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Author: Michael Nyman
Publisher: Cambridge University Press
ISBN: 9780521653831
Category : Music
Languages : en
Pages : 218
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Book Description
Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.
Author: Michael Nyman
Publisher: Cambridge University Press
ISBN: 9780521653831
Category : Music
Languages : en
Pages : 218
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Book Description
Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.
Author: Wise Publications
Publisher: Wise Publications
ISBN: 1787590917
Category : Music
Languages : en
Pages : 100
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Book Description
Nyman is one of the most commercially successful composers of the 20th century and his music has struck a chord with audiences the world over. His award-winning scores have graced countless significant films including The Piano, Detroit: Ruin Of A City and Gattaca. This special collection of Nyman's Piano music includes previously unpublished works from Nyman's 2005 CD The Piano Sings. All works have been transcribed and restored to solo Piano arrangements, offering his most successful and best-loved pieces in one superb volume. Songlist: - All Imperfect Things - The Attraction Of The Pedalling Ankle - Big My Secret - Candlefire - Chasing Sheep Is Best Left To Shepherds - Chatterbox Waltz - The Departure - Diary Of Love - The Embrace - The Exchange - Franklyn - Goodbye Moortie - The Heart Asks Pleasure First - Here To There - If - Jack - Lost And Found - The Mood That Passes Through You - The Morrow - Odessa Beach - The Schoolroom - Sheep ’n’ Tides - Silver-Fingered Fling - Time Lapse - Why?
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1458482618
Category : Music
Languages : en
Pages : 1363
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Book Description
(Piano/Vocal/Guitar Songbook). A fitting follow-up to one of the most popular songbooks ever 150 of the Most Beautiful Songs Ever , this collection contains 150 more classics with no duplication of songs between the two volumes. Songs include: All I Ask of You * All the Way * Beautiful in My Eyes * Can You Feel the Love Tonight * Change the World * Cry Me a River * Do I Love You Because You're Beautiful? * Don't Know Why * Dream a Little Dream of Me * Easy Living * Everything Happens to Me * A Fine Romance * Grow Old with Me * I Remember You * I've Got My Love to Keep Me Warm * Imagine * Let's Fall in Love * Love Me Tender * Misty * My Heart Will Go on (Love Theme from Titanic ) * They Say It's Wonderful * Time After Time * A Whole New World * Wonderful Tonight * You Raise Me Up * and more.
Author: Pwyll ap Siôn
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781859282106
Category : Music
Languages : en
Pages : 266
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Book Description
Nyman's rise to international prominence during the last three decades has made him one of the world's most successful living composers. His music has nevertheless been criticized for its parasitic borrowing of other composers' ideas and for its relentless self-borrowing. In this first book-length study in English, Pwyll ap Siôn places Nyman's writings within the general context of Anglo-American experimentalism, minimalism and post-minimalism, and provides a series of useful contexts from which controversial aspects of Nyman's musical language can be more clearly understood and appreciated.
Author: Amsco Publications
Publisher: Wise Publications
ISBN: 178323055X
Category : Music
Languages : en
Pages : 352
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Book Description
The Library Of Modern Piano Music strives to illustrate the vigour and variety of modern piano music. These original compositions span standalone pieces, albums, suites and arrangements from talents as diverse as Igor Stravinsky, Francis Poulenc, Lennox Berkeley, Witold Lutosławski , Hans Werner Henze, Peter Maxwell Davies, Philip Glass and Ludovico Einaudi. As well as these concert pieces, a number of works have been written specially for screen. From Michael Nyman’s celebrated music for ‘The Piano’ to Richard Rodney Bennett’s score for the now rarely seen but superb 1980s miniseries of ‘Tender Is The Night’, there is ample proof of the richness added to international screen dramas by first-rate composers. These and over 100 more piano pieces make The Library Of Modern Piano Music a true classic.
Author: Harriet Elaine Margolis
Publisher: Cambridge University Press
ISBN: 9780521597210
Category : Fiction
Languages : en
Pages : 224
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Book Description
An examination of Jane Campion's The Piano from a variety of critical perspectives.
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 154004551X
Category : Music
Languages : en
Pages : 165
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Book Description
(Piano Solo Songbook). Relax at the piano with this exceptional collection of satisfying and profoundly beautiful pieces to play. Songs include: American Beauty Theme (Thomas Newman) * Big My Secret (from The Piano ) (Michael Nyman) * Cinema Paradiso Love Theme (Ennio Morricone) * Dawn (from Pride & Prejudice ) (Dario Marianelli) * Fly (Ludovico Einaudi) * In the Morning Light (Yanni) * Light of the Seven (from Game of Thrones ) (Ramin Djawadi) * Metamorphosis Two (Philip Glass) * A Model of the Universe (from The Theory of Everything ) (Johann Johannsson) * Somewhere in Time Theme (John Barry) * Watermark (Enya) * Written on the Sky (Max Richter) * and more.
