Author: John Oliver Hand
Publisher: Yale University Press
ISBN: 9780300232868
Category : Art, Netherlandish
Languages : en
Pages : 0
Book Description
Michel Sittow (c. 1469-1525) was the greatest Estonian artist of the Renaissance. As his renown as a portraitist spread among the royal courts of Europe in the late fifteenth century, Sittow led the life of the itinerant artist, leaving his native Reval, the Hanseatic port city known today as Tallinn, to reside at courts in Spain, The Netherlands, and Denmark. Michel Sittow: Estonian Painter at the Courts of Renaissance Europe is the first monographic exhibit of this masterful artist's oeuvre. The 144-page catalog with 90 illustrations features rare paintings by Sittow and other art works by his contemporaries, along with insightful essays by leading European and American scholars including John Oliver Hand of the National Gallery of Art, Washington, and Greta Koppel of the Art Museum of Estonia, Tallinn.--Provided by publisher.
Michel Sittow
Author: John Oliver Hand
Publisher: Yale University Press
ISBN: 9780300232868
Category : Art, Netherlandish
Languages : en
Pages : 0
Book Description
Michel Sittow (c. 1469-1525) was the greatest Estonian artist of the Renaissance. As his renown as a portraitist spread among the royal courts of Europe in the late fifteenth century, Sittow led the life of the itinerant artist, leaving his native Reval, the Hanseatic port city known today as Tallinn, to reside at courts in Spain, The Netherlands, and Denmark. Michel Sittow: Estonian Painter at the Courts of Renaissance Europe is the first monographic exhibit of this masterful artist's oeuvre. The 144-page catalog with 90 illustrations features rare paintings by Sittow and other art works by his contemporaries, along with insightful essays by leading European and American scholars including John Oliver Hand of the National Gallery of Art, Washington, and Greta Koppel of the Art Museum of Estonia, Tallinn.--Provided by publisher.
Publisher: Yale University Press
ISBN: 9780300232868
Category : Art, Netherlandish
Languages : en
Pages : 0
Book Description
Michel Sittow (c. 1469-1525) was the greatest Estonian artist of the Renaissance. As his renown as a portraitist spread among the royal courts of Europe in the late fifteenth century, Sittow led the life of the itinerant artist, leaving his native Reval, the Hanseatic port city known today as Tallinn, to reside at courts in Spain, The Netherlands, and Denmark. Michel Sittow: Estonian Painter at the Courts of Renaissance Europe is the first monographic exhibit of this masterful artist's oeuvre. The 144-page catalog with 90 illustrations features rare paintings by Sittow and other art works by his contemporaries, along with insightful essays by leading European and American scholars including John Oliver Hand of the National Gallery of Art, Washington, and Greta Koppel of the Art Museum of Estonia, Tallinn.--Provided by publisher.
Early Netherlandish Painting
Author: National Gallery of Art (U.S.)
Publisher: Cambridge University Press
ISBN: 9780894680939
Category : Art
Languages : en
Pages : 296
Book Description
The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
Publisher: Cambridge University Press
ISBN: 9780894680939
Category : Art
Languages : en
Pages : 296
Book Description
The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
The Retablo de Isabel la Católica by Juan de Flandes and Michel Sittow
Author: Chiyo Ishikawa
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 220
Book Description
This book is the first serious monograph about the Retablo de Isabel la Catolica (ca. 1496-1504) painted by Juan de Flanders and Michel Sittow. Tracing the critical history of the altarpiece and publishing some archival material for the first time, it presents the first discussion and technical examination of the individual panels, including infrared reflectography and microscopie examination of the painted surface. Technical examination also reveals the subject matter was closely related to the religious and political issues that concerned Queen Isabella in the waning years of her reign. The conservatism inherent in the austere painted treatment of the lives of Christ and the Virgin Mary is compared to conservative works of religious literature commissioned by or dedicated to the Queen in the years that the altarpiece was being painted. Finally, a brief catalogue of the surviving twenty-eight panels will restore a degree of narrative coherence to a project that is too little understood in large part because of the early dispersal of its paintings.
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 220
Book Description
This book is the first serious monograph about the Retablo de Isabel la Catolica (ca. 1496-1504) painted by Juan de Flanders and Michel Sittow. Tracing the critical history of the altarpiece and publishing some archival material for the first time, it presents the first discussion and technical examination of the individual panels, including infrared reflectography and microscopie examination of the painted surface. Technical examination also reveals the subject matter was closely related to the religious and political issues that concerned Queen Isabella in the waning years of her reign. The conservatism inherent in the austere painted treatment of the lives of Christ and the Virgin Mary is compared to conservative works of religious literature commissioned by or dedicated to the Queen in the years that the altarpiece was being painted. Finally, a brief catalogue of the surviving twenty-eight panels will restore a degree of narrative coherence to a project that is too little understood in large part because of the early dispersal of its paintings.
Prayers and Portraits
Author:
Publisher: Yale University Press
ISBN: 0300121555
Category : Diptychs
Languages : en
Pages : 364
Book Description
Publisher description
Publisher: Yale University Press
ISBN: 0300121555
Category : Diptychs
Languages : en
Pages : 364
Book Description
Publisher description
Circa 1492
Author: Jean Michel Massing
Publisher: Yale University Press
ISBN: 0300051670
Category : History
Languages : en
Pages : 684
Book Description
Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas
Publisher: Yale University Press
ISBN: 0300051670
Category : History
Languages : en
Pages : 684
Book Description
Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas
A Socialist Realist History?
Author: Kristina Jõekalda
Publisher: Böhlau Köln
ISBN: 3412516686
Category : History
Languages : en
Pages : 281
Book Description
How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s–1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was "invented" and refined. Although this discourse was inevitably "Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new "official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.
