevitzky, and Leonard Bernstein. Barber’s works have since become standard concert repertoire and continue to flourish across high art and popular culture. Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber’s life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber’s path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music’s commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber’s encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer’s decades-long relationship with the renowned opera composer Gian Carlo Menotti. Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.
Author: Bob Black
Publisher: University of Illinois Press
ISBN: 025205332X
Category : Music
Languages : en
Pages : 223
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Book Description
A No Depression Most Memorable Music Book of 2022 Roland White’s long career has taken him from membership in Bill Monroe’s Blue Grass Boys and Lester Flatt’s Nashville Grass to success with his own Roland White Band. A master of the mandolin and acclaimed multi-instrumentalist, White has mentored a host of bluegrass musicians and inspired countless others. Bob Black draws on extensive interviews with White and his peers and friends to provide the first in-depth biography of the pioneering bluegrass figure. Born into a musical family, White found early success with the Kentucky Colonels during the 1960s folk revival. The many stops and collaborations that marked White's subsequent musical journey trace the history of modern bluegrass. But Black also delves into the seldom-told tale of White's life as a working musician, one who endured professional and music industry ups-and-downs to become a legendary artist and beloved teacher. An entertaining merger of memories and music history, Mandolin Man tells the overdue story of a bluegrass icon and his times.
Author: William Anthony Sheppard
Publisher: Oxford University Press, USA
ISBN: 0190072709
Category : Music
Languages : en
Pages : 641
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Book Description
To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies--of both desire and repulsion--through which Japanese culture has profoundly impacted the arts and industry of the U.S. While the influence of Japan on American and European painting, architecture, design, theater, and literature has been celebrated in numerous books and exhibitions, the role of music has been virtually ignored until now. W. Anthony Sheppard's Extreme Exoticism offers a detailed documentation and wide-ranging investigation of music's role in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. Presenting numerous American encounters with and representations of Japanese music and Japan, this book reveals how music functions in exotic representation across a variety of genres and media, and how Japanese music has at various times served as a sign of modernist experimentation, a sounding board for defining American music, and a tool for reshaping conceptions of race and gender. From the Tin Pan Alley songs of the Russo-Japanese war period to Weezer's Pinkerton album, music has continued to inscribe Japan as the land of extreme exoticism.
Author: Shayna L. Maskell
Publisher: University of Illinois Press
ISBN: 0252053125
Category : Music
Languages : en
Pages : 164
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Book Description
Uncompromising and innovative, hardcore punk in Washington, DC, birthed a new sound and nurtured a vibrant subculture aimed at a specific segment of the city's youth. Shayna L. Maskell explores DC's hardcore scene during its short but storied peak. Led by bands like Bad Brains and Minor Threat, hardcore in the nation's capital unleashed music as angry and loud as it was fast and minimalistic. Maskell examines the music's aesthetics and the unique impact of DC's sociopolitical realities on the sound and the scene that emerged. As she shows, aspects of the music's structure merged with how bands performed it to put across distinctive representations of race, class, and gender. But those representations could be as complicated and contradictory as they were explicit. A fascinating analysis of a punk rock hotbed, Politics as Sound tells the story of how a generation created music that produced--and resisted--politics and power.