Author: Pwyll ap Siôn
Publisher: Routledge
ISBN: 1317096851
Category : Music
Languages : en
Pages : 396
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Book Description
For over three decades Michael Nyman's music has succeeded in reaching beyond the small community of contemporary music aficionados to a much wider range of listeners. An important element in unlocking the key to Nyman's success lies in his writings about music, which preoccupied him for over a decade from the late 1960s to the early 1980s. During this time Nyman produced over 100 articles, covering almost every conceivable musical style and genre - from the Early Music revival and the West's interest in 'world' music, or from John Cage and minimalism to rock and pop. Nyman initiated a number of landmark moments in the course of late twentieth-century music along the way: he was one of the first to critique the distinction between the European avant-garde and the American experimental movement; he was the first to coin the term 'minimalism' in relation to the music of (then largely unknown) Steve Reich and Terry Riley, and later Philip Glass; the first to seriously engage with the music of the English experimental tradition and the importance of Cornelius Cardew, and to identify the importance of Art Colleges in nurturing and developing a radical alternative to modernism; and one of the first writers to grasp the significance of post-minimalists such as Brian Eno and Harold Budd, and to realize how these elements could be brought together into a new aesthetic vision for his own creative endeavours, which was formulated during the late 1970s and early 80s. Much of what transformed and defined Nyman's musical character may be found within the pages of this volume of his writings, comprehensively edited and annotated for the first time, and including previously unpublished material from Nyman's second interview with Steve Reich in 1976. There is also much here to engage the minds of those who are interested in pre-twentieth century music, from Early and Baroque music (Handel and Purcell in particular) to innovative features in Haydn, spatial elements in Berlioz, or Bruckner and Mahler's symphonic works.
Author: Susan Tomes
Publisher: Yale University Press
ISBN: 0300253923
Category : Music
Languages : en
Pages : 399
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Book Description
A fascinating history of the piano explored through 100 pieces chosen by one of the UK's most renowned concert pianists "Tomes . . . casts her net widely, taking in chamber music and concertos, knotty avant-garde masterworks and (most welcome) jazz."--Richard Fairman, Financial Times, "Best Books of 2021: Classical Music" "[One of] the most beautiful books I got my hands on this year. . . . About the shaping of this maddening, glorious, unconquerable instrument."--Jenny Colgan, Spectator, "Books of the Year" An astonishingly versatile instrument, the piano allows just two hands to play music of great complexity and subtlety. For more than two hundred years, it has brought solo and collaborative music into homes and concert halls and has inspired composers in every musical genre--from classical to jazz and light music. Charting the development of the piano from the late eighteenth century to the present day, pianist and writer Susan Tomes takes the reader with her on a personal journey through 100 pieces including solo works, chamber music, concertos, and jazz. Her choices include composers such as Bach, Mozart, Beethoven, Robert Schumann, Tchaikovsky, Debussy, Gershwin, and Philip Glass. Looking at this history from a modern performer's perspective, she acknowledges neglected women composers and players including Fanny Mendelssohn, Maria Szymanowska, Clara Schumann, and Amy Beach.
Author: Pwyll ap Siôn
Publisher: Routledge
ISBN: 1351542265
Category : Music
Languages : en
Pages : 251
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Book Description
Nyman's rise to international prominence during the last three decades has made him one of the world's most successful living composers. His music has nevertheless been criticized for its parasitic borrowing of other composers' ideas and for its relentless self-borrowing. In this first book-length study in English, Pwyll ap Si laces Nyman's writings within the general context of Anglo-American experimentalism, minimalism and post-minimalism, and provides a series of useful contexts from which controversial aspects of Nyman's musical language can be more clearly understood and appreciated. Drawing upon terms informed by intertextual theory in general, appropriation and borrowing are first introduced within the context of twentieth-century art music and theory. Intertextual concepts are explained and their terms defined before Nyman's musical language is considered in relation to a series of intertextual classifications and types. These types then form the basis of a more in-depth study of his works during the second half of the book, ranging from opera and chamber music to film. Rather than restricting style and technique, Nyman's intertextual approach, on the contrary, is shown to provide his music with an almost infinite amount of variety, flexibility and diversity, and this has been used to illustrate a wide range of technical, aesthetic and expressive forms. He composes with his ear towards the past as if it were a rich quarry to mine, working like a musical archaeologist, uncovering artefacts and chiselling fresh and vibrant sonic edifices out of them.
