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Author: Cathy Hume
Publisher: Boydell & Brewer
ISBN: 1843846055
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
A new analysis of the neglected genre of medieval Biblical poetry.Medieval England had a thriving culture of rewriting the Bible in art, drama, and literature in Latin, French and English. Middle English biblical poetry was central to this culture, and although these poems have suffered from critical neglect, sometimes dismissed as mere "paraphrase", they are rich, innovative and politically engaged. Read in the same gentry and noble households as secular romance, biblical poems borrow and adapt romance plots and motifs, present romance-inflected exotic settings, and share similar concerns: reputation, order, family and marriage. This book explores six poems from the thirteenth and fourteenth centuries that retell episodes from the Old Testament: the ballad-like Iacob and Iosep, two lives of Adam and Eve; an alliterative version of the Susanna story, the Pistel of Susan; and the Gawain-poet's Patience and Cleanness. Each chapter identifies new sources and influences for the poems, including from biblical glosses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.nder of their household audiences.
Author: Cathy Hume
Publisher: Boydell & Brewer
ISBN: 1843846055
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
A new analysis of the neglected genre of medieval Biblical poetry.Medieval England had a thriving culture of rewriting the Bible in art, drama, and literature in Latin, French and English. Middle English biblical poetry was central to this culture, and although these poems have suffered from critical neglect, sometimes dismissed as mere "paraphrase", they are rich, innovative and politically engaged. Read in the same gentry and noble households as secular romance, biblical poems borrow and adapt romance plots and motifs, present romance-inflected exotic settings, and share similar concerns: reputation, order, family and marriage. This book explores six poems from the thirteenth and fourteenth centuries that retell episodes from the Old Testament: the ballad-like Iacob and Iosep, two lives of Adam and Eve; an alliterative version of the Susanna story, the Pistel of Susan; and the Gawain-poet's Patience and Cleanness. Each chapter identifies new sources and influences for the poems, including from biblical glosses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.sses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.nder of their household audiences.
Author: Michele Cutino
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311068733X
Category : Religion
Languages : en
Pages : 769
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Book Description
This volume examines for the first time the most important methodological issues concerning Christian poetry – i.e. biblical and theological poetry in classical meters – from a diachronic perspective. Thus, it is possible to evaluate the doctrinal significance of these compositions and the role that they play in the development of Christian theological ideas and biblical exegesis.
Author: Janet Schrunk Ericksen
Publisher: University of Toronto Press
ISBN: 1487507461
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Reading Old English Biblical Poetry considers the Junius 11 manuscript, the only surviving illustrated book of Old English poetry, in terms of its earliest readers and their multiple strategies of reading and making meaning. Junius 11 begins with the creation story and ends with the final vanquishing of Satan by Jesus. The manuscript is both a continuous whole and a collection with discontinuities and functionally independent pieces. The chapters of Reading Old English Biblical Poetry propose multiple models for reader engagement with the texts in this manuscript, including selective and sequential reading, reading in juxtaposition, and reading in contexts within and outside of the pages of Junius 11. The study is framed by particular attention to the materiality of the manuscript and how that might have informed its early reception, and it broadens considerations of reading beyond those of the manuscript's compiler and possible patron. As a book, Junius 11 reflects a rich and varied culture of reading that existed in and beyond houses of God in England in the tenth and eleventh centuries, and it points to readers who had enough experience to select and find wisdom, narrative pleasure, and a diversity of other things within this or any book's contents.
Author: Karen Saupe
Publisher: Medieval Institute Publications
ISBN: 1580444156
Category : Literary Collections
Languages : en
Pages : 314
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Book Description
Through its contextualizing introduction, notes, and gloss, this classroom-friendly edition of Middle English lyric poetry makes the wide variety of Marian poems available to students of all levels. The poems selected for this volume provide a sampling of the rich tradition of Marian devotion as expressed in Middle English. They range widely in form, tone, and aesthetic quality in how they relate the iconic moments from Mary's life-the Annunciation, Nativity, and her experience of Christ's passion, for instance-as well as in their variety of praises for the Queen of Heaven. Taken together, the poems express the full range of a people's effort to voice anxieties and joys through Mary. This collection will spark an excellent discussion on English spirituality, Marian devotion, and Middle English lyrical poetry.
