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Author: Esther Adler
Publisher: The Museum of Modern Art
ISBN: 087070852X
Category : Art
Languages : en
Pages : 145
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Book Description
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
Author: Esther Adler
Publisher: The Museum of Modern Art
ISBN: 087070852X
Category : Art
Languages : en
Pages : 145
Get Book Here
Book Description
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
Author: Kirsten Swinth
Publisher: UNC Press Books
ISBN: 9780807849712
Category : Art
Languages : en
Pages : 334
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Book Description
Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890.
Author: Museum of Modern Art (New York, N.Y.). International Program
Publisher:
ISBN:
Category : Abstract expressionism
Languages : en
Pages : 108
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Book Description
Author: Samuel Melvin Kootz
Publisher:
ISBN: 9781258647100
Category :
Languages : en
Pages : 142
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Book Description
Author: Edward Hopper
Publisher: Hirmer Verlag GmbH
ISBN: 9783777434018
Category : Art, American
Languages : en
Pages : 0
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Book Description
This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.
Author: Susan Behrends Frank
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Luminous works by Childe Hassam, Ernest Lawson, Maurice Prendergast, John Henry Twachtman, are among the 100 seminal works featured in this book showcasing 27 artists. As members of the first generation of American painters to absorb the technique, brighter palette, and subject matter of Impressionism from their French counterparts, these artists transformed the heroic American landscape into a modern idiom, in atmospheric park and beach scenes, urban views, and charming interiors, with particular interest in optical effects, light, and the seasons. This book provides a vivid summary of the movement, starting with its roots in earlier American art and its relationship to French Impressionism. It charts the response of many of these American artists to one of the most beloved movements in 19th century painting. All of the masterworks are here, in full color, from Hassam's sun-drenced gardens to Twachtman's snowy landscapes. It is a celebration of the Impressionist style and it's fresh interpretatiuon of America's landscapes
Author: Ann Lee Morgan
Publisher: Oxford University Press
ISBN: 0195373219
Category : Art, American
Languages : en
Pages : 554
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Book Description
In this dictionary of American art, 945 alphabetically arranged entries cover painters, sculptors, graphic artists, photographers, printmakers, and contemporary hybrid artists, along with important aspects of the cultural infrastructure.
Author: Debra Mancoff
Publisher: National Geographic Books
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
Profiles the careers of fifty American artists, presented chronologically from colonial limners from the sixteenth and seventeenth centuries, to Kara Walker, born in 1969, and includes time lines and reproductions of their work.
Author: David Sylvester
Publisher: Yale University Press
ISBN: 9780300092042
Category : Art
Languages : en
Pages : 414
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Book Description
This astounding book includes 21 interviews, recorded over the past 40 years, with leading American artists. Together they illuminate all the great developments in American art. Here are the views of David Smith, Richard Serra, Willem de Kooning, Barnett Newman, Franz Kline, Philip Guston, Robert Rauschenberg, and others.
Author: Michael S. Sherry
Publisher: Univ of North Carolina Press
ISBN: 0807885894
Category : Social Science
Languages : en
Pages : 303
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Book Description
Today it is widely recognized that gay men played a prominent role in defining the culture of mid-twentieth-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant antihomosexual attitudes. Michael Sherry offers a sophisticated analysis of the tension between the nation's simultaneous dependence on and fear of the cultural influence of gay artists. Sherry places conspiracy theories about the "homintern" (homosexual international) taking control and debasing American culture within the paranoia of the time that included anticommunism, anti-Semitism, and racism. Gay artists, he argues, helped shape a lyrical, often nationalist version of American modernism that served the nation's ambitions to create a cultural empire and win the Cold War. Their success made them valuable to the country's cultural empire but also exposed them to rising antigay sentiment voiced even at the highest levels of power (for example, by President Richard Nixon). Only late in the twentieth century, Sherry concludes, did suspicion slowly give way to an uneasy accommodation of gay artists' place in American life.
