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Author: Andrea O'Reilly
Publisher: Demeter Press
ISBN: 1772583472
Category : Social Science
Languages : en
Pages : 248
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Book Description
Motherhood is one of those roles that assumes an almost-outsized cultural importance in the significance we force it to bear. It becomes both the source of and the repository for all kinds of cultural fears. Its ubiquity perhaps makes it this perfect foil. After all, while not everyone will become a mother, everyone has a mother. When we force motherhood to bear the terrors of what it means to be human, we inflict trauma upon those who mother. A long tradition of bad mothers thus shapes contemporary mothering practices (and the way we view them), including the murderous Medea of Greek mythology, the power-hungry Queen Gertrude of Hamlet, and the emasculating mother of Freud's theories. Certainly, there are mother who cause harm, inflict abuse, act monstrously. Mothers are human. But mothers are also a favourite and easy scapegoat. The contributors to this collection explore a multitude of interdisciplinary representations of mothers that, through their very depictions of bad mothering, challenge the tropes of monstrous mothering that we lean on, revealing in the process why we turn to them. Chapters in Monstrous Mothers: Troubling Tropes explore literary, cinematic, and real-life monstrous mothers, seeking to uncover social sources and results of these monstrosities.
Author: Andrea O'Reilly
Publisher: Demeter Press
ISBN: 1772583472
Category : Social Science
Languages : en
Pages : 248
Get Book Here
Book Description
Motherhood is one of those roles that assumes an almost-outsized cultural importance in the significance we force it to bear. It becomes both the source of and the repository for all kinds of cultural fears. Its ubiquity perhaps makes it this perfect foil. After all, while not everyone will become a mother, everyone has a mother. When we force motherhood to bear the terrors of what it means to be human, we inflict trauma upon those who mother. A long tradition of bad mothers thus shapes contemporary mothering practices (and the way we view them), including the murderous Medea of Greek mythology, the power-hungry Queen Gertrude of Hamlet, and the emasculating mother of Freud's theories. Certainly, there are mother who cause harm, inflict abuse, act monstrously. Mothers are human. But mothers are also a favourite and easy scapegoat. The contributors to this collection explore a multitude of interdisciplinary representations of mothers that, through their very depictions of bad mothering, challenge the tropes of monstrous mothering that we lean on, revealing in the process why we turn to them. Chapters in Monstrous Mothers: Troubling Tropes explore literary, cinematic, and real-life monstrous mothers, seeking to uncover social sources and results of these monstrosities.
Author: Andrea O'Reilly
Publisher:
ISBN: 9781772583496
Category : Electronic books
Languages : en
Pages : 289
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Book Description
Motherhood is one of those roles that assumes an almost-outsized cultural importance in the significance we force it to bear. It becomes both the source of and the repository for all kinds of cultural fears. Its ubiquity perhaps makes it this perfect foil. After all, while not everyone will become a mother, everyone has a mother. When we force motherhood to bear the terrors of what it means to be human, we inflict trauma upon those who mother. A long tradition of bad mothers thus shapes contemporary mothering practices (and the way we view them), including the murderous Medea of Greek mytholog.
Author: Andrea O'Reilly
Publisher: Demeter Press
ISBN: 1772585289
Category : Social Science
Languages : en
Pages : 540
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Book Description
Dr. Andrea O'Reilly is internationally recognized as the founder of Motherhood Studies (2006) and its subfield Maternal Theory (2007), and creator of the concept of Matricentric Feminism, a feminism for and about mothers (2016) and Matricritics, a literary theory and practice for a reading of mother-focused texts (2021). With this collection O'Reilly continues the conversation on the meaning and nature of motherhood initiated by Adrienne Rich in Of Woman Born close to fifty years ago. In In (M)other Words, O'Reilly shares 25 of her chapters and articles published between 2009-2024 to examine the oppressive and empowering dimensions of mothering and to explore motherhood as institution, experience, subjectivity, and empowerment. The collection considers the central themes and theories of motherhood studies including normative motherhood, feminist mothering, maternal regret, matricentric pedagogy, young mothers, academic motherhood, matricentric feminism, matricritics, motherhood and feminism, the motherhood memoir, the twenty-first-century motherhood movement, mothers and daughters, mothers and sons, pandemic mothering, and the motherline.
Author: Lorna Piatti-Farnell
Publisher: Lexington Books
ISBN: 1666907219
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
In this edited collection exploring Disney’s dark side, attention to Disney’s Gothic reveals the ways through which Disney productions construct and reinforce conceptions of normalcy and deviance in relation to shifting understandings of morality, social roles, and identity categories.
Author: Andrea O'Reilly
Publisher: Demeter Press
ISBN: 1772584517
Category : Social Science
Languages : en
Pages : 282
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Book Description
A central aim of motherhood studies is to examine and theorize normative motherhood. Where does it come from? What are its defining features and demands? How does it work as a regulatory discourse and practice across differences of age, class, race, ability, sexuality, and region? What is the impact of normative motherhood on women' s lives? What does an intersectional analysis of normative motherhood reveal? How is normative motherhood reflected and enacted in public policy, workplace practices, family arrangements and so on? How is normative motherhood represented and resisted in literature, art, photography, and film? How do or may women resist normative motherhood? This collection explores these questions of normative motherhood under three interrelated topics: Regulations, Representations, and Reclamations.
