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Author: Mey-Yen Moriuchi
Publisher: Penn State University Press
ISBN: 9780271079073
Category : Art
Languages : en
Pages : 0
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Book Description
Focuses on costumbrismo, a cultural trend in Latin America and Spain toward representing local customs, types, and scenes of everyday life in the visual arts and literature, to examine the shifting terms of Mexican identity in the nineteenth century.
Author: Mey-Yen Moriuchi
Publisher: Penn State University Press
ISBN: 9780271079073
Category : Art
Languages : en
Pages : 0
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Book Description
Focuses on costumbrismo, a cultural trend in Latin America and Spain toward representing local customs, types, and scenes of everyday life in the visual arts and literature, to examine the shifting terms of Mexican identity in the nineteenth century.
Author: Thea Pitman
Publisher: Peter Lang
ISBN: 9783039110209
Category : History
Languages : en
Pages : 218
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Book Description
This book is a detailed study of salient examples of Mexican travel writing from the nineteenth and twentieth centuries. While scholars have often explored the close relationship between European or North American travel writing and the discourse of imperialism, little has been written on how postcolonial subjects might relate to the genre. This study first traces the development of a travel-writing tradition based closely on European imperialist models in mid-nineteenth-century Mexico. It then goes on to analyse how the narrative techniques of postmodernism and the political agenda of postcolonialism might combine to help challenge the genre's imperialist tendencies in late twentieth-century works of travel writing, focusing in particular on works by writers Juan Villoro, Héctor Perea and Fernando Solana Olivares.
Author: Joanne Hershfield
Publisher: Duke University Press
ISBN: 9780822342380
Category : History
Languages : en
Pages : 220
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Book Description
A look at how the modern woman was envisioned in postrevolutionary Mexican popular culture and how she figured in contestations over Mexican national identity.
Author: Rafael Ocasio
Publisher:
ISBN: 9780813041643
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
A broad examination of representations of Afro-Cuban religious themes in literature and popular arts, focusing on white authors of Costumbrismo literature represented black culture.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870995952
Category : Architecture, Mexico
Languages : en
Pages : 730
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Book Description
Precolumbian art -- Viceregal art -- Nineteenth century art -- Twentieth century art.
Author: Tara Zanardi
Publisher: Penn State Press
ISBN: 0271076682
Category : Art
Languages : en
Pages : 583
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Book Description
Majismo, a cultural phenomenon that embodied the popular aesthetic in Spain from the second half of the eighteenth century, served as a vehicle to “regain” Spanish heritage. As expressed in visual representations of popular types participating in traditional customs and wearing garments viewed as historically Spanish, majismo conferred on Spanish “citizens” the pictorial ideal of a shared national character. In Framing Majismo, Tara Zanardi explores nobles’ fascination with and appropriation of the practices and types associated with majismo, as well as how this connection cultivated the formation of an elite Spanish identity in the late 1700s and aided the Bourbons’ objective to fashion themselves as the legitimate rulers of Spain. In particular, the book considers artistic and literary representations of the majo and the maja, purportedly native types who embodied and performed uniquely Spanish characteristics. Such visual examples of majismo emerge as critical and contentious sites for navigating eighteenth-century conceptions of gender, national character, and noble identity. Zanardi also examines how these bodies were contrasted with those regarded as “foreign,” finding that “foreign” and “national” bodies were frequently described and depicted in similar ways. She isolates and uncovers the nuances of bodily representation, ultimately showing how the body and the emergent nation were mutually constructed at a critical historical moment for both.
Author: Alison Fraunhar
Publisher: Univ. Press of Mississippi
ISBN: 1496814460
Category : History
Languages : en
Pages : 273
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Book Description
Repeatedly and powerfully throughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in Cuban visual and performative culture. Tracing the figure, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world. Widely understood to embody the bridge between European subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty. This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure's role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender. Fraunhar's study stands out for attending to the phenomenon of mulataje not only in elite production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, mulataje remains a popular theme with Cubans as well as foreigners in drag shows, reflecting queerness in visual culture.
Author: Erica Segre
Publisher: Berghahn Books
ISBN: 1800735103
Category : Social Science
Languages : en
Pages : 304
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Book Description
There has always been an important visual element to the construction and questioning of national identity in post-Independence Mexico, though one that has not always been given its due, outside of the celebrated and much-studied muralists. Ranging from the early nineteenth century to the present – from the vogue for the picturesque, illustrated periodicals and the influential writings of Altamirano to a wealth of twentieth-century graphic artists, filmmakers and photographers – this book re-examines the complex variety of ways in which that visual element has operated. In particular, it looks at the ways in which discourses concerning ethnicity and cultural hybridity have been echoed and transformed in Mexican visual culture, resulting in fields of visual discourse which are eclectic and increasingly self-reflexive.
Author: Wenceslao Gálvez y Delmonte
Publisher: University Press of Florida
ISBN: 0813057647
Category : Social Science
Languages : en
Pages : 189
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Book Description
In 1896, Wenceslao Gálvez y Delmonte fled the violence of Cuba’s war for independence and settled in Tampa. He soon made his new home the focus of a work of costumbrismo, the Spanish-language genre built on closely observing the everyday manners and customs of a place. Translated here into English, Gálvez’s narrative mixes evocative descriptions with charming commentary to bring to life the early Cuban exile communities in Ybor City and West Tampa. The writer’s sharp eye finds the local characters, the barber shops and electric streetcars, the city landmarks and new Cuban enclaves. One day, Gálvez offers his thoughts on the pro-independence activities of community leaders like Martín Herrera and Fernando Figuerdo. On another, our exiled bourgeois intellectual author wryly recounts his new life as a door-to-door salesman and lector reading aloud to workers in a cigar factory. This scholarly edition includes photographs and newspaper clippings, a foreword on Gálvez’s extraordinary pre-exile years, extensive notes to the translation, and a wealth of other supplementary material putting the author’s life and work in context. A volume in the series New World Diasporas, edited by Kevin A. Yelvington
Author: Adriana Zavala
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 420
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Book Description
Explores the imagery of woman in Mexican art and visual culture. Examines how woman signified a variety of concepts, from modernity to authenticity and revolutionary social transformation, both before and after the Mexican Revolution.
