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Author: Jason Paras
Publisher: Indiana University Press
ISBN: 9780253388247
Category : Music
Languages : en
Pages : 256
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Book Description
The term "viola bastarda" refers to both an instrument and a style of playing that is one of the crowning achievements of musical mannerism. The Italian repertory for the solo viola da gamba in the 16th and early 17th centuries was largely music played "alla bastarda," an art of performance in which a polyphonic composition is transformed into a single melodic line derived from the original parts and spanning their ranges. Jason Paras has traced the development of the "viola bastarda" and has assembled and transcribed 46 peices in this genre. The music in his collection is a rich and fascinating repertory that is rarely heard today. This anthology is an invitation to present-day players to recreate the improvisation practice of the 16th and 17th centuries in ways not fully disclosed by ornamentation manuals of that time.
Author: Jason Paras
Publisher: Indiana University Press
ISBN: 9780253388247
Category : Music
Languages : en
Pages : 256
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Book Description
The term "viola bastarda" refers to both an instrument and a style of playing that is one of the crowning achievements of musical mannerism. The Italian repertory for the solo viola da gamba in the 16th and early 17th centuries was largely music played "alla bastarda," an art of performance in which a polyphonic composition is transformed into a single melodic line derived from the original parts and spanning their ranges. Jason Paras has traced the development of the "viola bastarda" and has assembled and transcribed 46 peices in this genre. The music in his collection is a rich and fascinating repertory that is rarely heard today. This anthology is an invitation to present-day players to recreate the improvisation practice of the 16th and 17th centuries in ways not fully disclosed by ornamentation manuals of that time.
Author: Jason Paras
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 572
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Book Description
Author: Viola da Gamba Society of America
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 68
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Book Description
Author: Susan Orlando
Publisher: Presses Univ. Limoges
ISBN: 9782950934253
Category : Musical instruments in art
Languages : en
Pages : 226
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Book Description
Author: Bettina Hoffmann
Publisher: Routledge
ISBN: 1315284235
Category : Music
Languages : en
Pages : 355
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Book Description
The viola da gamba was a central instrument in European music from the late 15th century well into the late 18th. In this comprehensive study, Bettina Hoffmann offers both an introduction to the instrument -- its construction, technique and history -- for the non-specialist, interweaving this information with a wealth of original archival scholarship that experts will relish. The book begins with a description of the instrument, and here Hoffmann grapples with the complexity of various names applied to this and related instruments. Following two chapters on the instrument's construction and ancestry, the core of the book is given to a historical and geographical survey of the instrument from its origins into the classical period. The book closes with a look at the revival of interest in the 19th and 20th centuries.
Author: Ian Woodfield
Publisher: Cambridge University Press
ISBN: 9780521357432
Category : Music
Languages : en
Pages : 290
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Book Description
This book traces the development of the viol from its late medieval Spanish origins to the sixteenth century, when it became the most widely played bowed instrument in western Europe. Ian Woodfield examines the two most important ancestors of the instrument, the Moorish rahab and the vihuela de mano. From these two instruments emerged an early form of viol, the Valencian vihuela de arco, which spread rapidly across the Mediterranean during the papacy of Rodrigo Borgia. The viol was enthusiastically accepted by the d'Este and Gonzaga families and other Italian arbiters before migrating across the Alps and into the rest of Europe. The author discusses all aspects of the viol during its Renaissance hey-day: the growing perfection of viol design at the hands of Italian craftsmen; the gradual evolution of tuning systems; the development of advanced playing techniques and the wide range of music, both solo and consort. The final chapter examines the growth of a viol playing tradition in sixteenth-century England, in particular in the London choir-schools. Dr Woodfield brings iconographic evidence and an interesting approach to this study which will be of interest to musicologists, iconographers, organologists and viol players.
Author: Robert Dolejší
Publisher: Springer Science & Business Media
ISBN: 1468478389
Category : Music
Languages : en
Pages : 211
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Book Description
HE playing of die viola has been one of the sadly neglected arts. This is all the more incredible T when we realize, as we all do today, that the instrument with its rich, mellow tone should always have been regarded as one of the most ideally gratifying mediums of musical expression when played by the accomplished artist. The insignificant position that the viola had occupied in the field of solo instru ments in the past undoubtedly was responsible for the apparent neglect in its artistic exploitation to such a degree that in nearly every symphony orchestra throughout the world the viola section (with the none tor-frequent exception of the principal player) was composed of cast-offs from the second violins, who, al ready too old to perform satisfactorily on their respective instruments, were relegated to pass their remain ing years of service playing viola. Happily, we have a different picture of the orchestral viola sections in most of our modern symphonic bodies today. Virile young players are adopting the viola as their major instrument, and that sly, well known German sobriquet, Pensions-instrument, surely is deserved no longer. The viola should be studied and played by young artists who especially adapt themselves to the serious presentation of the instrument as aseparate and independent medium of expression, which requires fully as much intelligent, conscientious, and diligent application to achieve noteworthy results as any orches tral instrument.
Author: British Museum. Department of Manuscripts
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 592
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Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 2002
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Book Description
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1924
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Book Description