Author: Andrea O'Reilly
Publisher: Demeter Press
ISBN: 1772583820
Category : Social Science
Languages : en
Pages : 255
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Book Description
The 2nd edition includes a new preface that considers how matricentric feminism in positioning mothering as a verb affords a gender-neutral understanding of motherwork and allows for an appreciation of how motherwork is deeply gendered and how this may be challenged and changed through empowered mothering The book argues that the category of mother is distinct from the category of woman, and that many of the problems mothers face are specific to women's role and identity as mothers. Indeed, mothers are oppressed under patriarchy as women and as mothers. Consequently, mothers need a feminism of their own, one that positions mothers' concerns as the starting point for a theory and politic of empowerment. O'Reilly terms this new mode of feminism matricentic feminism and the book explores how it is represented and experienced in theory, activism, and practice.
Author: Yeojin Kim
Publisher: Vernon Press
ISBN: 1648898629
Category : Social Science
Languages : en
Pages : 217
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Book Description
As monstrous bodies on-screen signal a wide range of subversive destabilization of the notions of identity and community, this anthology asks what meanings monsters and monstrosity convey in relation to our recent circumstances shaped by neoliberalism and the pandemic that have led to the intensified tightening of border controls by nation-states, the intensive categorization of (un)identifiable bodies, and subsequent forms of isolations and detachments imposed by social distancing and the rapid transition of sociality from reality to virtual reality. Presenting various thinkings along the lines of the body and its representations as cultural text, together with popular or recent media productions showing various bodies deemed to be monstrous as they either cross conventionally held borders or stay in liminal spaces such as between human-animal, human-machine, virtual bodies-corporeal flesh, living-death, and other permeable borders, this volume looks into the on-screen constructions of the monster and monstrosity not only as they represent notions of difference, perceived (non)belongings, and disruptions of traditional identity markers, but also as they either conceal various vulnerabilities or implicitly endorse violence towards the labeled Other.
Author: Kassia Krone
Publisher: McFarland
ISBN: 1476688931
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
From Carrie and Rosemary's Baby to Us, Hereditary, and Run, the image of the mentally ill mom as villain looms large in the horror genre. What do these movies communicate about mothers living with mental illness, and how do these depictions affect them? Portraying mentally ill moms as problems to be overcome, often by their own children, perpetuates harmful stereotypes with potential real-world consequences, such as the belief that these women are unfit to bear or raise children. More compassionate representations are needed to lessen the social stigma associated with the mentally ill. Fortunately, some of the contemporary horror films are attempting to achieve that task with critical success. Using case studies from a broad range of films--including the classic, campy, slasher, or prestige--and placing them within their historical context, this work extends conversations about horror and mental illness, such as post-partum depression, bulimia, Munchausen by proxy syndrome, and others. Highlighting the trope of the mentally ill mother as a pervasive image within the genre furthers examination of how these films challenge or reflect existing stereotypes and illustrates how horror can be both a site of oppression and a source for positive transformation.
Author: Avril Horner
Publisher: Edinburgh University Press
ISBN: 0748699139
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
A re-assessment of the Gothic in relation to the female, the 'feminine', feminism and post-feminismThis collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'. The 14 chapters in this volume engage with debates about 'Female Gothic' from the 1970s and '80s, through second wave feminism, theorisations of gender and a long interrogation of the 'women' category as well as with the problematics of post-feminism, now itself being interrogated by a younger generation of women. The contributors explore Gothic works from established classics to recent films and novels from feminist and post-feminist perspectives. The result is a lively book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity. Key FeaturesRevitalises the long-running debate about women, the Gothic and identityEngages with the political agendas of feminism and post-feminismPrioritises the concerns of woman as reader, author and criticOffers fresh readings of both classic and recent Gothic works
Author: Kirk Boyle
Publisher: Lexington Books
ISBN: 0739180649
Category : Language Arts & Disciplines
Languages : en
Pages : 297
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Book Description
The Great Recession in Fiction, Film, and Television: Twenty-First-Century Bust Culture sheds light on how imaginary works of fiction, film, and television reflect, refract, and respond to the recessionary times specific to the twenty-first century, a sustained period of economic crisis that has earned the title the “Great Recession.” This collection takes as its focus “Bust Culture,” a concept that refers to post-crash popular culture, specifically the kind mass produced by multinational corporations in the age of media conglomeration, which is inflected by diminishment, influenced by scarcity, and infused with anxiety. The multidisciplinary contributors collected here examine mass culture not typically included in discussions of the financial meltdown, from disaster films to reality TV hoarders, the horror genre to reactionary representations of women, Christian right radio to Batman, television characters of color to graphic novels and literary fiction. The collected essays treat our busted culture as a seismograph that registers the traumas of collapse, and locate their pop artifacts along a spectrum of ideological fantasies, social erasures, and profound fears inspired by the Great Recession. What they discover from these unlikely indicators of the recession is a mix of regressive, progressive, and bemused texts in need of critical translation.