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Author: Colin Timms
Publisher: Taylor & Francis
ISBN: 1003860079
Category : Music
Languages : en
Pages : 117
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Book Description
This book establishes the cultural background to the productions of Milton’s Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel’s visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl’s purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl’s interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl’s productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.
Author: Colin Timms
Publisher: Taylor & Francis
ISBN: 1003860079
Category : Music
Languages : en
Pages : 117
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Book Description
This book establishes the cultural background to the productions of Milton’s Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel’s visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl’s purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl’s interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl’s productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.
Author: Colin Timms
Publisher:
ISBN: 9781032627854
Category : Music
Languages : en
Pages : 0
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Book Description
"This book establishes the cultural background to the productions of Milton's Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel's visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers, that provide evidence of the Earl's purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl's interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl's productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England"--
Author: J. P. E. Harper-Scott
Publisher: Taylor & Francis
ISBN: 1003861415
Category : Music
Languages : en
Pages : 99
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Book Description
This book is a music-theoretical and critical-theoretical study of late tonal music, and, in particular, of the music of Wagner’s Götterdämmerung. First, in terms of music theory, it proposes a new theory of tonal function that returns to the theories of Hugo Riemann to rediscover a development of his thought that has been covered over by the recent project of neo-Riemannian theory. Second, in terms of its philosophical approach, it reawakens the critical-theoretical examination of the relation between music and the late capitalist society that is sedimented in the musical materials themselves, and which the music, in turn, subjects to aesthetically embodied critique. The music, the theory, and the listeners and critics who respond to them are all radically reimagined. This book will be of interest to professional music theorists, undergraduates, and technically inclined musicians and listeners, that is, anyone who is fascinated by the chromatic magic of late-nineteenth-century music.
Author: Roger Fiske
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 726
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Book Description
On the first edition: "Written with style and wit; it is consistently entertaining, as such monumental surveys rarely manage to be."--Musical Quarterly. "First class."--Times Literary Supplement. From pantomime to opera, this revised edition discusses all the dramatic genres of the 18th-century English theater.
Author: Margaret R. Butler
Publisher: Eastman Studies in Music
ISBN: 1580469019
Category : Drama
Languages : en
Pages : 198
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Book Description
How do you create a style of opera that speaks to everyone, when no one agrees on what it should say -- or how?
Author: Shirley Strum Kenny
Publisher: Associated University Presses
ISBN: 9780918016652
Category : Arts
Languages : en
Pages : 322
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Book Description
Fifteen outstanding scholars of theater, music, art, and literature explore the interrelations of eighteenth-century British theater and the various art forms that it incorporated into itself. The essays examine the theater's increasing reliance on set designers, costumers, musicians and composers, poets, dramatists, and librettists, focusing on the ways in which this dependence fundamentally changed the theater. Illustrated.
Author:
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 952
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Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 1208
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ISBN:
Category : Radio addresses, debates, etc
Languages : en
Pages : 1566
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Author: Bolton (England). Public Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 52
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