Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500–1700 PDF Download
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Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 9004694617
Category : Literary Criticism
Languages : en
Pages : 730
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Book Description
This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion. Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.
Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 9004694617
Category : Literary Criticism
Languages : en
Pages : 730
Get Book Here
Book Description
This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion. Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.
Author: Adam Sammut
Publisher: BRILL
ISBN: 9004276386
Category : Art
Languages : en
Pages : 556
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Book Description
This book is about the Dominican church in Antwerp (today St Paul’s). It is structured around three works of art, made or procured by Peter Paul Rubens: the Fifteen Mysteries of the Rosary cycle (in situ), Caravaggio’s Rosary Madonna (Vienna) and the Wrath of Christ high altarpiece (Lyon). Within the artist’s lifetime, the church and monastery were completely rebuilt, creating one of the most spectacular sacred spaces in Northern Europe. In this richly illustrated book, Adam Sammut reconceptualises early modern churches as theatres of political economy, advancing an original approach to cultural production in a time of war. Using methodologies at the cutting edge of the humanities, the place of St Paul’s is restored to the crux of Antwerp’s commercial, civic and religious life.
Author: Ruth Sargent Noyes
Publisher: Taylor & Francis
ISBN: 1040224415
Category : Religion
Languages : en
Pages : 265
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Book Description
This book explores the making of saints’ cults in the early modern world from an interdisciplinary perspective, considering the entangled roles of materiality and globalization processes. It brings together work across diverse media, objects, and materials as well as communities, cultures, and geographies to reframe a more synoptic, materials-centric, and comparative history of the making and remaking of saints’ cults, with a special focus on the long Counter-Reformation. The contributions engage with dynamics of local and universal and draw attention to the vital role of textual, visual, and material hagiographies in the creation and promotion of saints’ and would-be saints’ cults. The book fosters novel conceptualizations and cross-pollination of ideas across traditions, regions, and disciplines and expands hagiography’s horizons by reconsidering canonical saintly figures and reframing lesser-known cults of saints and would-be saints. The book will be of interest to scholars of religious and early modern history as well as art history and visual and material studies.
Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 900469465X
Category : Art
Languages : en
Pages : 529
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Book Description
The book examines the myth of Hercules and Omphale/Iole which became an important topic in the visual arts, 1500–1800. It offers an analysis of the iconography from the perspective of the history of emotions, classical and Neo-Latin philology, reception and gender studies. The early modern inventions of the myth excel in a skilful display of mixed and compound emotions, such as the male character's psychopathology, and of the theatrical performance of emotions by the female character.
Author: Stijn Bussels
Publisher: BRILL
ISBN: 9004682643
Category : History
Languages : en
Pages : 541
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Book Description
This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.
Author: Francis Bacon
Publisher:
ISBN:
Category : Logic
Languages : en
Pages : 740
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Book Description
Author: Melion S. Walter
Publisher:
ISBN: 9789004694606
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
The book examines the representation of affective complexity in the literary and pictorial arts of Northern Europe between the sixteenth and seventeenth centuries, asking how and why, by what means and to what ends alloyed or multilayered emotions were showcased.
Author: Griet Galle
Publisher: Leuven University Press
ISBN: 9789058673220
Category : Biography & Autobiography
Languages : la
Pages : 1024
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Book Description
The questions on Aristotle's De Caelo by Peter of Auvergne (d. 1304) contain a wealth of material for the study of the reception of De Caelo in the 13th century and Peter's own views in cosmology and natural philosophy. The book contains a critical edition of these questions (part II) along with an extensive introduction to the text (part I). The first section of part I deals with Peter of Auvergne's life and work, the reception of De Caelo in the 13th century, the different treatises on De Caelo that are attributed to Peter, and the composition and sources of Peter's questions on De Caelo. The second section of the introduction contains an interpretative study of these questions. Here, the book discusses Peter's division of the sciences, his cosmological theories concerning the universe, the heavens, the earth and the sublunary world, and some general topics in medieval natural philosophy. The third section of part I provides an introduction to the critical edition. Part II contains the critical edition of two different sets of questions on De Caelo attributed to Peter of Auvergne. One set is preserved in the manuscripts Vienna, Dominikanerkonvent 150/120, fols. 47ra-68vb and Paris, Bibliothèque Mazarine 3493, fols. 95ra-136rb; the other set is preserved in the manuscripts Leipzig, Universitätsbibliothek 1386, fols. 91va-102vb and Prague, Knihovny Metropolitní 1320 (L. LXXIV), fols. 43rb-52vb.
Author: Saint Thomas (Aquinas)
Publisher: Oxford University Press, USA
ISBN: 9780195091823
Category : Philosophy
Languages : en
Pages : 1008
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Book Description
The De Malo represents some of St. Thomas Aquinas' most mature thinking on goodness, badness, and human agency. Together with the second part of the Summa Theologiae, it is one of his most sustained contributions to moral philosophy and theology. Aquinas examines the full range of questions associated with evil: its origin, its nature, its variety, its relation to good, and its compatibility with the existence of an omnipotent, benevolent God. This edition offers the Leonine Commission's authoritative edition of the Latin text with a new, clear, and readable English translation by Richard Regan with an extensive introduction and notes by Brian Davies.
Author: Susanna Berger
Publisher: Princeton University Press
ISBN: 1400885124
Category : Art
Languages : en
Pages : 337
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Book Description
The first book to explore the role of images in philosophical thought and teaching in the early modern period Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Léonard Gaultier, Abraham Bosse, Dürer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy. Featuring previously unpublished prints and drawings from the early modern period and lavish gatefolds, The Art of Philosophy reveals the essential connections between visual commentary and philosophical thought.