Author: David C. Fowler
Publisher: University of Washington Press
ISBN: 9780295801315
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
In this companion to his previous book, The Bible in Early English Literature, David Fowler completes his stimulating and broad-ranging study of medieval English literature in the light of biblical tradition. As in the first volume, he both provides a broad general view of literary trends and closely examines representative works that illustrate these trends. The author begins by discussing medieval drama in England--with special attention to the Cornish drama-- as revealed in the cycle plays that enacted the entire history of the world from Creation to Doomsday. He demonstrates how the drama grew out of the liturgy of the Church and developed into a parallel fashion with other kinds of vernacular literature in the later Middle Ages, and he offers a possible explanation of the origin of the morality play in England. This is followed by an examination of representative shorter medieval lyrics. Fowler shows that many of these lyrics were composed to memorialize particular "secular' and "religious" elements blended subtly and distinctively in Middle English lyrics, often with a complete harmony of sacred and sexual significance. A special section deals with Mary Magdalene in popular tradition, comparing her description in the Bible with her treatment in legend, drama, lyric poetry, and the ballad. The final three chapters focus on particular literary works which the author believes to be outstanding examples of poems composed in the biblical tradition. "The Parliament of Fowls" is selected as the best example of biblical influence in all of Chaucer. The work is seen as a Creation poem with its organizing principles derives from commentaries on the first chapter of Genesis--a new theory of the poem's structure which the author feels resolves many of the difficulties previously encountered by scholars. Fowler than treats several works of the "Pearl" poet--"Cleanness," "Patience," "Saint Erkenwald," and the "Pearl"--in their particular blend of humor, seriousness, and Christian serenity. In stark contrast, "Piers the Plowman," the final work dealt with, reflects the agony of the turmoil of late fourteenth-century England. The emphasis is on the historical significance of the poem: the importance of the A text as an ideological influence on the leadership of the Peasants' Revolt in 1381, and the exschatological implications of the later versions (B and C texts). "It is my hope," the author states, "that future studies of 'Piers' will increasingly take history into account and likewise study the versions of the poem separately. Until we learn to walk from this text out into history, we run the risk of missing the important message that this profound and troubling poem offers to twentieth-century man." This book will be of value both to scholars and students of medieval literature and religion and to general readers interested in the varied and intriguing ways that the Bible has influence vernacular literature.
Author: Patrick McBrine
Publisher: University of Toronto Press
ISBN: 1487514298
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Biblical poetry, written between the fourth and eleventh centuries, is an eclectic body of literature that disseminated popular knowledge of the Bible across Europe. Composed mainly in Latin and subsequently in Old English, biblical versification has much to tell us about the interpretations, genre preferences, reading habits, and pedagogical aims of medieval Christian readers. Biblical Epics in Late Antiquity and Anglo-Saxon England provides an accessible introduction to biblical epic poetry. Patrick McBrine’s erudite analysis of the writings of Juvencus, Cyprianus, Arator, Bede, Alcuin, and more reveals the development of a hybridized genre of writing that informed and delighted its Christian audiences to such an extent it was copied and promoted for the better part of a millennium. The volume contains many first-time readings and discussions of poems and passages which have long lain dormant and offers new evidence for the reception of the Bible in late Antiquity and the Middle Ages.
Author: Elaine Treharne
Publisher: DS Brewer
ISBN: 9780859917605
Category : Anglo-Saxon literature
Languages : en
Pages : 156
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Book Description
Medievalists demonstrate how a focus on gender can transform an approach to literary texts and genres. The essays in this annual English Association volume provide useful examples of how the conventions behind and the expectations evoked by literary modes and genres help to shape what purports to be an entirely essential and/or socially constructed aspect of identity of the 'he', 'she', or 'I' of the literary text. Ranging across materials from Old English Biblical poetry and hagiography to the late Middle English romances and fabliaux, the essays are united by a commitment to a variety of traditional scholarly methodologies. But each examines afresh an important aspect of what it means to be man or women, husband, son, mother, daughter, wife, devotee or love in the context of particular kinds of medieval literary texts. Contributors ANNE MARIE D'ARCY, HUGH MAGENNIS, DAVID SALTER, MARY SWAN, ELAINE TREHARNE, GREG WALKER.
Author: Robert Hood Bowers
Publisher: Gainesville : University of Florida Press
ISBN:
Category : Poetry
Languages : en
Pages : 80
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Book Description
Author: Judson Boyce Allen
Publisher: University of Toronto Press
ISBN: 1442632992
Category : Literary Criticism
Languages : en
Pages : 549
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Book Description
This study of the definition of literature in the late medieval period is based on manuals of writing and on literary commentary and glosses. It defines a method of reading which may now profitably explain medieval texts, and identifies new primary medieval evidence which may ground and guide new reading. Allen chooses texts whose commentary tradition provides the greatest opportunity for completeness. The most important of these is Ovid’s Metamorphoses. Medieval readings of Ovid bring into focus a number of major literary questions—the problems of fable and fiction, of unity imposed by miscellany poetry, of allegorical commentary, and of Christian use of pagan culture—all in connection with text which furnished medieval authors with more stories than any other single source except possibly the Bible. Allen also studies commentaries on the Consolation of Philosophy of Boethius, the Thebaid of Statius, the De nuptiis of Martianus Capella, the medieval Christian hymn-book, and the Poetria nova of Geoffrey of Vinsauf. Together these texts represent the range of medieval literature—a literature which, Allen concludes, was taken as direct ethical discourse, logically conducted and artfully organized within a system of language that also assimilated the natural world and sought to absorb its audience.
Author: Douglas Gray
Publisher: Routledge
ISBN: 042958881X
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Originally published in 1972, Themes and Images in the Medieval English Religious Lyric discusses themes and images in religious lyric poetry in Medieval English poetry. The book looks at the affect that tradition and convention had on the religious poetry of the medieval period. It examines the background of the lyrics, including the Latin tradition which was inherited by medieval vernacular and shows how religious lyric poetry presents, through a rich variety of images, the significant incidents in the scheme of Christ’s redemption, such as the Annunciation, the Nativity, the Passion and the Resurrection. It also considers the lyrics which were designed to assist humanity in the task of living in a Christian life, as well as those which prepared them for death.
