Museums & Urban Culture in West Africa PDF Download
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Author: Alexis Adandé
Publisher: James Currey
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Author: Alexis Adandé
Publisher: James Currey
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Author: Constantine Petridis
Publisher: Art Institute of Chicago
ISBN: 9780300260045
Category : Art
Languages : en
Pages : 356
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Book Description
This ambitious publication centers indigenous perspectives on traditional artworks from Africa by focusing on the judgments and vocabularies of members of the communities who created and used them. It explores cross-cultural affinities spanning the African continent while respecting local contexts; it also documents an exhibition that is extraordinary in scope and scale. The project's overriding goal is to reconsider Western evaluations of these arts in both aesthetic and financial terms. The volume features nearly 300 works from collections around the world and from the important holdings of the Art Institute of Chicago. Although it emphasizes the sculptural legacy of sub-Saharan cultures from West and Central Africa, it also includes examples of artistic traditions associated with eastern and southern Africa as well as textiles and objects designed for domestic, ritual, and decorative functions.00Exhibition: Kimbell Art Museum, Fort Worth, TX, USA (03.04. - 31.07.2022) / Art Institute of Chicago, USA (20.11.2022 - 27.02.2023).
Author: Kathleen Bickford Berzock
Publisher: Princeton University Press
ISBN: 069118268X
Category : Art
Languages : en
Pages : 313
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Book Description
Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.
Author: Raymond Silverman
Publisher: Routledge
ISBN: 1000428648
Category : Art
Languages : en
Pages : 284
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Book Description
National Museums in Africa brings the voices of African museum professionals into dialogue with scholars and, by so doing, is able to consider the state of African national museums from fresh perspectives. Covering all regions of the continent, the volume’s thirteen chapters allow for a deep and nuanced understanding of the intricate interplay between past and present in contemporary Africa. Taking stock of the shifting museum landscape in Africa, with new players like China and South Korea challenging the conditions of cultural exchange, the book demonstrates that national museums are being rediscovered as important sites of political engagement and cultural negotiation. This is the first book to critically examine the roles national museums in Africa have played in the societies in which they are situated, but it is also the first to consider the roles that national museums might play in current debates concerning the restitution and repatriation of cultural patrimony taken from Africa during the colonial era. Informed by a comparative and interdisciplinary perspective, this ground-breaking book will appeal to anyone interested in museums in Africa. It will be particularly useful to scholars and students working in the areas of museum and heritage studies, African studies, anthropology, archaeology, history, art history and cultural studies.
Author: Dan Hicks
Publisher:
ISBN: 9781786806833
Category : BUSINESS & ECONOMICS
Languages : en
Pages : 0
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Book Description
Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.
Author: Iain Chambers
Publisher: Routledge
ISBN: 1317019636
Category : Art
Languages : en
Pages : 274
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Book Description
This book examines how we can conceive of a ’postcolonial museum’ in the contemporary epoch of mass migrations, the internet and digital technologies. The authors consider the museum space, practices and institutions in the light of repressed histories, sounds, voices, images, memories, bodies, expression and cultures. Focusing on the transformation of museums as cultural spaces, rather than physical places, is to propose a living archive formed through creation, participation, production and innovation. The aim is to propose a critical assessment of the museum in the light of those transcultural and global migratory movements that challenge the historical and traditional frames of Occidental thought. This involves a search for new strategies and critical approaches in the fields of museum and heritage studies which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of ’modernity’ in a so-called globalised and multicultural world.
Author: Ruth Craggs
Publisher: Manchester University Press
ISBN: 1784996246
Category : History
Languages : en
Pages : 379
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Book Description
Cultures of decolonisation combines studies of visual, literary and material cultures in order to explore the complexities of the ‘end of empire’ as a process. Where other accounts focus on high politics and constitutional reform, this volume reveals the diverse ways in which cultures contributed to wider political, economic and social change. This book demonstrates the transnational character of decolonisation, thereby illustrating the value of comparison – between different cultural forms and diverse places – in understanding the nature of this wide-reaching geopolitical change. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art and interior design, alongside institutions such as artists’ groups, language agencies and the Royal Mint, across Africa, Asia, the Caribbean and Europe. Offering a range of disciplinary perspectives, these contributions provide revealing case studies for those researching decolonisation across the humanities and social sciences.
Author: Susan Sinclair
Publisher: BRILL
ISBN: 9047412079
Category : Social Science
Languages : en
Pages : 1508
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Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Author: United States. Congress. House. Committee on Education and Labor. Subcommittee on Healthy Families and Communities
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 152
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Book Description
Author: Gabriele Genge
Publisher: transcript Verlag
ISBN: 3839424119
Category : Art
Languages : en
Pages : 325
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Book Description
By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods.
