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Author: Elizabeth Prettejohn
Publisher: Association of Human Rights Institutes series
ISBN: 9780300222753
Category : Art
Languages : en
Pages : 0
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Book Description
Le revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."
Author: Elizabeth Prettejohn
Publisher: Association of Human Rights Institutes series
ISBN: 9780300222753
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Le revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."
Author: Jon Thompson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
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Book Description
Modern art, filled with complex themes and subtle characteristics, is a wonder to view, but can be intimidating for the casual observer to comprehend. In this accessible, practical guide, author and instructor Jon Thompson explores more than 200 works, helping readers to unlock each painting's meaning. Beginning with the Barbizon school and the Realist movement of the mid-19th century and continuing through the 1980s avant-garde, artists including Bonnard, Basquiat, Van Gogh, Picasso, Degas, Warhol, and Whistler are featured. Thompson describes each artist's use of media and symbolism and provides insightful biographical information. A natural companion to Abrams' "How to Read a Painting," this book is a vibrant, informative trip through one of art history's most compelling periods.
Author: Suzanne Brooker
Publisher: Watson-Guptill
ISBN: 0823008355
Category : Art
Languages : en
Pages : 210
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Book Description
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
Author: David W. Galenson
Publisher: Princeton University Press
ISBN: 9780691121093
Category : Art
Languages : en
Pages : 268
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Book Description
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
Author: Virgil Elliott
Publisher: Watson-Guptill
ISBN: 9780823030668
Category : Oils and fats
Languages : en
Pages : 0
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Book Description
"Traditional Oil Painting is that rare sourcebook that comprehensively covers the most advanced techniques and concepts of oil painting"--P. [2] of cover.
Author: Anja Grebe
Publisher: Black Dog & Leventhal
ISBN: 9780762470655
Category : Art
Languages : en
Pages : 0
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Book Description
Discover the artistic wonders of the Vatican, from the Sistine Chapel to Raphael's frescoes, with the New York Times bestselling book The Vatican: All the Paintings; now in a practical and elegant paperback format. The Vatican is one of the most visited sites in the world. It encompasses numerous museums and palaces, and houses one of the finest art collections known to man. Amassed by popes throughout the centuries, including several of the most renowned Roman sculptures and important masterpieces of Renaissance art in the world, the Vatican is a perennial source of awe and fascination. From Michelangelo's Sistine Chapel and his Pieta, to the Raphael frescoes, to the works of Giotto, Fra Angelica, Titian, and Caravaggio, The Vatican: All the Paintings is an unprecedented celebration of this great collection. The book is organized into 22 sections representing the museums and areas of the Vatican, including the Pinacotea, the Sistine Chapel, the Raphael Rooms, the Borgia Apartments, the Vatican Palaces, and St. Peter's Basilica. Each one of the 976 works of art represented in this book -- including the 661 classical paintings on display in the permanent painting collection and 315 other masterpieces -- is annotated with the name of the painting and artists, the date of the work, the birth and death of the artist, the medium that was used, the size of the work, and the catalog number (if applicable). In addition, 180 of the most iconic paintings, sculptures, and other pieces of art are highlights with 300-word essays by art historian Anja Grebe and bestselling author Ross King. Here you will find information such as the key attributes of the work, what to look for when viewing it, the artist's inspirations and techniques, biographical information on the artist, and the artist's impact on history.
Author: Kenneth Clark
Publisher:
ISBN: 9780140165890
Category : Art
Languages : en
Pages : 265
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Book Description
Author: Parramon Editorial Team
Publisher: B.E.S. Publishing
ISBN: 9781438005492
Category : Art
Languages : en
Pages : 144
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Book Description
"This exhaustive study uncovers the trade secrets of the great masters through in-depth examination of 14 of the world's most famous paintings"--P. [4] of cover.
Author: Robert Beverly Hale
Publisher: Watson-Guptill Publications
ISBN: 9780823030149
Category : Art
Languages : en
Pages : 144
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Book Description
Explains how to make realistic drawings of the arms, legs, feet, hands, and other parts of the human body
Author: Irina Aleksandrovna Antonova
Publisher:
ISBN: 9780300097368
Category : Art
Languages : en
Pages : 244
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Book Description
"Illustrated and beautifully produced, Old Masters, Impressionists & Modern tells the story of the Russian taste for French art. Essays highlight such collectors as Catherine the Great, members of the Russian nobility such as the Yusupovs and the Golitsyns, and the early twentieth-century merchant-patrons Sergei Shchukin and Ivan Morozov. The book's authors relate how works from these distinguished collections were united at the Pushkin Museum to form one of the most impressive arrays of French paintings outside of France. The book reproduces and discusses seventy-six of the museum's most important holdings, including masterpieces by Nicolas Poussin, Jacques-Louis David, Jean-Auguste-Dominique Ingres, Camille Corot, Auguste Renoir, Claude Monet, Vincent van Gogh, Paul Gauguin, Paul Cezanne, Henri Matisse, and Pablo Picasso, some of which are also landmark works in the history of art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
