Author: Matthew Stewart
Publisher: Camden House
ISBN: 9781571130174
Category : Fiction
Languages : en
Pages : 158
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Book Description
He includes a consideration of biographical and historical events that had a direct bearing on the work. Finally he places In Our Time in relation to later works by Hemingway, both those that grow out of it, and those that do not."--BOOK JACKET.
Author: Ernest Hemingway
Publisher:
ISBN:
Category : Short stories, American
Languages : en
Pages : 228
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Book Description
Author: John Dos Passos
Publisher:
ISBN:
Category :
Languages : en
Pages : 420
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Book Description
Author: Milton A. Cohen
Publisher: University of Alabama Press
ISBN: 0817357289
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Illuminates the development of Hemingway’s themes and techniques and his future course as a stylist and writer. In 1924 Ernest Hemingway published a small book of eighteen vignettes, each little more than one page long, with a small press in Paris. Titled in our time, the volume was later absorbed into Hemingway’s story collection In Our Time. Those vignettes, as Milton Cohen demonstrates in Hemingway’s Laboratory, reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway’s. Further, they provide a vivid view of his earliest tendencies and influences, first manifestations of the style that would become his hallmark, and daring departures into narrative forms that he would forever leave behind. Many of the chapters are pointillistic glimpses of violence--bullfights, a botched execution, the fleeting thoughts of the wounded on the battlefield. Others reach back into childhood. Still others adopt the wry, mannered voice of English aristocracy. Though critics have often read these chapters as secondary asides to the longer stories that constitute the commercial collection, Cohen argues that not only do the vignettes merit consideration as a unit unto themselves, but that they exhibit a plethora of styles and narrative gambits that show Hemingway at his most versatile. The final section examines in detail the individual chapters of in our time, their historical origins, their drafts, themes, and styles. The result is an account of what is arguably Hemingway’s most crucial formative period.
Author: Jeffrey Hart
Publisher: Northwestern University Press
ISBN: 0810166062
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
In the spirit of Lionel Trilling, Edmund Wilson, and Susan Sontag, the renowned literary critic Jeffrey Hart writes The Living Moment, a close reading of literature as it intersects with the political. Hart’s book is an even-handed guide for anyone toddling into the mists of the modernist moment, effortlessly moving between such modernist monuments as Eliot’s “The Waste Land,” Hemingway’s A Farewell to Arms, Mann’s Doctor Faustus, and Fitzgerald’s The Great Gatsby. Hart’s most stunning achievement is his brilliant inclusion of Marilynne Robinson’s Gilead as a modernist text, for the way the novel teaches us to see more, to hear more, to feel more. Hart’s dazzling study is an examination of important works of literature as they explore the experience of living in a broken world with thought and sometimes with examples of resolve that possess permanent validity. The Living Moment is for anyone who is wearied by so much of today’s trendy, narrow, and ideologically driven criticism. !--?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /--
Author: Scott Donaldson
Publisher: Cambridge University Press
ISBN: 1139825224
Category : Literary Criticism
Languages : en
Pages : 458
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Book Description
This Companion serves both as an introduction for the interested reader and as a source of the best recent scholarship on the author and his works. In addition to analysing his major texts, the contributors provide insights into Hemingway's relationship with gender history, journalism, fame and the political climate of the 1930s. The essays are framed by an introductory chapter on Hemingway and the costs of fame and an invaluable conclusion providing an overview of Hemingway scholarship from its beginnings to the present. Students will find the selected bibliography a useful guide to future research. Contributors include both distinguished established figures and brilliant newcomers, all chosen with regard to the clarity and readability of their prose.