Publisher: Böhlau Köln
ISBN: 3412516686
Category : History
Languages : en
Pages : 281
Book Description
How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s–1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was "invented" and refined. Although this discourse was inevitably "Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new "official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.
Northern Renaissance Art
Author: Susie Nash
Publisher: Oxford University Press, USA
ISBN: 0192842692
Category : Art
Languages : en
Pages : 367
Book Description
The history of northern Renaissance art, from the late 14th to the early 16th century, drawing on a rich range of sources to show how northern European art dominated the visual culture of Europe in this formative period
Publisher: Oxford University Press, USA
ISBN: 0192842692
Category : Art
Languages : en
Pages : 367
Book Description
The history of northern Renaissance art, from the late 14th to the early 16th century, drawing on a rich range of sources to show how northern European art dominated the visual culture of Europe in this formative period
Joos Van Cleve
Author: John Oliver Hand
Publisher: Yale University Press
ISBN: 0300105789
Category : Art
Languages : en
Pages : 251
Book Description
"Joos van Cleve (active 1505/08-1540/41), an accomplished and influential Netherlandish artist, and a superb technician and sensitive colorist, created some of the most attractive and endearing images in northern Renaissance painting. In this book - the first major study of Joos in nearly eighty years - the foremost authority on the artist provides a complete and up-to-date account of Joos's life and works." "John Hand discusses events in the artist's career, the increasing obscurity of his works in the centuries after his death, and their rediscovery in the nineteenth century. Hand then examines specific paintings in Joos's oeuvre, addressing a broad spectrum of topics concerning the artist's style, chronology, iconography, influences, and the wide range of his commission."--Jacket.
Publisher: Yale University Press
ISBN: 0300105789
Category : Art
Languages : en
Pages : 251
Book Description
"Joos van Cleve (active 1505/08-1540/41), an accomplished and influential Netherlandish artist, and a superb technician and sensitive colorist, created some of the most attractive and endearing images in northern Renaissance painting. In this book - the first major study of Joos in nearly eighty years - the foremost authority on the artist provides a complete and up-to-date account of Joos's life and works." "John Hand discusses events in the artist's career, the increasing obscurity of his works in the centuries after his death, and their rediscovery in the nineteenth century. Hand then examines specific paintings in Joos's oeuvre, addressing a broad spectrum of topics concerning the artist's style, chronology, iconography, influences, and the wide range of his commission."--Jacket.
Women of Distinction
Author: Yvonne Bleyerveld
Publisher: Brepols Publishers
ISBN:
Category : History
Languages : en
Pages : 380
Book Description
This lavishly illustrated handbook was conceived to accompany an international exhibition organised by the city of Mechelen (Malines) in 2005. Both the exhibition and the catalogue highlight an important aspect of Burgundian culture: the impact of noble women on life at the court and in the city around 1500. Margaret of York (1446-1503), the English princess married to Duke Charles-the-Bold, and Margaret of Austria (1480-1530), the only daughter of Mary of Burgundy, both lived in Mechelen as well-to-do widows and are therefore the focal point of this publication. At the time, the city of Mechelen was the cosmopolitan and administrative centre of the Burgundian Netherlands. It forms the stage on which their lives as dowager duchess and as regent of the Netherlands unfold. Both women carried high responsibilities in matters of education, learning, devotion, government, diplomacy, patronage, public appearance and court etiquette. The book looks at the way in which court ladies were meant to behave within a given societal framework and also discusses how each individual interpreted her role by actively negotiating her position of authority. The sixteen essays which introduce the five distinct catalogue sections were written by leading scholars from different disciplines such as Wim Blockmans, Krista De Jonge, Dagmar Eichberger, Marie-Madeleine Fontaine, Anne-Marie Legare, Philippe Lorentz and Walter Prevenier. This book provides much more than a biographical account of two "women of distinction," but regards their lives as paradigmatic for upper-class women of that time. The study takes a fresh look at the transition from the late Middle Ages to the early modern period and offers the reader essential information as well as new insights into matters of gender and female concern.
Publisher: Brepols Publishers
ISBN:
Category : History
Languages : en
Pages : 380
Book Description
This lavishly illustrated handbook was conceived to accompany an international exhibition organised by the city of Mechelen (Malines) in 2005. Both the exhibition and the catalogue highlight an important aspect of Burgundian culture: the impact of noble women on life at the court and in the city around 1500. Margaret of York (1446-1503), the English princess married to Duke Charles-the-Bold, and Margaret of Austria (1480-1530), the only daughter of Mary of Burgundy, both lived in Mechelen as well-to-do widows and are therefore the focal point of this publication. At the time, the city of Mechelen was the cosmopolitan and administrative centre of the Burgundian Netherlands. It forms the stage on which their lives as dowager duchess and as regent of the Netherlands unfold. Both women carried high responsibilities in matters of education, learning, devotion, government, diplomacy, patronage, public appearance and court etiquette. The book looks at the way in which court ladies were meant to behave within a given societal framework and also discusses how each individual interpreted her role by actively negotiating her position of authority. The sixteen essays which introduce the five distinct catalogue sections were written by leading scholars from different disciplines such as Wim Blockmans, Krista De Jonge, Dagmar Eichberger, Marie-Madeleine Fontaine, Anne-Marie Legare, Philippe Lorentz and Walter Prevenier. This book provides much more than a biographical account of two "women of distinction," but regards their lives as paradigmatic for upper-class women of that time. The study takes a fresh look at the transition from the late Middle Ages to the early modern period and offers the reader essential information as well as new insights into matters of gender and female concern.
The Living Past of Tallinn
Author: Elena Rannu
Publisher:
ISBN:
Category : Tallinn (Estonia)
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Tallinn (Estonia)
Languages : en
Pages : 168
Book Description