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Author: John Arthur Smith
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409409076
Category : Music
Languages : en
Pages : 302
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Book Description
John Arthur Smith presents the first full-length study of music among the ancient Israelites, the ancient Jews and the early Christians in the Mediterranean lands during the period from 1000 BCE to 400 CE. He considers the physical, religious and social setting of the music, and how the music was performed. The book serves as a reliable introduction as well as being an invaluable guide through one of the most complex periods of music history.
Author: John Arthur Smith
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409409076
Category : Music
Languages : en
Pages : 302
Get Book Here
Book Description
John Arthur Smith presents the first full-length study of music among the ancient Israelites, the ancient Jews and the early Christians in the Mediterranean lands during the period from 1000 BCE to 400 CE. He considers the physical, religious and social setting of the music, and how the music was performed. The book serves as a reliable introduction as well as being an invaluable guide through one of the most complex periods of music history.
Author: John Arthur Smith
Publisher: Routledge
ISBN: 1317091930
Category : Music
Languages : en
Pages : 294
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Book Description
In Music in Ancient Judaism and Early Christianity, John Arthur Smith presents the first full-length study of music among the ancient Israelites, the ancient Jews and the early Christians in the Mediterranean lands during the period from 1000 BCE to 400 CE. He considers the physical, religious and social setting of the music, and how the music was performed. The extent to which early Christian music may have retained elements of the musical tradition of Judaism is also considered. After reviewing the subject's historical setting, and describing the main sources, the author discusses music at the Jerusalem Temple and in a variety of spheres of Jewish life away from it. His subsequent discussion of early Christian music covers music in private devotion, monasticism, the Eucharist, and gnostic literature. He concludes with an examination of the question of the relationship between Jewish and early Christian music, and a consideration of the musical environments that are likely to have influenced the formation of the earliest Christian chant. The scant remains of notated music from the period are discussed and placed in their respective contexts. The numerous sources that are the foundation of the book are evaluated objectively and critically in the light of modern scholarship. Due attention is given to where their limitations lie, and to what they cannot tell us as well as to what they can. The book serves as a reliable introduction as well as being an invaluable guide through one of the most complex periods of music history.
Author: George W. E. Nickelsburg
Publisher: Fortress Press
ISBN: 9781451408485
Category : Religion
Languages : en
Pages : 288
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Book Description
In the nineteenth and first half of the twentieth century, Christian scholars portrayed Judaism as the dark religious backdrop to the liberating events of Jesus' life and the rise of the early church. Since the 1950s, however, a dramatic shift has occurred in the study of Judaism, driven by new manuscript and archaeological discoveries and new methods and tools for analyzing sources. George Nickelsburg here provides a broad and synthesizing picture of the results of the past fifty years of scholarship on early Judaism and Christianity. He organizes his discussion around a number of traditional topics: scripture and tradition, Torah and the righteous life, God's activity on humanity's behalf, agents of God's activity, eschatology, historical circumstances, and social settings. Each of the chapters discusses the findings of contemporary research on early Judaism, and then sketches the implications of this research for a possible reinter-pretation of Christianity. Still, in the author's view, there remains a major Jewish-Christian agenda yet to be developed and implemented.
Author: Andrew B. McGowan
Publisher: Baker Academic
ISBN: 1441246312
Category : Religion
Languages : en
Pages : 466
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Book Description
An Important Study on the Worship of the Early Church This introduction to the origins of Christian worship illuminates the importance of ancient liturgical patterns for contemporary Christian practice. Andrew McGowan takes a fresh approach to understanding how Christians came to worship in the distinctive forms still familiar today. Deftly and expertly processing the bewildering complexity of the ancient sources into lucid, fluent exposition, he sets aside common misperceptions to explore the roots of Christian ritual practices--including the Eucharist, baptism, communal prayer, preaching, Scripture reading, and music--in their earliest recoverable settings. Now in paper.
Author: Lisa Spriggens
Publisher: Wipf and Stock Publishers
ISBN: 1725276410
Category : Religion
Languages : en
Pages : 246
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Book Description
The integration of theology and social vocation invites scholars and practitioners to reach outside their discipline and into relationship with others. Out of these relationships new ways of enacting faith and informing practice can emerge. This book brings together a collection of essays engaging with the integration of theology and social vocation. Designed to reflect and invite dialogue, these authors engage with the relationship between faith and practice as it is expressed in their own area of interest and speciality. Arranged in five themed dialogues--wellbeing, formation, hospitality, therapy, and theology--each essay reflects the unique dynamics of its author's integrative process and offers something new to the ongoing conversation between theology and social vocation. This set of essays will be of interest to practitioners and students concerned to infuse their faith with their practice of vocation, to develop a practicing faith.
Author:
Publisher: BRILL
ISBN: 9004522050
Category : Religion
Languages : en
Pages : 626
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Book Description
Open Access for this publication was made possible by a generous donation from Segelbergska stiftelsen för liturgivetenskaplig forskning (The Segelbergska Foundation for Research in Liturgical Studies). In a seminal study, Cur cantatur?, Anders Ekenberg examined Carolingian sources for explanations of why the liturgy was sung, rather than spoken. This multidisciplinary volume takes up Ekenberg’s question anew, investigating the interplay of New Testament writings, sacred spaces, biblical interpretation, and reception history of liturgical practices and traditions. Analyses of Greek, Latin, Coptic, Arabic, and Gǝʿǝz sources, as well as of archaeological and epigraphic evidence, illuminate an array of topics, including recent trends in liturgical studies; manuscript variants and liturgical praxis; Ignatius of Antioch’s choral metaphor; baptism in ancient Christian apocrypha; and the significance of late ancient altar veils.
Author: Amy Whisenand Krall
Publisher: BRILL
ISBN: 9004682538
Category : Religion
Languages : en
Pages : 296
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Book Description
The letter to the Colossians contains a series of moral instructions in Colossians 3:12-17 and includes the admonition to "sing" among them. This study considers how music-making (specifically singing) supports moral formation according to the letter to the Colossians. Studies in ethnomusicology, anthropology of the voice, and music psychology offer useful frameworks for conceptualizing how a social practice like music-making forms participants into a community and shapes how they know themselves, their community, and the world. With the aid of these frameworks, we find that the singing in Colossians 3:16, as a corporate, vocal practice of music-making, enables the members of the church community to inhabit the story of reconciliation found in the Christ Hymn (Col 1:15-20).
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
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Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author: Risto Uro
Publisher:
ISBN: 019874787X
Category : Religion
Languages : en
Pages : 753
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Book Description
The Handbook provides an indispensable account of the ritual world of early Christianity from the beginning of the movement up to the end of the sixth century.
Author: Ayana O. Smith
Publisher: Taylor & Francis
ISBN: 1000991016
Category : Music
Languages : en
Pages : 122
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Book Description
Inclusive Music Histories: Leading Change through Research and Pedagogy models effective practices for researchers and instructors striving either to reform music history curricula at large or update individual topics within their classes to be more inclusive. Confronting racial and other imbalances of Western music history, the author develops four core principles that enable a shift in thinking to create a truly intersectional music history narrative and provides case studies that can be directly applied in the classroom. The book addresses inclusivity issues in the discipline of musicology by outlining imbalances encoded into the canonic repertory, pedagogy, and historiography of the field. This book offers comprehensive teaching tools that instructors can use at all stages of course design, from syllabus writing and lecture planning to discussion techniques, with assignments for each of the subject matter case studies. Inclusive Music Histories enables instructors to go beyond token representation to a more nuanced music history pedagogy.