Author: Miriam B. Mandel
Publisher: Camden House
ISBN: 9781571134097
Category : Literary Collections
Languages : en
Pages : 364
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Book Description
New, carefully focused essays providing a thorough examination of Hemingway's groundbreaking non-fictional work. Published in 1932, Death in the Afternoon reveals its author at the height of his intellectual and stylistic powers. By that time, Hemingway had already won critical and popular acclaim for his short stories and novels of the late twenties. A mature and self-confident artist, he now risked his career by switching from fiction to nonfiction, from American characters to Spanish bullfighters, from exotic and romantic settings to the tough world of theSpanish bullring, a world that might seem frightening and even repellant to those who do not understand it. Hemingway's nonfiction has been denied the attention that his novels and short stories have enjoyed, a state of affairs this Companion seeks to remedy, breaking new ground by applying theoretical and critical approaches to a work of nonfiction. It does so in original essays that offer a thorough, balanced examination of a complex, boundary-breaking, and hitherto neglected text. The volume is broken into sections dealing with: the composition, reception, and sources of Death in the Afternoon; cultural translation, cultural criticism, semiotics, and paratextual matters; and the issues of art, authorship, audience, and the literary legacy of Death in the Afternoon. The contributors to the volume, four men and seven women, lay to rest the stereotype of Hemingway as a macho writer whom women do not read; and their nationalities (British, Spanish, American, and Israeli) indicate that Death in the Afternoon, even as it focuses on a particular national art, discusses matters of universal concern. Contributors: Miriam B. Mandel, Robert W. Trogdon, Lisa Tyler, Linda Wagner-Martin, Peter Messent, Beatriz Penas Ibáñez, Anthony Brand, Nancy Bredendick, Hilary Justice, Amy Vondrak, and Keneth Kinnamon. MiriamB. Mandel teaches in the English Department of Tel Aviv University.
Author: Nanette Norris
Publisher: Rowman & Littlefield
ISBN: 1611478049
Category : History
Languages : en
Pages : 257
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Book Description
New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called ‘core’ of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying ‘the giants,’ about whom there is so much more to say, as well as adding hitherto marginalized writers – and a few visual artists – to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called ‘modernism,’ but perhaps could be further delineated as ‘Great War modernism,’ a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.
Author: Mark Cirino
Publisher: University of Wisconsin Pres
ISBN: 0299286533
Category : Biography & Autobiography
Languages : en
Pages : 197
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Book Description
Ernest Hemingway’s groundbreaking prose style and examination of timeless themes made him one of the most important American writers of the twentieth century. Yet in Ernest Hemingway: Thought in Action, Mark Cirino observes, “Literary criticism has accused Hemingway of many things but thinking too deeply is not one of them.” Although much has been written about the author’s love of action—hunting, fishing, drinking, bullfighting, boxing, travel, and the moveable feast—Cirino looks at Hemingway’s focus on the modern mind, paralleling the interest in consciousness of such predecessors and contemporaries as Proust, Joyce, Woolf, Faulkner, and Henry James. Hemingway, Cirino demonstrates, probes the ways his character’s minds respond when placed in urgent situations or when damaged by past traumas. In Cirino’s analysis of Hemingway’s work through this lens—including such celebrated classics as A Farewell to Arms, The Old Man and the Sea, and “Big Two-Hearted River” and less-appreciated works including Islands in the Stream and “Because I Think Deeper”—an entirely different Hemingway hero emerges: intelligent, introspective, and ruminative.
Author: Donal Harris
Publisher: Columbia University Press
ISBN: 0231541341
Category : Language Arts & Disciplines
Languages : en
Pages : 286
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Book Description
American novelists and poets who came of age in the early twentieth century were taught to avoid journalism "like wet sox and gin before breakfast." It dulled creativity, rewarded sensationalist content, and stole time from "serious" writing. Yet Willa Cather, W. E. B. Du Bois, Jessie Fauset, James Agee, T. S. Eliot, and Ernest Hemingway all worked in the editorial offices of groundbreaking popular magazines and helped to invent the house styles that defined McClure's, The Crisis, Time, Life, Esquire, and others. On Company Time tells the story of American modernism from inside the offices and on the pages of the most successful and stylish magazines of the twentieth century. Working across the borders of media history, the sociology of literature, print culture, and literary studies, Donal Harris draws out the profound institutional, economic, and aesthetic affiliations between modernism and American magazine culture. Starting in the 1890s, a growing number of writers found steady paychecks and regular publishing opportunities as editors and reporters at big magazines. Often privileging innovative style over late-breaking content, these magazines prized novelists and poets for their innovation and attention to literary craft. In recounting this history, On Company Time challenges the narrative of decline that often accompanies modernism's incorporation into midcentury middlebrow culture. Its integrated account of literary and journalistic form shows American modernism evolving within as opposed to against mass print culture. Harris's work also provides an understanding of modernism that extends beyond narratives centered on little magazines and other "institutions of modernism" that served narrow audiences. And for the writers, the "double life" of working for these magazines shaped modernism's literary form and created new models of authorship.
