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Author: C. Mickalites
Publisher: Springer
ISBN: 0230391532
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
Examining work from Ford and Conrad's pre-war impressionism through Rhys's fiction of the late 1930s, the author shows how modernist innovation engages with transformations in early twentieth-century capitalism and tracks the ways in which modernist fiction reconfigures capitalist mythologies along the fault lines of their internal contradictions.
Author: C. Mickalites
Publisher: Springer
ISBN: 0230391532
Category : Literary Criticism
Languages : en
Pages : 329
Get Book Here
Book Description
Examining work from Ford and Conrad's pre-war impressionism through Rhys's fiction of the late 1930s, the author shows how modernist innovation engages with transformations in early twentieth-century capitalism and tracks the ways in which modernist fiction reconfigures capitalist mythologies along the fault lines of their internal contradictions.
Author: C. Mickalites
Publisher: Springer
ISBN: 0230391532
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Examining work from Ford and Conrad's pre-war impressionism through Rhys's fiction of the late 1930s, the author shows how modernist innovation engages with transformations in early twentieth-century capitalism and tracks the ways in which modernist fiction reconfigures capitalist mythologies along the fault lines of their internal contradictions.
Author: William Gillard
Publisher: McFarland
ISBN: 1476644950
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Speculative modernists--that is, British and American writers of science fiction, fantasy and horror during the late 19th and early 20th centuries--successfully grappled with the same forces that would drive their better-known literary counterparts to existential despair. Building on the ideas of the 19th-century Gothic and utopian movements, these speculative writers anticipated literary Modernism and blazed alternative literary trails in science, religion, ecology and sociology. Such authors as H.G. Wells and H.P. Lovecraft gained widespread recognition--budding from them, other speculative authors published fascinating tales of individuals trapped in dystopias, of anti-society attitudes, post-apocalyptic worlds and the rapidly expanding knowledge of the limitless universe. This book documents the Gothic and utopian roots of speculative fiction and explores how these authors played a crucial role in shaping the culture of the new century with their darker, more evolved themes.
Author: Carey Mickalites
Publisher: Bloomsbury Publishing
ISBN: 1350248576
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Arguing that contemporary celebrity authors like Zadie Smith, Ian McEwan, Martin Amis, Kazuo Ishiguro, Salman Rushdie, Eimear McBride and Anna Burns position their work and public personae within a received modernist canon to claim and monetize its cultural capital in the lucrative market for literary fiction, this book also shows how the corporate conditions of marketing and branding have redefined older models of literary influence and innovation. It contributes to a growing body of criticism focused on contemporary literature as a field in which the formal and stylistic experimentation that came to define a canon of early 20th-century modernism has been renewed, contested, and revised. Other critics have celebrated these renewals, variously arguing that contemporary literature picks up on modernism's unfinished aesthetic revolutions in ways that have expanded the imaginative possibilities for fiction and revived questions of literary autonomy in the wake of postmodern nihilism. While this is a compelling thesis, and one that rightly questions an artificial and problematic periodization that still lingers in academic criticism, those approaches generally fail to address the material conditions that structure literary production and the generation of cultural capital, whether in the historical development of modernism or its contemporary permutations. This book addresses this absence by proposing a materialist history of modernism's afterlives.
Author: Douglas Mao
Publisher: Cambridge University Press
ISBN: 1108487068
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
The first book specifically devoted to the history and prospects of the new modernist studies.
Author: Christoph Reinfandt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110369486
Category : Literary Criticism
Languages : en
Pages : 613
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Book Description
The Handbook systematically charts the trajectory of the English novel from its emergence as the foremost literary genre in the early twentieth century to its early twenty-first century status of eccentric eminence in new media environments. Systematic chapters address ̒The English Novel as a Distinctly Modern Genreʼ, ̒The Novel in the Economy’, ̒Genres’, ̒Gender’ (performativity, masculinities, feminism, queer), and ̒The Burden of Representationʼ (class and ethnicity). Extended contextualized close readings of more than twenty key texts from Joseph Conrad’s Heart of Darkness (1899) to Tom McCarthy’s Satin Island (2015) supplement the systematic approach and encourage future research by providing overviews of reception and theoretical perspectives.
Author: Patrick Scott Belk
Publisher: Taylor & Francis
ISBN: 1317185056
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
At the turn of the twentieth century, the publishing industries in Britain and the United States underwent dramatic expansions and reorganization that brought about an increased traffic in books and periodicals around the world. Focusing on adventure fiction published from 1899 to 1919, Patrick Scott Belk looks at authors such as Joseph Conrad, H.G. Wells, Conan Doyle, and John Buchan to explore how writers of popular fiction engaged with foreign markets and readers through periodical publishing. Belk argues that popular fiction, particularly the adventure genre, developed in ways that directly correlate with authors’ experiences, and shows that popular genres of the late nineteenth and early twentieth centuries emerged as one way of marketing their literary works to expanding audiences of readers worldwide. Despite an over-determined print space altered by the rise of new kinds of consumers and transformations of accepted habits of reading, publishing, and writing, the changes in British and American publishing at the turn of the twentieth century inspired an exciting new period of literary invention and experimentation in the adventure genre, and the greater part of that invention and experimentation was happening in the magazines.
Author: Erica L Johnson
Publisher: Edinburgh University Press
ISBN: 1474402208
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
The 10 newly commissioned essays and introduction collected in this volume demonstrate Jean Rhys's centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s.
Author: Paul Crosthwaite
Publisher: Cambridge University Press
ISBN: 1108499562
Category : Business & Economics
Languages : en
Pages : 319
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Book Description
Contemporary British and American fiction is defined by financial markets' power over the global publishing industry and the global economy.
Author: Jonathan Goldman
Publisher: University Press of Florida
ISBN: 0813065186
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Making the case that legal issues are central to James Joyce’s life and work, international experts in law and literature offer new insights into Joyce’s most important texts. They analyze Dubliners, A Portrait of the Artist as a Young Man, Giacomo Joyce, Ulysses, and Finnegans Wake in light of the legal contexts of Joyce’s day. Topics include marriage laws, the Aliens Act of 1905, laws governing display and use of language, minority rights debates, municipal self-government, rentier culture, and regulations on alcohol consumption and licensing. This volume also highlights Joyce’s own fascination with law and legal inquiry and explores how, by adopting a unique visual and linguistic style, Joyce constructed an authorial identity that mirrored the process of trademark. It also offers a deeper understanding of Judge John Woolsey’s decision in the Ulysses obscenity case and reveals the many ways copyright has affected publication of Joyce’s work and the scholarly and aesthetic use of his words. These discussions show how reading Joyce alongside the law enriches both legal studies and literary scholarship. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
