Motes Y Glosas in the Cancionero General PDF Download
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Author: Ian Richard Macpherson
Publisher:
ISBN:
Category : Cancionero general
Languages : en
Pages : 138
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Book Description
Author: Ian Richard Macpherson
Publisher:
ISBN:
Category : Cancionero general
Languages : en
Pages : 138
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Book Description
Author: A. D. Deyermond
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Author: Roger Boase
Publisher: BRILL
ISBN: 9004338365
Category : History
Languages : en
Pages : 950
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Book Description
In Secrets of Pinar’s Game, Roger Boase is the first to decipher a card game completed in 1496 for Queen Isabel, Prince Juan, her daughters and her 40 court ladies. This game offers readers access to the cultural memory of a group of educated women, revealing their knowledge of proverbs, poetry and sentimental romance, their understanding of the symbolism of birds and trees, and many facts ignored in official sources. Boase translates all verse into English, reassesses the jousting invenciones in the Cancionero general (1511), reinterprets the poetry of Pinar’s sister Florencia, and identifies Acevedo, author of some poems about festivities in Murcia c. 1507. He demonstrates that many of Pinar’s ladies reappear as prostitutes in the anonymous Carajicomedia two decades later.
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 572
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Book Description
Author: Thomas R. Hart
Publisher:
ISBN:
Category : Cantar de mío Cid
Languages : en
Pages : 80
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Book Description
Author: Thomas R. Hart
Publisher: Fastprint Publishing
ISBN:
Category : Allegory
Languages : en
Pages : 114
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Book Description
Author: Olga Tudoricǎ Impey
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Book Description
Author: Ioana Both
Publisher: Firenze University Press
ISBN: 8866554170
Category : Group identity
Languages : en
Pages : 246
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Book Description
This volume collects the interventions of the post-doctoral fellows and PhD students of the University of Cluj Napoca, the University of Bucharest and the University of Florence (Mediterranean Cultures; Doctoral School of Comparative Languages, Literatures and Cultures, specialisation in Language, Literature, Philology: Intercultural Perspectives) presented in occasion of the seminar Storia, identità e canoni letterari (“History, identity and literary canons”, Florence, 22-23 November 2011). The contributions are centred on the idea of canon, as a cultural construct founding modern national identities. Another trace is the literary and cultural hybridisations between different geographies. For the Romanian context, the contributions pay particular attention to the movements of the avant-garde of the early 1900s. Some contributions account for the most problematic aspects of the contemporary world using interdisciplinary approaches.
Author: Joseph J. Gwara
Publisher:
ISBN:
Category :
Languages : en
Pages : 130
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Book Description
Author: J. Christopher Warner
Publisher: Routledge
ISBN: 1317024974
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
First published in the summer of 1557 - as the protestant martyrs’ pyres blazed across England - Songes and Sonettes, written by the ryght honorable Lorde Henry Haward late Earle of Surrey, and other (more generally known as Tottel’s Miscellany) is widely regarded as the first anthology of English poetry responsible for introducing Italianate verse forms to England. Yet those scholars who have paid attention to the book usually dismiss its literary quality and regard its chief accomplishment as paving the way for the Golden Age of Elizabethan verse to come. As Professor Warner makes clear, however, there is much more historical significance to the Miscellany than merely being a precursor to Shakespeare and Sidney. Drawing upon a wealth of historical, textual and literary evidence, this new study recasts the Miscellany as a peculiar phenomenon of the reign of Mary I. Placing it in the context of its European counterparts and its competition in the London book market, Warner argues that at heart the Miscellany was a collaborative project between the printer, Richard Tottel and law students from the Inns of Court, and represented a timely response to the religious, political and social upheavals of the English Reformation and Counter-Reformation. Analysing from both a literary and historical perspective, this study reconnects the Miscellany with the social, cultural, literary and religious milieu in which it was created. Warner thus reveals not only the distinctiveness of the book’s design compared to other English verse works for sale in 1557, but its function as a patriotic retort to Continental collections of verse -including one that put into print a selection of satirical songs and sonnets written by the Spanish caballeros who found themselves reluctant attendants at the court of Mary I.
